CLYDE McPHATTER LOVE BALLADS ULTRA-RARE '58 ATLANTIC MONO LP ON BULL'S EYE LABEL
  $   58

 


$ 58 Sold For
Mar 10, 2019 Sold Date
Mar 3, 2019 Start Date
$   25 Start price
7   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

 

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·       CLYDE McPHATTER – LOVE BALLADS –  1958 ATLANTIC RECORDS MONO LP 8024

 

·       GENUINE  U.S. PRESSING

 

·       VERY EARLY PRESSING CIRCA 1959 ON  WHITE,RED AND PURPLE ATLANTIC MONO “BULL’S-EYE” LABEL (ALSO KNOWN AS THE “PINWHEEL” LABEL

 

·       DEEP GROOVE PRESSING

 

·       THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

 

·       ORIGINAL LAMINATED COVER

 

·       THICK, HEAVY VINYL PRESSING

 

·       CLEAN, WEAR-FREE LABELS

 

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

 

 

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One suspects that Atlantic Records had trouble actually assembling this album, based on the differences between the content and the title. As with most of Atlantic's early LPs, Love Ballads was comprised of existing singles and B-sides, in this case going back to Clyde McPhatter's days with the Drifters. And it is mostly made up of softer, slower numbers, such as "Heartaches," "Come What May," "When You're Sincere," "No Love Like Her Love," and "Long Lonely Nights," that most would call ballads, but in the middle are a surprising amount of what were then known as "rhythm numbers." It's a testament to McPhatter's vocal range that he pulls it all off -- his voice on "Just Hold My Hand," "You'll Be There," "When You're Sincere," "There's No Love Like Her Love," or even "Lucille" (a number salvaged from the first, nearly abortive Drifters session in the spring of 1953) has a vulnerable, fragile edge that just makes the listener want to stop in his tracks, and he seems perfectly at home surrounded by a female choir. But on "Bip Bam," he hits the words incredibly hard, sounding more like a rival to Big Joe Turner than Nat "King" Cole. The slower songs are the direction that McPhatter preferred, aiming at a more sophisticated R&B audience and hoping for a crossover into pop circles -- considering that most of the material dates from 1956-1957, it's all surprisingly sophisticated and groundbreaking in its time.

 

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

 

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·       CONDITION:

 

·       RECORD

 

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL AS STRONG VG++. A few light abrasions  ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new (PLEASE NOTE:  LIGHT 'EMARCY HAZE' (CLOUDY, MYSTY SPOTS ON THE VINYL), NOTED ON SIDE 2; NOT EXPECTED TO BE AUDIBLE, BUT SOMEWHAT VISUALLY TEDIOUS).

 

(b)            The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

 

(a)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

 

(c)           Stereo copies of this album are NOT known to exist.

 

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

 

 

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

 

The following flaws or imperfections are noted on the cover:

 

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1  (front side) and 4 (back side)

 

-         Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)

 

-         Cover shows some light yellowing on back side, apparently from aging.

 

-        Cover has a few tiny wrinkles along the spine

 

-        Cover has a small quality control (inspection) stamp on the back panel

 

 

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

 

 

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POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

 

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

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