CECIL TAYLOR LOVE FOR SALE MINT ORIG 1959 UNI/ARTS MONO WHITE LABEL PROMO LP DG

$

136

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·       CECIL TAYLOR (TRIO AND QUARTET) – LOVE FOR SALE – ORIGINAL 1959 UNITED ARTISTS MONO LP UAL-4062

·       ORIGINAL U.S. PRESSING

·       *** WHITE LABEL PROMO ***

·       *** IN ADDITION, , THE PROMOTIONAL STAMP ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

·       DEEP GROOVE PRESSING

·       The record has an "EAR" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME jazz labels is associated with very early or first pressings)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL LAMINATED COVER

·       THICK, HEAVY VINYL PRESSING

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.\

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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This may be the straightest record Cecil Taylor ever recorded, but it is far from uninspiring. Despite its hopelessly gauche cover -- one can only presume Taylor had no say-so in the choice of artwork used -- Taylor's approach to three Cole Porter tunes with a trio and three of his own with a quintet is a lively combination, and one which, in lieu of his later work, reveals the construction of his system of improvisation better than his later records do when he is playing from the middle of it. Accompanied by Dennis Charles on drums and Buell Neidlinger on bass, Taylor dives deep into Porter's "I Love Paris," a shifty little pop song. Taylor goes head to head with Neidlinger in a contrapuntal statement of the melody -- illustrated by chord changes which are extrapolated from the melodic sequence -- against harmony before actually flowing into the main theme of the tune for a moment before kicking the rhythm section loose and treating the tune percussively, almost as if it were a series of rhythm changes instead of harmonic ones. On the title track it's much the same, except Taylor's tenderness shines through in his lilting right hand in the middle as he trades fours with Charles. There's a wonderful cut-time tempo here, and Taylor starts building scales harmonically in his solo only to answer them with the melody and original harmony. With his own three tunes, with trumpeter Ted Curson and saxophonist Bill Barron added to the fray, Taylor takes more chances. On "Little Lees (Louise)," he scores in an elaborate melody that is played without dissonance by the horn section as he and Neidlinger play entirely in counterpoint. But here, too, there is a sublime lyricism at work; there are no extra notes or chords, and everything falls in line with the chromatic architecture Taylor composes with. "Maities Trophie" is Taylor ringing in a blues jam à la Ellington -- or at least his version of Ellington. The solos by Curson and Barron are tight, narrative, and bordering on swing, but all that's taken care of by Taylor's solo. Love for Sale is a delightful anomaly in Cecil Taylor's long career.

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)            The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

(c)           The record has an "ear" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME  jazz and blues labels (such as Blue Note; Folkways; Period, etc…) is associated with very early or first pressings). The 'ear' symbol is actually a letter 'P' in italic script, denoting a pressing made by Plastylite Corporation’s pressing plant.

(d)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)           White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 50:1.

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a partially split bottom seam (between 2 and 4 inches  / 5 to 10 centimeters); This split seam was delicately taped by the previous owner with a piece of transparent scotch tape

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover has a few tiny wrinkles along the spine

-         Cover has some writing on its back side (radio station notes about 4 square inch in size, in thick black marker)

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging.

-         Cover has some ring wear.  (VISIBLE ON BACK SIDE ONLY) ; On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 5.

-         Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)

-         Cover has one corner slightly worn / dinged / bent.

-         Cover has a 1-inch tear/dent (cut) on the opening side (nothing significant); NO part of the cover is missing

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No peel-off marks

-        No stamps (except for the promo stamp)

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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