CLARK, SONNY/COOL STRUTTIN'/BLUE NOTE 1588/DG-RVG LP
  $   311

 


$ 311 Sold For
Oct 1, 2006 Sold Date
Sep 24, 2006 Start Date
$   10 Start price
9   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

  • PLEASE READ AD CAREFULLY! FOR YOUR CONVENIENCE ALL NECESSARY PAYMENT AND SHIPPING INFORMATION IS INCLUDED AT THE END OF THE DESCRIPTION. eMAILS REQUESTING OUR MAILING ADDRESS OR ASKING HOW MUCH SHIPPING IS WITHIN THE USA WILL NOT BE ANSWERED. THAT IS WHY THIS INFORMATION IS INCLUDED IN THE AD... WE WILL HAPPILY ANSWER ANY OTHER SPECIFIC QUESTIONS
    • COVER IS IN GOOD CONDITION, SURFACE AND EDGE WEAR EVIDENT.NAME IN SCRIPT INK ON BACK TOP SEAM HAS SPLIT 3 INCHES. AGE PATINA
    • LP IS VISUAL FAIR/ GOOD, WITH SURFACE LEVEL SCUFFING AND SOME NEEDLE SLIDE MARKS. LIGHT PLAY WEAR. PLAY GRADE FROM FAIR TO VERY GOOD. SURFACE CLICKING/NOISE AUDIBLE IN VARYING LEVELS/

      LISTENABLE [A GOOD FILTERING PROGRAM WOULD HELP] WITH NO SKIPS OR JUMPS. BID ACCORDINGLY!!

    • ALL MUSIC GUIDE REVIEW>>>by Thom Jurek Recorded in 1958, this legendary date with the still-undersung Sonny Clark in the leader's chair also featured a young Jackie McLean on alto (playing with a smoother tone than he had before or ever did again), trumpeter Art Farmer, and the legendary rhythm section of bassist Paul Chambers and drummer Philly Joe Jones, both from the Miles Davis band. The set begins with one of the preeminent "swinging medium blues" pieces in jazz history: the title track with its leveraged fours and eights shoved smoothly up against the walking bass of Chambers and the backbeat shuffle of Jones. Clark's solo, with its grouped fifths and sevenths, is a wonder of both understatement and groove, while Chambers' arco solo turns the blues in on itself. While there isn't a weak note on this record, there are some other tracks that stand out, most notably Miles' "Sippin' at Bells," with its loping Latin rhythm. When McLean takes his solo against a handful of Clark's shaded minor chords, he sounds as if he may blow it -- he comes out a little quick -- but he recovers nicely and reaches for a handful of Broadway show tunes to counter the minor mood of the piece. He shifts to both Ben Webster and Lester Young before moving through Bird, and finally to McLean himself, riding the margin of the changes to slip just outside enough to add some depth in the middle register. The LP closes with Henderson and Vallée's "Deep Night," the only number in the batch not rooted in the blues. It's a classic hard bop jamming tune and features wonderful solos by Farmer, who plays weird flatted notes all over the horn against the changes, and McLean, who thinks he's playing a kind of snake charmer blues in swing tune. This set deserves its reputation for its soul appeal alone.
    • Tracks Title Composer Time 1 Cool Struttin' Clark 9:24 2 Blue Minor Clark 10:19 3 Sippin' at Bells Davis 8:19 4 Deep Night Henderson, Vallee 9:34
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