CECIL TAYLOR LOOKING AHEAD RARE ORIGINAL '58 CONTEMPORARY STEREO LP NEAR MINT

$

169

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·       CECIL TAYLOR – LOOKING AHEAD – ULTRA-RARE ORIGINAL 1959 CONTEMPORARY RECORDS STEREO LP  S-7562 (MONO PRESSING RELEASED IN 1958, STEREO IN 1959)

·       ORIGINAL U.S. PRESSING

·       DEEP GROOVE PRESSING

·       VERY EARLY PRESSING CIRCA 1967-1970 ON GLOSSY, DARK GREEN (ALMOST BLACK) CONTEMPORARY LABEL WITH GOLD PRINT

·       A NOTE ON CONTEMPORARY PRESSINGS AND LABELS: CONTEMPORARY LABEL WAS NOTORIOUS FOR USING INCONSISTENT AND ERRATIC LABELING DURING THE 1960s. CERTAIN CONTEMPORARY LABELS (ON THE SAME TITLE!!!) OVERLAPPED WITH OTHER LABELS, SOME WERE IN USE ONLY BRIEFLY, SOME OVERLAPPED WITH CONTEMPORARY'S "STEREO" IMPRINT WHICH ISSUED CERTAIN TITLES ONLY IN STEREO,  SOME LABELS WERE INTRODUCED ONLY TO BE BRIEFLY AND TEMPORARILY PHASED OUT AND THEN RE--INTRODUCED, AND CONTEMPORARY LABEL COLOR, SHADE AND DEEP GROOVE VARIATIONS (NOT TO MENTION: COVER VARIATIONS) ARE EXCEPTIONALLY COMMON. BASED ON EVERYTHING WE SEE ON THIS PRESSING, WE BELIEVE THAT THIS IS A FIRST (OR POSSIBLY EARLY SECOND) (LATE 1950s to EARLY '60s PRESSING) OF THIS TITLE, DURING WHICH PERIOD CONTEMPORARY LP RELEASES WERE PRESSED BY CAPITOL RECORDS PRESSING FACILITY.  WE GUARANTEE THAT THIS IS NOT A 1970s or 1980s PRESSING.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       ORIGINAL FIRST VERSION OF THE COVER WITH A STEREO BANNER ON THE FRONT SIDE IN LARGE BLACK RECTANGLE IN UPPER RIGHT-HAND CORNER; THE LATER PRESSINGS DELETE THE BLACK RECTANGLE AND REPLACE IT WITH A TINY PRINT IN THE UPPER RIGHT-HAND CORNER.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-D2/-D2'.

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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One of Cecil Taylor's earliest recordings, Looking Ahead! does just that while still keeping several toes in the tradition. It's an amazing document of a talent fairly straining at the reins, a meteor about to burst onto the jazz scene and render it forever changed. With Earl Griffith on vibes, Taylor uses an instrumentation he would return to occasionally much later on, one that lends an extra percussive layer to the session, emphasizing the new rhythmic attacks he was experimenting with. Griffith sounds as though he might have been a conceptual step or two behind the other three but, in the context of the time, this may have served to make the music a shade more palatable to contemporary tastes. But the seeds are clearly planted and one can hear direct hints of Taylor's music to come, all the way to 1962 at least (the Nefertiti trio with Sunny Murray). Pieces like "Luyah! The Glorious Step" and "Of What" are so fragmented (in a traditional sense) and so bristlingly alive that one can understand Whitney Baillett's observation of crowds at a Taylor concert fidgeting "as if the ground beneath had suddenly become unbearably hot." The contributions of bassist Buell Neidlinger and drummer Dennis Charles cannot be understated; they breathe with Taylor as one unit and appear to be utterly in sync with his ideas. When the pianist edges into his solo on "Excursion on a Wobbly Rail," it's as though he's meeting the tradition head on, shaking hands and then rocketing off into the future. Looking Ahead! is a vital recording from the nascence of one of the towering geniuses of modern music and belongs in any jazz fan's collection

(EXCERPT FROM AN ONLINE REVIEW BY BRIAN OLEWNICK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NEAR MINT !

The following flaws or imperfections are noted on the cover:

-        Cover has some tiny, faint writing on its back side (a microscopic price code written in one corner)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No yellowing from aging

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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