CHUCK BERRY ROCKIN' AT THE HOPS RARE ORIG '58 CHESS BLACK LABEL MONO LP DG NICE
$
168
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Description
WE CURRENTLY HAVE NEARLY 300 LISTED ITEMS
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· CHUCK BERRY – ROCKIN’ AT THE HOPS - ORIGINAL 1958 CHESS RECORDS MONO LP 1448
· ORIGINAL US PRESSING
· ORIGINAL BLACK, MATTE (NOT GLOSSY), CHESS MONO LABEL WITH SILVER PRINT.
· DEEP GROOVE PRESSING
· RARE MONO PRESSING, MANY TIMES RARER THAN FAKE (“ELECTRONICALLY RECHANELLED”) STEREO
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL LAMINATED COVER
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· THE RECORD HAS A 'SHELDON' MACHINE STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Ladies and Gentlemen, you are looking at the ground zero of Rock'n'Roll's birth. This is the spring-source of all of R&R: Chuck Berry not only single-handedly invented the entire R&B genre, he not only patented what is probably the single most memorable of all R&R body movements and chord changes , but he also acted as a midwife at Rock's birth.This is (in our humble view) his finest Chess album, and his shining hour, unavailable in this form (or, for that matter, on CD) for years. If I were to list all the artists that performed these songs, eBay would probably charge me extra, because this ad would simply too long. Suffice to say: Beatles, Rolling Stones, Rod Stewart, Jimi Hendrix…and many, many, many more are in this bunch.
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The two classic cuts that bookend this album should be enough to attract the uninitiated -- Berry at his best wrote danceable little "vest-pocket" screenplays dealing with teen life, of which "Bye Bye Johnny" and "Let It Rock" were two of his best; but because they've been so heavily anthologized, those two cuts don't have the pulling power here that they would have had 40-some years back. So get this record for everything else that's on it -- Rockin' at the Hops not only has no filler, but it's chock full of records that show off a bluesy side of Berry's output that was never fully appreciated at the time. His version of Big Maceo's "Worried Life Blues" shows how good a bluesman Berry might've been had he been more the Muddy Waters-type player and singer that Chess had been looking for; "Down the Road a Piece," a song written by Don Raye (of "Boogie Woogie Bugle Boy" fame), is a lost Berry single that could've rated right up there with "Roll Over Beethoven," except that its roadhouse ambience and story line were more mature than a lot of kids might've embraced in 1959; and Walter Brown's "Confessin' the Blues" and "Driftin' Blues" fit into the same category, Berry the adult bluesman rather than the teen-oriented teaser. "Childhood Sweetheart" is a sequel to "Wee Wee Hours," Berry's very first blues side, lifting a fragment or two from Elmore James' "Dust My Broom" for its guitar break. "Too Pooped to Pop" and "Betty Jean," by contrast, are a pair of enjoyably upbeat rock & roll numbers, each featuring uncharacteristic elements, a sax solo on the former, and a male chorus on the latter; in between them is "Mad Lad," an instrumental that presents Berry drifting into what would later be defined as a surf guitar mode -- a quicker tempo would have done it (and does anyone want to bet that a young Carl Wilson didn't wear out a copy or two listening to this track?).
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VERY GOOD+ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) Mono pressing of this title is much rarer, and by far more preferable to its FAKE ("electronically rechannelled") stereo counterpart. We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 10:1.
(e) True Stereo copies of this album are NOT known to exist.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4 (VISIBLE ON BACK SIDE ONLY)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- Cover has all four corners slightly worn (nothing significant)
- Cover has a small quality control (inspection) stamp on the back panel
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.
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