CANNED HEAT, 1967 DEBUT VINYL LP (VG+ playtstd) ORIGINAL STEREO PRESSING LST7526

$

22

CANNED HEAT, 1967 DEBUT VINYL LP ORIGINAL STEREO PRESSING 

Label and Cat.#, Liberty ?– LST-7526

***I Use The Record Grading System Provided By eBay, Please See Below For Detailed Descriptions Of Each Grade Level***

MINT (M)

NEAR MINT (NM)

VERY GOOD ++ same as EXCELLENT (VG++ or EX)

VERY GOOD+ (VG+)

VERY GOOD (VG)

GOOD+

GOOD

FAIR OR POOR (we very rarely deal with records that would grade at these levels)

Please read the item description before bidding:

CONDITION FOR THIS LISTING:

RECORD CONDITION / VG+ /// at first glance looks EX, but under closer inspection there is several light surface marks, mainly on side 2. Record was listen-tested and it sounds awesome! Most of side 1 plays at EX level, side 2 plays more at the VG+ level but still sounds incredible.

JACKET CONDITION / VG /// has light record ring with a bit of the white snowy look, photos should give a good idea.  Bottom seam is split about 7 inches long starting at opening.  Cover is a cut out please see photos.  Has some other minor flaws / signs of aging, artwork is still lookoing pretty decent.

INCLUDES: plain record sleeve

TRACK LISTING:

 A1 Rollin' And Tumblin'

Written-By – M. Morganfield*

3:05

A2 Bullfrog Blues

Written-By – Wilson*, Hite, Jr.*, Cook*, Vestine*, Taylor*

2:15

A3 Evil Is Going On

Written-By – W. Dixon*

2:20

A4 Goin' Down Slowly

Written-By – J. Olden*

3:44

A5 Catfish Blues

Adapted By [Adpt] – Wilson*, Hite, Jr.*, Cook*, Vestine*, Taylor*

6:42

B1 Dust My Broom

Written-By – E. James*

3:14

B2 Help Me

Written-By – R. Bass*, S. Williamson*

3:10

B3 Big Road Blues

Written-By – Wilson*, Hite, Jr.*, Cook*, Vestine*, Taylor*

3:09

B4 The Story Of My Life

Written-By – E. Jones*

3:36

B5 The Road Song

Written-By – Wilson*, Hite, Jr.*, Cook*, Vestine*, Taylor*

3:09

B6 Rich Woman

Written-By – Wilson*, Hite, Jr.*, Cook*, Vestine*, Taylor*

2:50

Credits

Art Direction – Woody Woodward

Bass – Larry Taylor

Design – Gabor Halmos

Drums – Frank Cook

Engineer – Dino Lappas, Lanky Linstrot

Guitar – Henry Vestine

Guitar, Vocals, Harp – Al Wilson (2)

Photography By – Gary Greenberg (2)

Producer – Cal Carter*

Sleeve Notes [Back Cover] – Pete Welding

Vocals – Bob Hite

Notes

Also available in Monaural LRP-3526

Canned Heat is an American rock band formed in Los Angeles in 1965. The group has been noted for its interpretations of blues material and for its efforts to promote interest in this type of music and its original artists. It was launched by two blues enthusiasts, Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat". After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup consisting of Bob Hite (vocals), Alan Wilson (guitar, harmonica and vocals), Henry Vestine and later Harvey Mandel (lead guitar), Larry Taylor (bass), and Adolfo de la Parra (drums).

The music and attitude of Canned Heat afforded them a large following and established the band as one of the popular acts of the hippie era. Canned Heat appeared at most major musical events at the end of the 1960s, performing blues standards along with their own material and occasionally indulging in lengthy 'psychedelic' solos. Two of their songs – "Going Up the Country" and "On the Road Again" – became international hits. "Going Up the Country" was a remake of the Henry Thomas song "Bull Doze Blues", recorded in Louisville, Kentucky, in 1927. "On the Road Again" was a cover version of the 1953 Floyd Jones song of the same name, which is reportedly based on the Tommy Johnson song "Big Road Blues", recorded in 1928.

Since the early 1970s, numerous personnel changes have occurred, although the current lineup includes all three surviving members of the classic lineup: de la Parra (who has remained in the band since first joining in 1967), Mandel, and Taylor. For much of the 1990s and 2000s, de la Parra was the only member from the band's 1960s lineup. He wrote a book about the band's career. Larry Taylor, whose presence in the band has not been steady, is the other surviving member from the earliest lineups. Mandel, Walter Trout and Junior Watson are among the guitarists who gained fame for playing in later editions of the band. British blues pioneer John Mayall found several musicians for his band among former members of Canned Heat.

