CLASSIC 1957 UK No.6 BUDDY HOLLY 78 PEGGY SUE / EVERYDAY CORAL Q 72293 V+/E-
  £   30
  $   40

 


£ 30 Sold For
Nov 8, 2021 Sold Date
Apr 8, 2021 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
eBay Sold at
 
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Description

"DOUBLE-SIDER" ROCK AND ROLL ERA CLASSIC FROM BUDDY HOLLY 

PEGGY SUE

b/w  EVERYDAY


ENTERED THE UK CHARTS 6th DEC 1957

REACHED #6 AND WAS IN THE CHARTS FOR A TOTAL OF 17 WEEKS


Buddy Holly played rock and roll for only two short years, but the wealth of material he recorded in that time made a major and lasting impact on popular music. Holly was an innovator who wrote his own material and was among the first to exploit such advanced studio techniques as double-tracking. He pioneered and popularized the now-standard rock-band lineup of two guitars, bass and drums with the Crickets and Holly’s catalog of songs includes such standards of the rock and roll canon as “Rave On,” “Peggy Sue,” “That’ll Be the Day,” Oh Boy!” and “Maybe Baby.” Though Holly lacked the arresting sexuality of Elvis Presley, he nonetheless cut an engaging, charismatic figure with his trademark horn-rimmed glasses and vocal hiccup. His creative self-reliance and energetic, inspired craftsmanship prefigured the coming wave of rock and rollers in the Sixties. Holly was a professed influence on the Beatles and Hollies (both of whom derived their names from his). Even the Rolling Stones had their first major British hit with a cover of Holly’s “Not Fade Away.” 

Holly wrote this about Peggy Sue Gerron, who was dating Holly's drummer with The Crickets, Jerry Allison. Holly was not involved with Peggy Sue, but liked the name for the song. Allison and Peggy Sue eventually got married, but divorced 11 years later. 

At first, Holly was going to call this "Cindy Lou." Jerry Allison asked if the name could be changed as a favor to him. It probably wouldn't be heard outside of Lubbock, Texas anyway and it would really mean some brownie points for Jerry. Buddy had no problem with the name change.  

This was the first hit credited to Holly without his backing band, The Crickets. The Crickets did play on this, but Holly's songs were released in the US on one of 2 labels, Coral Records crediting him as a solo artist and Brunswick with The Crickets. Both labels were owned by Decca Records. 

Allison had trouble keeping the right beat when they recorded this. The song had been written in Cha-Cha time. The engineer came on the mike and told Jerry: "If you don't get it right in the next take we're gonna change the name back to Cindy Lou." Jerry thought the guy might not be kidding so he asked for a few more minutes to "go through some exercises." He did just that. As he was going through the "new" warm-up, the beat to the song was changed from Cha-Cha to Jerry's new beat that was merely a part of his warm up routine for the high school band. Buddy began to change the guitar licks to fit the beat and the new rhythm developed right there on the spot. 

"Peggy Sue" has been mentioned in they lyrics to several other songs, including "Splish, Splash" by Bobby Darin and "Barbara Ann" by The Regents and later by The Beach Boys. 

 

DISC DETAILS:

UK CORAL Q 72293    10" 78rpm SHELLAC

A SIDE:- PEGGY SUE

B SIDE:- EVERYDAY

CONDITION - V+/E-

Some scuffs and scratches but plays GREAT

 

DON'T MISS OUT

on this great 78

BUY NOW!

 

 

10" 78 RPM RECORDS NEED CAREFULLY PACKING, AND I CLAIM TO HAVE THE BEST PACKAGING IN THE WORLD FOR DISPATCHING THEM!

 

THE GREG'S GREAT'S SYSTEM CONSISTS OF A SPECIALLY DESIGNED INNER BOX MADE OUT OF 1" THICK POLYSTYRENE, WHICH THEN GOES INSIDE A DOUBLE CORRUGATED STIFF OUTER CARDBOARD CARTON. THE BOXES CAN TAKE UP TO 21 RECORDS,

 

I SEND OUT ON AVERAGE ABOUT 30 PARCELS A WEEK AND DISPATCH IS NORMALLY DONE ONCE A WEEK


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