CLASSIC COASTERS 78 " YAKETY YAK / ZING WENT THE STRINGS" UK LONDON HLE 8665 VG+
  £   25
  $   33

 


£ 25 Sold For
Feb 19, 2015 Sold Date
Feb 17, 2015 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
eBay Sold at
 
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Description

AN EXCELLENT PLAYING COPY OF THIS GREAT ROCK AND ROLL 78  FROM THE COASTERS


Carl Gardner, Billy Nunn, Leon Hughes and Billy Guy

YAKETY YAK

b/w   ZING WENT THE STRINGS OF MY HEART

The Coasters comic vocals plus the writing and production of Jerry Leiber and Mike Stoller resulted in a string of wisecracking hits in the late fifties. they were among the first black singing groups to cross over and to be considered rock and roll.

In Oakland, California in 1945 two brothers William and Ray Richards , with a friend, Ty Terell formed a trio. A year later they traveled to Los Angeles where they hoped to make it into the music business, Their main influence was secular music, rather then the rhythm and blues artists who had direct religious backgrounds. Originally called the A Sharp Trio they had trouble finding work. They soon began hanging out at the Barrelhouse Club, a Watts hangout for aspiring young R&B artists, owned by Johnny Otis. Otis took an interest in them and set a date for a recording session. Bobby Nunn on bass was added and the group became the Four Bluebirds.. The Richard brothers sang baritone and Terell lead tenor. At the session they cut "My Baby Done Told Me' b/w "Courtroom Blues" on Excelsior. The groups name changed once again to the Robins.


The Robins

The Robins recorded for Aladdin and it's subsidiary, Score, in 1949. By this time they were a featured  attraction with the Johnny Otis Show. In 1949 and 1950 they often backed  Little Esther or Mel Walker on sessions produced by Otis for Savoy Records.

The group began in Los Angeles in the late forties and were known as the Robins. In 1950 they had a number one hit with "Double Crossing Blues" featuring Little Esther Phillips. In 1953 they met Leiber and Stoller when they moved from Crown Records to RCA. In 1954 Robins followed Leiber and Stoller to Spark Records

Richard Berry was borrowed from the Flairs to sing bass lead on the Robins first release for Spark Records "Riot In Cell Block #9". While not a national hit it did sell 100,000 copies in Los Angeles and the Bay area.

The Robins became the labels most successful act with "Riot In Cell Block No. 9," "Framed," "The Hatchet Man" and "Smokey Jo's Cafe".  In 1955 Atlantic bought the Robin's catalogue and contracted Leiber and Stoller as independent producers for other Atlantic acts.

At that time the group split with Carl Gardner and Bobby Nunn staying with Leiber and Stoller and Billy Gunn, a comedic singer with unlimited vocal inflections and Leon Hughes were added. The new group was named the Coasters. Their first single "Down In Mexico" went  top ten R&B in 1956. The next single "One Kiss Led To Another" went nowhere.  Next "Searchin" b\w "Young Blood" went #1 pop and #3 in 1957. The record quickly sold two million copies as deejays first played one side then the other. . However, there were people that didn't care for their clowning about sexual subjects.

The next three singles barely sold. It wasn't the material or the delivery but, rather that they got caught in a backlash against rock and roll. Leiber and Stoller and the group moved to New York in 1957. Cornell Gunter, who had sung for the Flairs, replaced Jesse Obe. Bobby Nunn quit and was replaced  by Will "Dub" Jones formerly with the Cadet Jacks in 1958 The next record to chart was "Yakety Yak" (#1, 1958)   "Yakety Yak" was aimed at teenagers, talking to them about problems they actually experienced.

Followed by "Charlie Brown" (#2, 1959), was written to appeal specifically to teenagers. The Coasters and Leiber and Stoller now had a proven formula.  "Along Came Jones" (#9, 1959) dealt with America's preoccupation with Westerns and "Poison Ivy" (#7, 1959) preached the lesson of "look but, don't touch." . By the end of the Fifties the Coasters were America's most popular black rock and roll group.

YAKETY YAK ENTERED THE UK CHARTS ON 15 AUG 1958 REACHING No 12, AND STAYING IN THE CHARTS FOR 8 WEEKS.

Take out the papers and the trash
Or you don't get no spendin' cash
If you don't scrub that kitchen floor
You ain't gonna rock and roll no more
Yakety yak (don't talk back)

Just finish cleanin' up your room
Let's see that dust fly with that broom
Get all that garbage out of sight
Or you don't go out Friday night
Yakety yak (don't talk back)

You just put on your coat and hat
And walk yourself to the laundromat
And when you finish doin' that
Bring in the dog and put out the cat
Yakety yak (don't talk back)

Don't you give me no dirty looks
Your father's hip; he knows what cooks
Just tell your hoodlum friend outside
You ain't got time to take a ride
Yakety yak (don't talk back)

Yakety yak, yakety yak
Yakety yak, yakety yak
Yakety yak, yakety yak
Yakety yak, yakety yak

 

DISC DETAILS:

UK  LONDON HL 8665  10" 78rpm  SHELLAC

A SIDE:-  YAKETY YAK      

B SIDE:-   ZING! WENT THE STRINGS OF MY HEART 

CONDITION =  VG+/EX-  (SOME MARKS AND SCUFFS BUT PLAYS GREAT!)

 

CLASSIC LIEBER AND STOLLER ROCKER!

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10" 78 RPM RECORDS NEED CAREFULLY PACKING, AND I CLAIM TO HAVE THE BEST PACKAGING IN THE WORLD FOR DISPATCHING THEM!!

 THE GREG'S GREAT'S SYSTEM CONSISTS OF A SPECIALLY DESIGNED INNER BOX MADE OUT OF 1" THICK POLYSTYRENE, WHICH THEN GOES INSIDE A DOUBLE CORREGATED STIFF OUTER CARDBOARD CARTON. THE BOXES CAN TAKE UP TO 21 RECORDS,

 

USUALLY FOR MAILING OVERSEAS, I RECOMMEND NO MORE THAN 7 IN A BOX, OTHERWISE IT GOES OVER THE AIRMAIL SMALL PACKET MAXIMUM WEIGHT OF 2Kgs WHICH CAUSES A LARGE HIKE IN POSTAL RATES.

 

I SEND OUT ON AVERAGE ABOUT 30 PARCELS A WEEK AND DISPATCH IS NORMALLY DONE ONCE A WEEK  

 

IF YOU REALLY HAVE AN URGENT REQUIREMENT FOR THE RECORD - BIRTHDAY PRESENT, WEDDING, FUNERAL etc PLEASE TELL ME and I WILL DO MY BEST TO GET IT OUT FOR YOU QUICKLY.

 

IF A RECORD ARRIVES CRACKED OR BROKEN DESPITE MY BEST EFFORTS WITH THIS FANTASTIC PACKAGING I WILL REFUND THE MONEY IN FULL. - JUST SEND ME A QUICK SCAN - IF IT IS A VERY RARE RECORD I MAY ASK YOU TO SEND IT BACK OTHERWISE IT WILL BE YOURS TO KEEP OR DISPOSE OF.

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