COMPLETE KEYBOARD & ORGAN MUSIC OF J.S. BACH - 36 RECORD MURRAY HILL BOX SETS VG
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Description
Classic Album
COMPLETE KEYBOARD & ORGAN MUSIC OF J.S. BACH - 36 RECORD MURRAY HILL BOX SETS VG-VG+
Record Disc Condition: VG-VG+
Outer Sleeve Condition: VG
Inner Sleeve Condition: VG
Booklets: VG - included and complete. One has a record ad blacked out with marker
Discs range from VG to VG+ condition. Many show almost no signs of age or play. Some discs have visible scuffing but no skips or jumps on spot test on visible scuffs or smudges. Outer boxes have some shelf wear and some tape residue. Inner sleeves have minor signs of age but very little tearing or splitting. Booklets and promo inserts included. 36 discs total. See photos.
Tracklist
Complete Keyboard:
Side 1
Keyboard Music (Complete) Volume I
A1 French Suite No. 1 In D Minor, S. 812
A2 French Suite No. 4 In E Flat Major, S. 815
Side 6
B1 Prelude And Fugue In A Minor, S. 895 Prelude and Fughetta In D Minor, S. 895, Prelude And Fughetta In G Major, 902a Prelude And Fughetta In E Minor S. 900
B2 Little Preludes In C Major, S. 933; C Minor S. 934; D Minor, S 935; D Major, S 936; E Major, S 937; E Minor, S. 938
Side 2
C1 French Suite No. 2 In C Minor, S. 813
C2 French Suite No. 3 In B Minor, S. 814
Side 5
D1 Little Preludes From The "Klavierbuchlein Fur W.F. Bach" In C Major, S. 924; A Minor, S. 931; F Major, S. 927; D Minor S26; D Major, S. 925; G Minor. S 930; F. Major, S 928
D2 Fugue In C Majore, S. 952; Fughetta In C Minor. S. 961; Fugue In C Major, S. 953
D3 Preludes In C Major, S. 939; D Minor, S. 940; E Minor, S. 941; A Minor, S 942; C Major, S. 943; C Minor, S. 929
D4 Trio (Prelude) In G Minor, S 929
Side 3
E1 French Suite No. 5 In G Major, S. 816
Side 4
F1 French Suite No. 6 In E Major., S. 817
Side 1
Keyboard Music (Complete) Volume II
G1 Partita No 1 In B Flat Major, S. 825
G2 Prailudium, Fugue And Allegro In E-Flat Major S. 998
Side 6
H1 Partita No. 6 In Minor, S. 830
Side 2
I1 Partita No. 2 In C Minor, S. 826
I2 Fantasia On A Rondo, In C Minor, S. 918
Side 5
J1 Partita No. 5 In G Major, S 829
J2 Praeludium In G Major, S. 902
Side 3
K1 Partita No. 3 In A Minor, S. 827
K2 Fantasia In C Minor, S.906
Side 4
L1 Partita No. 4 In D Major, S. 828
Keyboard Music Volume III
Side 1
"The Well-Tempered Clavier" Preludes And Fugues, Book 1
M1 No. 1 In C Major
M2 No. 2 In C Minor
M3 No. 3 In C-Sharp Major
M4 No. 4 In C-Sharp Minor
M5 No. 5 In D Major
M6 No. 6 In D Minor
Side 6
Three-Part Inventions
N1 No. 1 In C Major; No. 2 In C Minor; No. 3 In D Major
N2 No. 4 In D Minor; No. 5 In E-flat Major; No. 6 In Major
N3 No. 7 In E Minor; No. 8 In F Major; No. 9 In F Minor
N4 No. 10 In G Major; No. 11 In G Minor; No. 12 In A Major
N5 No. 13 In A Minor; No. 14 In B-Flat Major; No. 15 In B Minor
Side 2
"The Well-Tempered Clavier"
Preludes And Fugue, Book 1
O1 No. 7 In E-Flat Major
O2 No. 8 In E-Flat Minor
O3 No. 9 In E Major
O4 No. 10 In E Minor
O5 No. 11 In F Major
O6 No. 12 In F Minor
Side 5
Two-Part Inventions
P1 No. 1 In C Major; No. 2 In Minor; No. 3 In D Major
P2 No. 4 In D Minor; No. 5 In E-Flat Major; No. 6 In E Major
