CANNONBALL ADDERLEY+BILL EVANS KNOW WHAT I MEAN RARE ORIG'61 RIVERSIDE STEREO LP
$
41
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Description
WE CURRENTLY HAVE MORE THAN 1,000 LISTED ITEMS
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· CANNONBALL ADDERLEY WITH BILL EVANS - KNOW WHAT I MEAN? – ORIGINAL 1961 RIVERSIDE STEREO LP RLP-9433
· ORIGINAL U.S. PRESSING
· ORIGINAL BLACK RIVERSIDE STEREO LABEL WITH SILVER PRINT, AND 'MICROPHONE AND TAPE REEL' LOGO
· DTHIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK CARDBOARD COVER, AMERICAN STYLE.
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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What's better than a Bill Evans Trio album? How about a Bill Evans trio album on which the bassist is Percy Heath, the drummer is Connie Kay, and the leader is not Evans but alto sax god Cannonball Adderley, making the group actually a quartet? It's a different sort of ensemble, to be sure, and the musical results are marvelous. Adderley's playing on "Waltz for Debby" is both muscular and sensitive, as it is on the other Evans composition here, a modal ballad called "Know What I Mean?" Other treats include the sprightly "Toy" and two takes of the Gershwin classic "Who Cares?" The focus here is, of course, on Adderley's excellent post-bop stylings, but it's also interesting to hear Evans playing with a rhythm section as staid and conservative as Kay and Heath (both charter members of the Modern Jazz Quartet). It's hard to imagine any fan of mainstream jazz not finding much to love on this very fine recording.
(EXCERPT FROM AN ONLINE REVIEW BY RICK ANDERSON, ALL MUSIC GUIDE /ALLMUSIC.COM/)
This is one of the singularly important albums that came out of Miles Davis' Quintet that produced "Kind of Blue": another true JAZZ CLASSIC. The songs are: Waltz for Debby - Goodbye - Who cares? - Venice - Toy - Elsa - Nancy (with the laughing face) - Know what I mean. Not to be missed.
For additional historical or discography information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Stereo pressing of this title is much rarer, and by far more preferable to its mono counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies by a ratio of at least 3:1.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS ABOUT VERY GOOD+(+)
The following flaws or imperfections are noted on the cover:
- Back cover has a large peel-off mark, about 3 square inches in size (NO PART OF THE SLICK IS MISSING, BUT THE SURFACE OF THE PAPER SLICK HAS BEEN PEELED OFF FROM THE CARDBOARD BASE) which has been indelicately taped back to the cover by using four (4) pieces of aged clear scotch tape
- Cover has a small quality control (inspection) stamp on the back panel
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4 (front side) and 3 (back side)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- Cover has a few tiny wrinkles along the spine
- Cover has some visible fraying/tattering on all three seams
- Cover has one corner slightly worn (nothing significant)
- Cover has a partially split top seam (less than 1 inch / 2.5 centimeters)
- Cover has a partially split spine (between 1 and 2 inches / 2.5 to 5 centimeters)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No stains
- No mold or mildew spots
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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