Canned Heat is the 1967 debut album by Canned Heat. It was released shortly after their appearance at the Monterey Pop Festival, and features performances of several blues covers.

Canned Heat was re-released on CD in 1999 by French label MAM Productions under the title Rollin' and Tumblin'.

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1.   INTERNATIONAL SHIPPING

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3.   REFUNDS

4.   PACKAGING

5.   CLEANING RECORDS

6.   GRADING DESCRIPTIONS

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Please read the item description before bidding. Refunds or reimbursements will not be made for any of the items features that were stated in the description, or clearly visible in the photos. We try our hardest and believe we are fair and honest with our grading, but we're all human and mistakes or oversights can happen so in these instances we try to be flexible. If you feel the product received does not meet the stated item description, please contact me via eBay messages within 7 days of receiving. We will explore the options and I'm sure we can work something out, if a refund is necessary it can be arranged. Refunds will be made only after return shipment to, and re-inspection by the seller. We are not financially responsible for mishandling of parcels by the postal service.

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The cost that you pay for shipping will most often be rounded up, the additional funds are what is used to buy packaging materials such as: mailers, boxes, padded envelopes, bubble wrap, cardboard stiffeners or tape. These items are necessary to ensure a safe delivery, I package my items with tender loving care and my techniques have been very successful with hundreds of happy customers. If you have specific questions or requests for packaging please let me know via eBay messages. At times a buyer might have a request that I feel is a bit excessive or unnecessary, if we cannot reach an agreement then the transaction may be canceled.

5. CLEANING RECORDS

If it's plain to see that a record needs cleaned, I will clean it. I believe in finding out the maximum potential of what the wax has to offer, I have a method I've used for years that truly works wonders. I spray the record with a cleaning solution that's made up of rubbing alcohol, dish soap (free & clear), and water. I then rinse the record off using my own method that keeps the water off of the label, if any drops still find their way they are wiped off immediately. The record is then air dried.

6. GRADING DESCRIPTIONS

Guidelines for record grading / condition of used records (based on Goldmine Grading for Records)

MINT (M): Perfect! This record looks like it has just left the manufacturer, with NO flaws what so ever. It looks as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers or writing address labels. COVER: No writing, no tears or seam splits. No wear to the cover or record period! Age of the record has nothing to do with it.

NEAR MINT or (NM), (M-): RECORD: Record appears virtually flawless. A very minor scuff and very little else appears on the vinyl. It should play without any noise over the flaw. The flaw is very hard to see. COVER: The cover looks as close to perfect with only minor signs of wear and or age. Minor impressions to the cover (due to the outer edge of the vinyl resting inside) may be acceptable, however the artwork is as close to perfect as can be.

(VG++), EXCELLENT or (EX): RECORD: Will have minor scuffs which are only slightly visible. There may be more than a few scuffs and NO scratches. COVER: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits, writing on the cover or taped repairs.

VERY GOOD PLUS or (VG+): RECORD: A VG+ record shows some wear and surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye. Visible flaws don't cause too much surface noise. COVER: A virtually clean cover, but may have small writing on it. The artwork looks clean with slightly more aging. Flat white paper will be somewhat yellow, but no large stains or mildew from water damage. Some minor wear to the seams or spine, but no significant tears or holes popping through. The corners will be slightly dog eared, but no crackly bends, defacing the artwork.

VERY GOOD or (VG): RECORD: A record that is good enough. They are not really going to look very good, but will PLAY very good. There will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will look like it has been played, but still have some luster. COVER: VG covers will look worn, used. There may be some seam splitting . There may be some ring wear, where the ink has begun to wear off, giving the cover a look of snow falling. There may be some writing on the cover, item description will address these issues. It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke), but should be decent.

GOOD or (G): RECORD: A good record will look very well played, dull, grayish and possibly abused. However a Good record should still play. It will have distracting surface noise. Such as crackle that is continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. Good means that it will play with some form of decency, so one can still enjoy the music even though you can still hear noise caused from the wear. COVER: Good cover will have just about everything wrong with it. It will have seam splits (possibly taped repaired, but only with scotch tape. No duct tape or masking tape repairs. May have magic marker writing on the cover but will not be in huge letters.  In essence, the cover will looked virtually trashed, but some artwork will still be noticed.