CHET BAKER & CREW INSANELY RARE ORIG '58 WORLD PACIFIC STEREO LP DG
$
154
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· CHET BAKER - CHET BAKER AND THE CREW – ORIGINAL 1959 WORLD PACIFIC STEREO LP 1004
· MONSTROUSLY RARE STEREO PRESSING, MANY TIMES RARER THAN MONO
· ORIGINAL U.S. PRESSING
· PLEASE NOTE: TO THE BEST OF OUR KNOWLEDGE AND UNDERSTANDING, THIS IS THE EARLIEST KNOWN JAZZ SESSION RECORDED IN STEREO. THE SESSION WAS ACTUALLY RECORDED IN JULY 1956, MAKING IT ONE OF THE EARLIEST KNOWN COMMERCIALLY RELEASED STEREO RECORDINGS OF ANY KIND IN HISTORY; CHET BAKER & THE CREW WAS INITIALLY RELEASED IN 1957 ON PACIFIC JAZZ LABEL IN MONO ONLY, AND WAS THEN RELEASED ON WORLD PACIFIC LABEL IN TRUE STEREO TWO YEARS LATER; PACIFIC JAZZ PRESSINGS ARE ORIGINAL MONO PRESSINGS; WORLD PACIFIC PRESSINGS ARE ORIGINAL STEREO PRESSINGS.
· ORIGINAL GOLD (BROWN) WORLD PACIFIC LABEL WITH BLACK PRINT
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER (MONO COVER WITH LARGE WORLD PACIFIC STEREO STICKER AFFIXED TO THE FRONT PANEL -- NO "PROPER" STEREO COVERS WERE EVER PRODUCED FOR THIS TITLE)
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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The numbers heard on Chet Baker & Crew were among a prolific flurry of recordings Baker was involved in during the last week of July 1956 -- fresh from an extended European stay. Sessions were held every day from the 23rd through the 31st, which resulted in such classic titles as The Route, Chet Baker Sings, and Chet Baker Quintet at the Forum -- which is also available under the title Young Chet -- as well as Chet Baker & Crew. The crew on these sides includes Phil Urso (tenor sax), Bobby Timmons (piano), Jimmy Bond (bass), Peter Littman (drums), and of course Baker (trumpet/vocals). Joining the combo on both the original as well as the alternate take of "To Mickey's Memory" and "Pawnee Junction" is Bill Loughbrough (chromatic tympani). His unmistakable percussive accents and tuned drum solos give these West Coast bop tracks uniquely Polynesian intonations. The band members take full advantage of their individual roles and abilities as soloists to really stretch out on "Slightly Above Moderate" and the Urso-credited composition "Halema" -- named after Baker's wife. The chemistry of cool that flows between Urso and Baker is perhaps at its finest during the seamless exchange heard on "Worryin' the Life Out of Me." Timmons also boasts notable contributions throughout. His playful and scampering style dresses up the bluesy "Lucius Lu" and "Line for Lyons," among others. The latter is also notable as it contains the sole Baker vocal on this set.
(EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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CONDITION:
RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(c) The record comes in the original stock inner sleeve.
(d) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) Stereo pressing of this title is much rarer, and by far more preferable to its mono counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies by a ratio of at least 20:1.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LIGHLY LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG+++).
The following flaws or imperfections are noted on the cover:
- Cover has a tiny, barely visible cutout hole in one of the corners
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 1.
- Cover has a partially split top seam (between 1 and 2 inches / 2.5 to 5 centimeters)
- Cover has two corners slightly worn / dinged / bent.
- Minor shelf wear noted on the seams (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No yellowing from aging
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels (EXCEPT for the stereo sticker)
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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