P3 No. 7 In E Minor; No. 8 In F Major; No. 9 In F Minor
P4 No. 10 In G Major; No. 11 In G Minor; No. 12 In A Major
P5 No. 13 In A Minor; No. 14 In B-Flat Major; No. 15 In B Minor
Side 3
Preludes And Fugues, Book I
Q1 No. 13 In F-Sharp Major
Q2 No. 14 In F-sharp Minor
Q3 No. 15 In G Major
Q4 No. 16 In G Minor
Q5 No. 17 In A-Flat Major
Q6 No. 18 In G-Sharp Minor
Q7 No. 19 In A Major
Side 4
"The Well-Tempered Clavier"
Preludes And Fugues, Book I
R1 No. 20 In A Minor
R2 No. 21 In B-Flat Major
R3 No. 22 In B-flat Minor
R4 No. 23 In B Major
R5 No. 24 In B Minor
Side 1
Keyboard Music, Volume IV
The Well-Tempered Clavier
Preludes And Fugues Book II
S1 No. 1 In C Major
S2 No. 2 In C Minor
S3 No. 3 In C-Sharp Major
S4 No. 4 In C-Sharp Minor
S5 No. 5 In D Major
Side 6
T1 Fantasia And Fugue In A Minor, S. 904
T2 Aria Variata In A Minor, S. 989
T3 "Capriccio On The Departure Of His Beloved Brother" (Capriccio In B-Flat Major," Sopra La Lontananza Del Sua Fratello Dilettissimo", S.992)
Side 2
Preludes And Fugues Book II
U1 No. 6 In D Minor
U2 No. 7 In E-Flat Major
U3 No. 8 In D-Sharp Minor
U4 No. 9 In E Major
U5 No. 10 In E Minor
Side 5
The Well-Tempered Clavier
V1 No. 21 In B-Flat Major
V2 No. 22 In B-Flat Minor
V3 No. 23 In B Major
V4 No. 24 In B Minor
Side 3
The Well-Tempered Clavier
W1 No. 11 In F Major
W2 No. 12 In F Minor
W3 No. 13 In F-Sharp Major
W4 No. 14 In F-Sharp Minor
W5 No. 15 In G Major
Side 4
The Well-Tempered Clavier
X1 No. 16 In G Minor
X2 No. 17 In A-Flat Major
X3 No. 18 In G-Sharp Minor
X4 No. 19 In A Major
X5 No. 20 In A Minor
Keyboard Music Volume V
Side 1
Y1 English Suite No. 1 In A Major, S. 806
Four Duets
Y2 Duet In E Minor, S. 802
Y3 Duet In F Major, S. 803
Y4 Duet In G Major, S. 804
Y5 Duet In A Minor, S. 805
Side 6
Z1 Chromatic Fantasie And Fugue, S. 903
Z2 Italian Cocerto In F Major, S. 971
Side 2
AA1 English Suite No. 2 In A Minor, S. 807
Three Minuets
AA2 Minuet In G Major S. 841
AA3 Minuet In G Minor S. 842
AA4 Minuet In G Major, S. 843
Side 5
BB1 English Suite No. 6 In D Minor, S. 811
Side 3
CC1 English Suite No. 3 In G Minor. S. 808
CC2 English Suite No. 4 In F Major, S. 809
Side 4
DD1 English Suite No. 4 In F Major, S. 809
DD2 English Suite No. 5 In E Minor, S. 810
Keyboard Music, Volme VI
Side 1
EE1 Toccata In F-Sharp Minor, S. 910
EE2 Toccata In C Minor, S. 911
Side 6
FF1 Goldberg Variations S. 988 (Conclusion) Variation 16 To End
Side 2
GG1 Toccata In D Major, S. 912
GG2 Toccata In D Minor, S. 913
Side 5
HH1 "Goldberg Variations" S. 988 (Beginning) Aria Through Variation 15
Side 3
II1 Toccata In E Minor, S. 914
II2 Toccata In G Minor, S. 915
II3 Toccata In G Major, S. 916
Side 4
J1 Suite In B Minor, S. 831
Complete Organ:
Organ Music (Complete) Volume I
Seven Chorale Settings:
A1 Ach Gott Und Herr, S. 714
A2 Gottes Sohn Ist Kommen, S. 724
A3 Gelobet Seist Du, Jesu Christ, S. 723
A4 Herr Jesu Christ, Dich Zu Uns Wend', S. 726
A5 Wir Glauben All' An Einen Gott, Vater, S. 740
A6 Vater Unser Im Himmelreich, S. 737
A7 Valet Will Ich Dir Geben, S. 735
A8 Kleines Harmonisches Labyrinth, S. 591
B1 Tocatta (Prelude) And Fugue In C Major, S. 566
B2 Chorale Setting--Allein Gott In Der Hoeh' Sei Ehr' (Fugue), S. 716
