CLIFFORD BROWN [BLP-1526] BLUE NOTE [W63/MONO/DG] RVG/EAR*
  $   203

 


$ 203 Sold For
Oct 7, 2012 Sold Date
Sep 30, 2012 Start Date
$   100 Start price
6   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description


1956 BLUE NOTE Records BLP-1526
MONO ORIGINAL * DEEP GROOVE * 47 W63rd
[RVG] hand etched in dead wax
"EAR" or "P" for Plastylite in dead wax
no "R"

*
VINYL is VG++ to EX just a couple of light superficial hairlines great copy!


 COVER is VG+ light edge/surface wear, staining stamp


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 Like swing guitarist Charlie Christian, Clifford Brown was incredibly influential for someone who died so young. The Fats Navarro-minded trumpeter was only 25 when a car accident claimed his life in 1956, but his influence remained long after his death -- Freddie Hubbard, Lee Morgan, Woody Shaw, Donald Byrd, and Carmell Jones were among the many trumpet titans who were heavily influenced by Brown. In the early to mid-'50s, Brown kept getting more and more exciting; those who found him impressive in 1952 found even more reason to be impressed in 1955. That means that when it comes to Brown's CDs, excellent doesn't necessarily mean essential.  The trumpet icon is heard at two different sessions -- one with saxmen Gigi Gryce and Charlie Rouse, pianist John Lewis, bassist Percy Heath, and drummer Art Blakey, the other with Heath, alto saxman Lou Donaldson, pianist Elmo Hope, and drummer Philly Joe Jones (who in 1953 was two years away from joining Miles Davis' quintet). Brown's solos are consistently expressive; he swings unapologetically hard on up-tempo fare like "Carvin' the Rock," "Cherokee," and Quincy Jones' "Wail Bait," but is quite lyrical on the ballads "You Go to My Head" and "Easy Living." One thing all of the performances have in common is a strong Fats Navarro influence; Navarro was Brown's primary influence, although Brown became quite distinctive himself at an early age.


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