CHELSEA - self titled - RARE Aussie 1970 lp - KISS, PETER CRISS - PROG PSYCH
A$
200
$
133
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Description
Criss was involved with a number of bands throughout the mid to late 1960s. It was during this time that Criss joined, who had a two Chelsea album deal with Decca Records. They released a self-titled album in 1970. They never recorded a second album. In August 1971 they became Lips (a trio consisting of Criss and his Chelsea bandmates Michael Benvenga and Stan Penridge). By the spring of 1972 Lips was just the duo of Criss and Penridge
In 1973, Pete Shepley and Mike Brand recorded an unreleased album which included post Chelsea Michael Benvenga, and pre-Kiss Peter Criss and Gene Simmons as session musicians
Very rare Aussie pressing from 1970 which has a young drummer Peter Cris who became the KISS drummer later on and added an 'S' to the end of his surname to make it Criss
Vinyl is VG++ with very light sleeve scuffs and some small scuff hairlines, plays Excellent with light background static and clicks on intros/breaks and the quieter parts
Cover is VG++ with light ring marks and some corner/edge/spine wear and some light crease marks
Labels are Near Mint
PLEASE DON'T BUY FROM THIS SHOP IF YOUR FEEDBACK SCORE IS LOWER THAN 10. IF YOU DO IT WILL BE CANCELLED
GRADES BELOW CAN HAVE A + UPGRADE TO THEM IF NEEDED
Near Mint: The vinyl appears mint in normal indoor light. If there is a defect, it should be very hard to see in normal indoor light. A few small very minor and hard to see sleeve scuffs may appear on the vinyl under a good light source. Cover or sleeve might have couple of small defects such as small very light foxing spots, a few small very light crease marks etc. Labels may have a couple of light spindle marks. It will play with audio clear throughout with just a couple of soft clicks here and there maybe Excellent: The vinyl can have a few very light hairlines or sleeve scuffs, some light signs of having been played, maybe some very light static at intros and breaks and a few soft clicks throughout, but there will still be excellent audible quality. The cover/sleeve might have light wear very light ring marks, a few light crease/bend marks and, or very light foxing spots etc. Labels might have some light spindle marks Very good: The vinyl has been played many times, it can have more light crackle and some light pops here and there but have no major deterioration in audio quality, it could have more noticeable surface marks, hairlines and sleeve scuffs and light scratches. Labels may have spindle marks and some light wear, foxing spots, name, sticker or residue mark from sticker, but no tears. The cover could have light ring marks, some crease/bend marks, light edge/corner wear, small stains, writing, tiny splits or tears and foxing etc. There will be NO big, major seam splits or tears Good: The vinyl will have lots of scratches and deeper scuff marks over it's surface and has been played so much that the audio quality has noticeably deteriorated with more crackles and pops throughout. May skip on 1 track and vinyl may have a slight warp. Labels will display poorly with a number of different defects, tears, damage, heavy spindle wear etc. The cover and contents suffer from creasing, bend marks, heavy crease/bend marks, wear to edges/corners, bigger edge/seam splits, lots of writing, stains and foxing etc IF YOU HAVE ANY ISSUES WITH MY GRADING PLEASE GET IN CONTACT WITH ME BEFORE LEAVING NEUTRAL OR NEGATIVE FEEDBACK SO WE CAN BOTH COME TO AN AGREEMENT TO MAKE YOU HAPPY, EITHER A REFUND ON THE RECORD, OR A PARTIAL REFUND AND YOU KEEP THE RECORD THANKS FOR LOOKING
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