CALL SUPER Suzi Ecto 2x LP NEW VINYL Houndstooth Actress Pan Ben UFO Objekt

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Store Categories HIP HOP FUNK / SOUL DUB/REGGAE/DANCEHALL EXPERIMENTAL/IDM DOWNTEMPO DUBSTEP/GRIME SERATO CONTROL VINYL HOUSE TECHNO INDYTRONIC SYNTHWAVE/80'S/INDUSTRIAL UK BASS/FUTURE GARAGE/UKF WONKY GLITCH HOP AMBIENT/DRONE BATTLE BREAKS/ACAPELLAS DISCO ELECTRO/BREAKS GHETTO TECH/JUKE/FOOTWORK HIPSTER JUMP OFF PROGRESSIVE/TRANCE DRUM N' BASS BREAKCORE ROCK POP PUNK METAL JAZZ CALL SUPER Suzi Ecto / 2x LP NEW VINYL / Houndstooth 2014

Double LP version, cut to 180 gram vinyl. The fears and passing joys of the world pouring in through mouth, nose, eyes and ears. React against what we cannot stand: the co-opted postures, the gimmicks of aspirants, unconscious reactive strategies. Here now in the contradictory mix of the blissful, the panicked and the paranoid that thrives place to place. Drowning us. Veins, organs and mind are filled until we blur into these cities and skies and our reactions fade away. A positive assertion is staked and I see that this is no longer a part of me. Call Super's highly-anticipated debut album Suzi Ecto is presented on heavyweight double LP. Presented in bespoke PVC sleeve with spot varnish pattern.

One of Techno's slipperiest operators presents his debut album statement in the subtle but lush structures of 'Suzi Ecto' for Fabric/Rob Booth's Houndstooth. Over the last four years the London-based musician has garnered the respect of everyone from PAN's Bill Kouligas to Ben UFO and Objekt, exemplifying his artistic versatility and aptitude for transcending cerebral and club dimensions. With 'Suzi Ecto' he opens a lucidly gorgeous space between the 'floor and our imagination, sweeping us thru eleven concisely detailed prisms refracting classic IDM and exotic 4th world ambient thru minimal techno and garage frameworks. It's all got a very contrary English quality to it, contradicting sheer and prickly textures with blissful and melancholic emotions to discern a systemic sound that plays and feeds off its binaries, from the meld of glassy electronics, airborne jszz sax and mnml dancehall bump of 'Sulu Sekou' to the dank but brittle techno jag of 'Hoax Eye', and the gyroscopic, head-gone whorl of 'Acephale I'. Most crucially he nails that balancing act of esoteric intent, and physical, tactile function, proving himself one of the most intangible, elusive - in terms of aesthetics - producers from the UK right now.

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