CLIFFORD BROWN w/STRINGS N/MINT ORIG'56 EMARCY MONO LP

$

353

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·       CLIFFORD BROWN – CLIFFORD BROWN WITH STRINGS - ORIGINAL 1955 EMARCY RECORDS MONO LP MG-36005

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLUE EMARCY LABEL WITH SILVER PRINT AND 'DRUMMER' LOGO

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ONE OF THE MOST COVETED AND COLLECTIBLE CLIFFORD BROWN ALBUMS (AND FOR GOOD REASON)

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       ORIGINAL LAMINATED COVER

·       ORIGINAL BLUE  BACK COVER  (BLUE PRINT ON WHITE BACKGROUND)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MACHINE MATRIX STAMP IN TRAIL-OFF VINYL (DEAD WAX)

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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The album ‘Clifford Brown With Strings’ has an interesting ‘behind the scenes’ tale, if we look to his widow ►LaRue Brown-Watson for the storyline. Emarcy Record’s producer Bobby Shad suggested the project, recognizing Clifford’s beautiful touch with a ballad, and primed Brownie for the session. Clifford didn’t want to do it, but LaRue, who also appreciated when he performed ballads and classical works, encouraged him to do the date. According to LaRue, Clifford began urging her early on in their marriage to have a child—LaRue wouldn’t budge, expressing that she was much too young to take on the responsibility of a child. He would not relinquish his constant requests, and finally, with a little prodding from her own mother as well, agreed to the idea of carrying a child. LaRue fondly remembers that the strings date was his personal gift to her for that blessing bestowed upon him. In December 1955, Clifford Brown, Jr. (she insisted on the namesake) was born to the couple and Clifford enjoyed the company of his little boy for six months, playing for him, talking philosophy to him and teaching him all he knew about music.

Neal Hefti, who was given undue criticism for his lush, sweet and sentimental arrangements for the date, recalls that Brown only hit three ‘clams’ in the entire three-day recording session. Hefti’s string frameworks complement Brown’s glorious tone, which simply needs to be heard to be truly appreciated. No words can do it justice—if something can be perfect in this world, this would come awfully close. Brown is a bona fide singer of songs and his artistry is evident on every track of this album. The whole album is a delightful and brings utter satisfaction with every repeated listening.

Though the album was panned critically at the time, the general listener gleaned its meaning. It opened up a new appreciative audience for Brown. Shad said it was a best seller at the time—one of EmArcy’s biggest money makers. With the passing of time, musicians have gotten the message as well. Wynton Marsalis informs that he learned all of the album’s solos as a young apprentice.

 (EXCERPT FROM AN ONLINE REVIEW BY TED PANKEN  /JAZZ.COM/)

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THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new. [NOTE: SOME MINOR 'EMARCY HAZE' -- CLOUDING, MISTYING OF THE SURFACE OF THE VINYL, EXTREMELY TYPICAL OF MOST OF EMARCY'S '50s PRESSINGS, IS NOTED ON SIDE 2 (NONE ON SIDE 1!) ; NOT EXPECTED TO BE AUDIBLE OR OTHERWISE AFFECT PLAYING]

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has some writing on its back side (name of the previous owner written in thin black marker, about 1/4 x 4  inches in size)

-        Back cover has two (2) small date stamps: 10/11/1957 and 12/27/1957

-         Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)

-         Cover has some light ring wear (nothing significant);  (VISIBLE ON BACK SIDE ONLY) ; On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Cover shows some light yellowing on back side, apparently from aging.

-         Minor shelf wear noted on the seams (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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