B3 Chorale Setting--Allein Gott In Der Hoeh' Sei Ehr' S. 717
B4 Prelude And Fugue In C Minor, S. 549
C1 Chorale Setting--Allein Gott In Der Hoe' Sei Ehr', S. 715
C2 Fantasia Con Imitazione In B Minor, S. 563
Four Chorale Settings:
C3 Lobt Gott, Ihr Christen, Allzugleich, S. 732
C4 In Dulci Jubilo, S. 729
C5 Vom Himmel Hoch, Da Koom' Ich Her, S. 738
C6 Gelobet Seist Du, Jesu Christ, S. 722
C7 Partite Diverse Sopra--Christ, Der Du Bist Der Helle Tag, S. 766
D1 Partite Diverse Sopra--O Gott, Du Frommer Gott, S. 767
D2 Prelude And Fugue In A Minor, S. 551
E1 Pastorale In F Major, S. 590
Five Chorale Preludes From The "Orgeluechlein":
E2 Christum Wir Sollen Loben Schon, S. 611
E3 Puer Natus In Bethlehem, S. 603
E4 Lobt Gott, Ihr Christen, Allzugleich, S. 609
E5 Von Himmel Kam Der Engel Schar, S. 607
E6 Von Himmel Hoch, Da Komm' Ich Her, S. 606
E7 Chorale Setting--Von Himmel Hoch, Da Komm' Ich Her, S. 700
E8 Fantasie In C Major, S. 570
F1 Fugue in C Minor, S. 575
Seven Chorale Preludes From The "Orgeluechlein":
F2 Christe, Du Lamm Gottes, S. 619
F3 O Lamm Gottes Unschuldig, S. 618
F4 Da Jesus An Dem Kreuze Stund', S. 621
F5 Christus, Der Uns Selig Macht, S. 620
F6 O Mensch, Bewein' Dein' Suende Gross, S. 622
F7 Wir Danken Dir, Herr Jesu Christ, S. 623
F8 Wenn Wir In Hoechsten Noeten Sein, S. 641
F9 Prelude And Fugue In E Minor, S. 553
Oragn Music (Complete) Volume II
G1 Canzona In D Minor, S. 588
Three Chorale Preludes From The "Orgelbuechlein":
G2 Christ Ist Erstanden, S. 627
G3 Erstanden Ist Der Heil'ge Christ, S. 628
G4 Erschlenen Ist Der Herrliche Tag, S. 629
G5 Chorale Setting--Christ Lag In Todesbanden, S. 718
G6 Chorale Prelude From The "Orgenbuechlein"--Christ Lag In Todesbanden, S. 625
G7 Prelude And Fugue In C Major, S. 531
H1 Prelude In A Minor, S. 569
Seven Chorale Preludes From The "Orgenbuechlein":
H2a Nun Komm' Der Heiden Heiland, S. 599
H2b Lob Sei Dem Allmaechtigen Gott, S. 602
H2c Das Alte Jahr Vergangen Ist, S. 614
H3a Mit Fried' Und Freud' Fahr' Ich Dahin, S. 616
H3b Ich Ruf' Zu Dir, Herr Jesu Christ, S. 639
H4a Es Ist Das Heil Uns Kommen Her, S. 638
H4b In Dich Hab' Ich Gehoffet, Herr, S. 640
H5 Prelude In G Major, S. 568
H6 Chorale Setting--Herzlich Tut Mich Verlangen, S. 727
H7 Fugue In B Minor On A Theme Of Corelli, S. 579
I1 Chorale Prelude From The "Orgenbuechlein"--Jesu, Meine Freude, S. 610
I2 Fughetta--Herr Christ, Der Ein'ge Gottes-Sohn, S. 698
I3 Eight Chorale Preludes From The "Orgelbuechlein", S. 613; S. 615; S. 617; S.624; S. 637; S. 643; S. 644; S. 642
I4 Chorale Setting--In Dich Hab' Ich Gehoffet, Herr, S. 712
Two Chorale Preludes from the "Orgelbuechlein":
I5a --Dies Sind Die Heil'gen Zehn Gebot', S. 635
I5b --Vater Unser Im Himmelreich, S. 636
I6 Allabreve In D Major, S. 589
J1 Pedal-Exercitium, S. 598
J2 Fugue In G Minor, S. 578
J3 Six Fughettas: S. 699; S. 703; S. 696; S. 697; S. 701; S. 704
J4 Chorale Setting--Wir Christenleut', S. 710
J5 Fantasia--Jesu, Meine Freude, S. 713
Three Chorale Settings:
J6 Wer Nur Den Lieben Gott Laesst Walton, S. 691
J6 Wer Nur Den Lieben Gott Laesst Walton, S. 690
J6 Wo Soll Ich Fliehen Hin, S. 694
Three Chorale Settings:
K1 Allein Gott In Der Hoeh Sei Ehr, S. 711
K2 Christ Lag In Todesbanden, S. 695
