COLOSSEUM ABOUT TO DIE (FIRST ALBUM) RARE ORIG '70 DUNHILL WHITE LABEL PROMO LP

$

28

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·       COLOSSEUM - THOSE WHO ARE ABOUT TO DIE SALUTE YOU - ORIGINAL 1968 DUNHILL RECORDS STEREO LP DS-50062

·       ORIGINAL U.S. PRESSING

·       *** WHITE LABEL PROMO ***

·       *** IN ADDITION, THE PROMOTIONAL STICKER ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

·       ORIGINAL DUNHILL LABEL WITH THE "BOXED" LOGO ON TOP, WHITE PROMOTIONAL PRESSING

·       VERY RARE WEST COAST PRESSING (MONARCH PRESSING PLANT, LOS ANGELES)

·       NOTE: THIS, AMERICAN VERSION OF THIS ALBUM IS MASSIVELY DIFFERENT RELEASE FROM ITS BRITISH COUNTERPART IN BOTH FORM, CONTENT AND ARTWORK, AND IS FOR ALL PRACTICAL PURPOSES A COMPLETELY DIFFERENT ALBUM (PRACTICALLY ONLY THE TITLE IS THE SAME). NAMELY, BY THE TIME THIS - COLOSSEUM'S FIRST - ALBUM WAS RELEASED IN THE UNITED STATES, THE GROUP HAD ALREADY RELEASED IT'S SECOND ALBUM (VALENTYNE SUITE) IN THE UK, SO THE AMERICAN LABEL (DUNHILL) DECIDED TO COMBINE THE BEST TRACKS FROM BOTH UK ALBUMS FOR THE GROUP'S U.S. DEBUT.  THE RESULT IS A POWERFUL "HYBRID" RELEASE WHICH, IN OUR HUMBLE VIEW, IS SUPERIOR TO EITHER OF THE FIRST TWO UK RELEASES (DUNHILL DID THE SAME THING FOR THE GROUP'S SECOND ALBUM ("GRASS IS GREENER"), ALSO COMBINING THE TRACKS FROM THE FIRST TWO ALBUMS FOR THE U.S. SECOND ALBUM, BUT THIS TIME THE QUALITY OF THE REMAINING TRACKS LEFT TO BE MINED WAS DECIDEDLY LOWER.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS (BUT WITH "NOT FOR SALE" BANNER RUBBED OUT BY THE RETARDED PREVIOUS OWNER WHO APPARENTLY DIDN'T KNOW HOW TO USE PHOTOSHOP)

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Colosseum's debut album is a powerful one, unleashing each member's instrumental prowess at one point while consolidating each talent to form an explosive outpouring of progressive jazz/rock the next. Those Who Are About to Die Salute You is coated with the volatile saxophone playing of Dick Heckstall-Smith, the thunderous keyboard assault of Dave Greenslade, and the bewildering guitar craft of James Litherland. Together, Colosseum skitters and glides through brisk musical spectrums of freestyle ]jazz and British blues, sometimes held tightly in place by Greenslade's Hammond organ, while other times let loose by the brilliancy of the horn and string interplay. Each song sparks its own personality and its very own energy level, giving the band instant notoriety upon the album's release in 1969. Not only did Colosseum sound different from other jazz fusion bands of the era, but they could easily take the unconventional elements of their style and churn them into palatable and highly significant musical thoroughfares. Some of the more compelling tracks include "Walking in the Park," led by its powerful trumpet segments, and "Pretty Hard Luck," which embarks on a stylish blues excursion with colorful keyboard sections on the periphery. "Beware the Ides of March" borrows a page out of J.S. Bach's notebook and turns his classical poignancy inside out, while "Mandarin" and "Backwater Blues" are created with the perfect jazz and blues friendship in mind, representing Colosseum's fused sound spotlessly. Best of all, the album never strays from its intensity or its creativity, the very foundation that the band is built on. Their next album, Valentyne Suite, mirrors the same instrumental congruity as Those Who Are About to Die, and is equally entertaining.

 (EXCERPT FROM AN ONLINE REVIEW BY MIKE DeGAGNE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►click here

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++. A few light abrasions  ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 10:1.

(d)          The record comes in the original stock inner sleeve.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         The cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover has a few tiny wrinkles along the top seam

-         Cover has one corner slightly worn / dinged (BARELY VISIBLE)

-         The cover has a minor scratch mark on the back panel (BARELY VISIBLE)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No yellowing from aging

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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