CITY feat. CAROLE KING EVERYTHING'S BEEN SAID SEALED '68 ODE STEREO LP B&W COVER
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· THE CITY (CAROLE KING AND HER BAND'S (THE CITY) - NOW THAT EVERYTHING'S BEEN SAID THE GROUP’S FIRST AND ONLY ALBUM) - 1969 ODE STEREO LP Z1244012
· GENUINE U.S. PRESSING
· SECOND VERSION OF THE COVER WITH BLACK & WHITE PHOTO (NOTE: CONTRARY TO POPULAR BELIEF, BLACK & WHITE COVERS WERE NOT BOOTLEGS; THEY WERE SECOND PRESSINGS)
*** STILL SEALED LP ***
· VERY EARLY PRESSING CIRCA 1971 ON ORIGINAL YELLOW ODE LABEL WITH BLACK PRINT (ONLY THE COVER IS DIFFERENT FROM THE FIRST PRESSING).
· THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Between the time she was a Brill Building mainstay and her re-emergence as an early '70s superstar, Carole King recorded a one-shot album as a member of the City, a trio consisting of King on piano and vocals, Danny Kortchmar on guitar and vocals and Charles Larkey on bass, with Jim Gordon (of the Derek & the Dominoes) sitting in on drums. The result was one of the most interesting, rewarding, and wonderful detours in King's career, and one that has stubbornly resisted reissue in her U.S. catalog. The group didn't last, and less than a year later King emerged as a solo performer on Writer, and then came Tapestry...
The City has more of an integrated ensemble sound, and less prominence to King, than her subsequent records, even though she used bigger backing groups on most of her solo sides. The album squeezes the best out of her voice (and piano, which sounds gloriously resonant). The soft but clear, gently tapped percussion in the opening seconds of "Snow Queen," and the close-up twang and crunch of Danny Kortchmar's guitar on "Wasn't Born to Follow," also enhance the listening.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).
(b) The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP (A SMALL PIECE OF SHRINK WRAP IS MISSING)
The following flaws or imperfections are noted on the cover:
- Cover has a few tiny wrinkles along the top seam (nothing significant)
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 1 (VISIBLE ON BACK SIDE ONLY) .
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging.
- Cover has a visible wrinkle (crease) in the cardboard base on the front panel
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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