K3 Herr Jesu Christ, Dich Zu Uns Wend', S. 709
K4 Chorale Prelude From The "Orgelbuechlein"--Herr Jesu Christ, Dich Zu Uns Wend', S. 632
K5 Chorale Setting--Liebster Jesu, Wir Sind Hier, S. 706
K6 Chorale Prelude From The "Orgelbuechlein"--Liebster Jesu, Wir Sind Hier, S. 633
K7 Fantasia In G Major, S. 572
K8 Chorale Setting--Ein' Feste Burg Ist Unser Gott, S. 720
L1 Toccata In D Minor, S. 565
L2 Partite Diverse Sopra--Sei Gegruesset, Jesu Guetig, S. 768
Organ Music (Complete) Volume III
M1 Toccata And Fugue In F Major, S. 540
Two Chorale Preludes From The "Orgelbuechlein":
M2 Jesus Christus, Unser Heiland, S. 626
M3 Heut' Triumphieret Gottes Sohn, S. 630
M4 Prelude And Fugue In G Major, S. 550
N1 Concerto In G Major, S. 592
N2 Concerto In A Minor, S. 593
N3 Concerto In C Major, S. 595
O1 Concerto (After Vivaldi) In D Minor, S. 596
Three Chorale Settings:
O2 Valet Will Ich Dir Geben, S. 736
O3 Jesus, Meine Zuversicht, S. 728
O4 Herr Gott, Dich Loben Wir, S. 725
P1 Chorale Setting--Fuga Magnificat (S. 733)
Six Chorale Preludes From The "Orgelbuechlein":
P2 Gott, Durch Deine Guete, S. 600
P3 Herr Christ, Der Ein'ge Gottes-Sohn, S. 601
P4 Gelobet Seist Du, Jesu Christ, S. 604
P5 Der Tag, Der Ist So Freudenreich, S. 605
P6 In Dulci Jubilo, S. 608
P7 Wir Christenleut', S. 612
P8 Chorale Setting--Wir Glauben All' An Einen Gott, Schoepfer, S. 765
P9 Prelude And Fugue In D Minor, S. 539
Q1 Fantasie In C Minor, S. 562
Q2 Fugue In C Minor On A Theme Of Legrenzi, S. 574
Q3 Toccata, Adagio, And Fugue In C Major, S. 564
R1 Dorian Toccata And Fugue, S. 538
R2 Passacaglia And Fugue In C Minor, S. 582
Organ Music (Complete) Volume IV
S1 Sonata In E-Flat Major, S. 525
S2 Fantasie And Fugue In C Minor, S. 537
S3 Trio In G Major, S. 1027a
T1 Sonata In C Minor, S. 526
T2 Chorale Setting, Nun Freut Euch, Lieben Christen G'mein
T3 Trio In D Minor, S. 583
T4 Prelude And Fugue In G Minor, S. 535
U1 Sonata In D Minor, S. 527 (Andante - Adagio E Dolce - Vivace)
U2 Prelude And Fugue In D Major, S. 532
V1 Sonata In E Minor, S. 528
V2 Prelude And Fugue In G Major, S. 541
V3 Prelude And Fugue In A Minor, S. 543
W1 Sonata In C Major, S. 529 (Allegro - Largo - Allegro)
W2 Sonata In G Major, S. 530 (Vivace - Lento - Allegro)
X1 Prelude And Fugue In B Minor, S. 544
X2 Prelude And Fugue In E Minor, S. 548
Organ Music (Complete) Volume V
Six "Schuebler" Chorale Settings:
Y1 Wachet Auf, Ruft Uns Die Stimme, S. 645
Y2 Wo Soll Ich Fliehen Hin, S. 646
Y3 Wer Nur Den Lieben Gott Laesst Walten, S. 647
Y4 Meine Seele Erhebet Den Herren, S. 648
Y5 Ach Bleib' Bei Uns, Herr Jesu Christ, S. 649
Y6 Kommst Du Nun, Jesu, Vom Himmel Herunter, S. 650
Y7 Prelude And Fugue In A Major, S. 536
Z1 Prelude And Fugue In F Minor, S. 534
Z2 Fantasia and Fugue In G Minor, S. 542
"German Organ Mass" (Part Three Of The Clavierubung)
AA1 Prelude In E-Flat Major, S. 552 (D)
Chorale Settings:
AA2 Kyrie, Gott Vater In Ewigkeit, S. 669 - D
AA3 Christe, Aller Welt Trost, S. 670 - D
AA4 Kyrie, Gott Heiliger Geist, S. 671 - D
AA5 Kyrie, Gott Vater In Ewigkeit, S. 672 - H
"German Organ Mass" (Continued), Chorale Settings:
BB1 Christe, Aller Welt Trost, S. 673 - H
BB2 Kyrie, Gott Heiliger Geist, S. 674 - H
