CHET BAKER w/JOHNNY PACE INSANELY RARE STEREO LP MINT
$
100
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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· CHET BAKER INTRODUCES JOHNNY PACE – JOHNNY PACE featuring THE CHET BAKER QUINTET – ORIGINAL 1957 RIVERSIDE RECORDS STEREO LP RLP-1130
· ORIGINAL U.S. PRESSING
· ORIGINAL “SMALL” BLACK RIVERSIDE STEREO LABEL WITH SILVER PRINT, AND 'MICROPHONE' LOGO
· MONSTROUSLY RARE STEREO PRESSING, MANY TIMES RARER THAN MONO
· The record has a "DEEP GROOVE" (an indent in the label about 1/2-inch from the perimeter of the label, which on SOME labels is associated with very early or first pressings)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL LAMINATED COVER
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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The liner notes begin with this sentence: "It's hard to think of this album as anything short of the first major step towards real success for the exciting and appealing young singer being introduced here." Oh, well. The fact that Pace ended up, at best, a minor footnote in jazz history doesn't detract at all from the significant pleasures to be had on his 1958 debut. Supported by the Chet Baker Quintet (which at this point included flutist Herbie Mann, pianist Joe Berl, bassist Jimmie Burke, and, depending on the recording date, either Ed Thigpen or Philly Joe Jones on drums), Pace delivers a winning program of standards in a style that owes an obvious debt to Frank Sinatra, but distinguishes itself by means of fruitier tone and an occasionally pronounced vibrato. His renditions of "The Way You Look Tonight" and "It Might as Well Be Spring" are both completely charming, and the band supports him beautifully -- special kudos go to Mann, whose dry, swinging flute tone complement's Pace's voice perfectly. Recommended.
(EXCERPT FROM AN ONLINE REVIEW BY RICK ANDERSON, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical or discography information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
THIS IS A RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(c) The album comes with its original, 'rice paper' inner sleeve (typically used in the 50’s and very early 60’s) which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years! We believe that, despite great technological progress, these early 'rice paper' inner sleeves provided a degree of protection MUCH HIGHER than any other material used ever since.
(d) The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) Stereo pressing of this title is much rarer, and by far more preferable to its mono counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies by a ratio of at least 15:1.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.
The following flaws or imperfections are noted on the cover:
- Cover has two tiny, almost invisible, pinholes (or staple holes) in one corner. These tiny holes are NOT cutout holes.
- Cover shows some light yellowing on both sides, apparently from aging (nothing significant)
- Cover has some light ring wear (nothing significant); (VISIBLE ON BACK SIDE ONLY) ; On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover has a VERY MINOR warp along the bottom seam; this has ABSOLUTELY NO EFFECT on the record.
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No wrinkles or creases
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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