CHET BAKER INTRODUCES JOHNNY PACE ULTRA-RARE ORIG '59 RIVERSIDE STEREO LP N/MINT

$

78

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       CHET BAKER INTRODUCES JOHNNY PACE – JOHNNY PACE FEATURING THE CHET BAKER QUINTET – ORIGINAL 1957 RIVERSIDE RECORDS STEREO LP RLP-1130

·       ORIGINAL U.S. PRESSING

·       ORIGINAL “SMALL” BLACK RIVERSIDE STEREO LABEL WITH SILVER PRINT, AND 'MICROPHONE' LOGO

·       ULTRA RARE STEREO PRESSING, MANY TIMES RARER THAN MONO

·       The record has a "DEEP GROOVE" (an indent in the label about 1/2-inch from the perimeter of the label, which on SOME labels is associated with very early or first pressings)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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The liner notes begin with this sentence: "It's hard to think of this album as anything short of the first major step towards real success for the exciting and appealing young singer being introduced here." Oh, well. The fact that Pace  ended up, at best, a minor footnote in jazz history doesn't detract at all from the significant pleasures to be had on his 1958 debut. Supported by the Chet Baker Quintet (which at this point included flutist Herbie Mann, pianist Joe Berl, bassist Jimmie Burke, and, depending on the recording date, either Ed Thigpen or Philly Joe Jones on drums), Pace delivers a winning program of standards in a style that owes an obvious debt to Frank Sinatra, but distinguishes itself by means of fruitier tone and an occasionally pronounced vibrato. His renditions of "The Way You Look Tonight" and "It Might as Well Be Spring" are both completely charming, and the band supports him beautifully -- special kudos go to Mann, whose dry, swinging flute tone complement's Pace's voice perfectly. Recommended.

 (EXCERPT FROM AN ONLINE REVIEW BY RICK ANDERSON, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD++ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)             The album comes with its original, 'rice paper' inner sleeve (typically used in the 50’s and very early 60’s) which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years! We believe that, despite great technological progress, these early 'rice paper' inner sleeves provided a degree of protection MUCH HIGHER than any other material used ever since.

(d)          The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)           Stereo  pressing of this title is much rarer, and by far more preferable to its mono  counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies  by a ratio of at least 10:1.

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       THE COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Front cover has a small peel-off mark, probably from the careless removal of the price sticker, delicately masked with the black marker (less than 3/4 square inch in size).

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1  (front side) and 4 (back side)

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on both sides, apparently from aging   (nothing significant).

-         Cover has a light "wrinkle" (crease)  in one of the corners (a minor cover construction flaw).

-         Cover has a partially split bottom seam (less than 1 inch / 2.5 centimeters)

-         Cover has all four corners slightly worn / dinged / bent (just a beginning of the split seams)

-        Cover has some tiny, faint writing on its back side (a small filing code written in one corner)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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