BB3 Allein Gott In Der Hoeh' Sei Ehr', S. 675 - H
BB4 Allein Gott In Der Hoeh' Sei Ehr', S. 676 - D
BB5 Allein Gott In Der Hoeh' Sei Ehr', S. 677 - H
BB6 Dies Sind Die Heil'gen Zehn Gebot', S. 678 - D
BB7 Dies Sind Die Heil'gen Zehn Gebot', S. 679 - H
BB8 Wir Glauben All' An Einen Gott, S. 680 - D
"German Organ Mass" (Continued), Chorale Settings:
CC1 Wir Glauben All' An Einen Gott, S. 681 - H
CC2 Vater Unser Im Himmelreich, S. 682 - D
CC3 Vater Unser Im Himmelreich, S. 683 - H
CC4 Christ, Unser Herr, Zum Jordan Kam, S. 684 - D
CC5 Christ, Unser Herr, Zum Jordan Kam, S. 685 - H
CC6 Aus Tiefer Not Schrei' Ich Zu Dir, S. 686 - D
"German Organ Mass" (Continued), Chorale Settings:
DD1 Aus Tiefer Not Schrei' Ich Zu Dir, S. 687 - H
DD2 Jesus Christus, Unser Heiland, S. 688 - D
DD3 Jesus Christus, Unser Heiland, S. 689 - H
DD4 Fugue In E-flat Major, S. 552 - D
Organ Music (Complete) Volume VI
EE1 Prelude And Fugue In C Minor, S. 546
Choral Settings:
EE2 An Wasserfluessen Babylon, S. 653b
EE3 An Wasserfluessen Babylon, S. 653
FF1 Chorale Prelude From The "Orgelbuechlein" Komm Gott, Schoepfer, Heiliger Geist, S. 631
FF2 Prelude And Fugue In C Major, S. 545
Chorale Settings:
FF3 Nunn Komm' Der Heiden Heiland, S. 659
FF4 Nunn Komm' Der Heiden Heiland, S. 660
FF5 Nunn Komm' Der Heiden Heiland, S. 661
FF6 Chorale Prelude -- Ach Gott, Vom Himmel Sieh' Darein, S. 741
Chorale Settings:
GG1 Komm Heiliger Geist, Herre Gott, S. 652
GG2 Allein Gott In Der Hoeh' Sei Ehr', S. 664
GG3 Von Gott Will Ich Nicht Lassen, S. 658
GG4 Komm Heiliger Geist, Herre Gott, S. 651
Chorale Settings:
HH1 Allein Gott In Der Hoeh' Sei Ehr', S. 663
HH2 Herr Jesu Christ, Dich Zu Uns Wend', S. 655
HH3 Nun Danket Alle Gott, S. 657
HH4 Jesus Christus, Unser Heiland, S. 666
HH5 Jesus Christus, Unser Heiland, S. 665
II1 Prelude And Fugue In C Major, S. 547
Chorale Settings:
II2 Allein Gott In Der Hoeh' Sei Ehr', S. 662
II3 O Lamm Gottes Unschuldig, S. 656
JJ1 A Canonic Variation-Series On The Christmas Tune, "Vom Himmel Hoch, Da Komm' Ich Her, S. 769
Choral Settings:
JJ2 Schmuecke Dich, O Liebe Seele, S. 654
JJ3 Bach's Last Composition -- Wenn Wir In Hoechsten Noeten Sein (Vor Deinen Thron Tret' Ich Hiermit), S. 668
Full grading scale at the bottom of this description. Photos are of the actual item you are purchasing. Please see photos for condition. Feel free to message me with questions or additional photos.
I make a best faith evaluation on the condition of every record I sell based on the following grading guide. Feel free to contact me with questions about the record before purchase. Upon receipt of your record, contact me if you feel that the grade doesn’t meet these standards.
Grading guide:
Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint.
Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Good [G], Good Plus [G+]: May have up to one skip or jump per side on test play, disclosed in the description above. Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through with little or no skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object.
Poor [P], Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
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