CORRALEROS DE MAJAGUAL: FUENTES ('66)"NUEVO RITMO" HEAR

$

25

ARTIST : LOS CORRALEROS DE MAJAGUAL

TITLE : NUEVO RITMO...! 

REMARKS: ORIGINAL!!!!!!  44 Years Old...a classic! COLOMBIA!!!!!!

 In 1966 (with this LP) Los Corraleros introduced some important changes....like nuevos Ritmos (New Rhythms!) and substituted the Mexican "big" guitar (guitarron) with the electric bass!!! ONE OF COLOMBIA'S GREATEST DESEVE A LITTLE BIT OF HISTORY:

Cuando en 1960, Don Antonio Fuentes, propietario de Discos Fuentes, se dio en la tarea de crear una agrupación que difundiera la música de la costa norte de Colombia, la más alegre y folclórica del país; reunió acertadamente a Alfredo Gutierrez, Calixto Ochoa y Daniel Montes para crear a LOS CORRALEROS DE MAJAGUAL.

 A travez de los años, los protagonistas de esta historia han sido: Alfredo Gutiérrez, Calixto Ochoa, Elisea Herrera, Lisandro Meza, Tony Zúñiga, Armando Hernandez, César Castro, Julio Erazo, Nacho Paredes, Julio Estrada - Fruko, Rosendo Martínez, Chelo Cáceres, Jhon Mario Londoño, Lucho Argaín (Luis Pérez Cedrón), Manuel Cervantes, Abraham Núñez, Chico Cervantes y muchos más!

Su primer disco Lp grabado en 1960 se llamó "Majagual" e incluyó un porro del mismo nombre de autoría de Alfredo Gutiérrez y aún no sabían que se llamaban Corraleros de Majagual. A lo largo de los años fueron los responsables de hacer bailar a toda Colombia, Venezuela y prácticamente a toda latinoamérica. Esta orquesta, llamada la más auténtica de Colombia, alternó con Lucho Bermúdez, Pacho Galán, Pedro Laza, Sonora Cordobeza, Los Hermanos Martelo y todas las mejores agrupaciones nacionales, Fueron la carta de presentación cuando se trataba de alternar con la Billo's Caracas Boys, Los Mélódicos y las mejores orquesta venezolanas y latinoamericanas.

Sus éxitos se cuentan por decenas: Los sabanales, La manzana, Suéltala pa' que se defienda, Hace un mes, La burrita, El bailador, Festival en Guararé, La gorra, Ocho días y muchos, muchos más; que hoy siguen vigentes y suenan en emisoras de corte popular. Todos sus éxitos tienen versiones grabadas por las grandes orquestas a nivel mundial y las grandes orquesta venezolanas grabaron prácticamente todo su repertorio.

 Premios

25 Discos de Oro

Guaicapuro de Oro, 1967, otorgado al artista mas importante de Venezuela

2 Congos de Oro en igual número participaciones en el Carnaval de Barranquilla

Probably one of the most popular Discos Fuentes super groups, Los Corraleros De Majagual would eventually bridge the gap between vallenato and the big band cumbia sound of the early 60?s. Large brass sections, percussion, and a heavy emphasis on the accordion. Los Corraleros brought the music of the Atlantic coast region of Colombia to national and even international levels.   

Every member of this band, be it past or present, would eventually become some of the biggest heavy hitters in the Colombian music scene. Alumni included:  Lucho Argain, Tony Zuñiga, Alfredo Gutiérrez, Calixto Ochoa, Lisandro Meza, “Chico” Cervantes, Eliseo Herrera, Anibal Velásquez, Abraham Nuñez, Julio Erazo, Julio Ernesto Estrada “Fruko”, just to name a few. The list goes on.

Keep in mind that the cumbia began as a low-brow form of music. Being born out of interactions between Indian populations and African slaves, the cumbia was not always looked favorably upon by the Colombian upper classes. Simple 4/4 rhythms with distinctive/hypnotic looping beats, minimal compared to the popular music genres from Cuba and Puerto Rico at the time. Take the song Cumbiamberita for example, its like riding a horse at a fast trot. This is definitely the music of the campesino. I purposely pitted the album covers “En Nueva York” and “Aqui Estan” together. Los Corraleros look happier in their sombreros  vueltiados  Enjoy!!

1- MOSAICO:
Las Flores Rojas, La Resbalosa, Mata E Caña, Trigueñita, La Tombola, Cartagenera, La Cola Del Diablo, El Machorrito, Yo Conozco A Claudia, La Arenita, Spanish Flea, La Chichera 

1- La Burrita
2-La Minifalda
3- El Bailador
4- Pompo del "66"
5- El Vivo y El Bobo
6- Charanga Internacional

PERSONNEL:

See remarks!!

WEB REMARKS: Este LP que les presento en esta oportunidad, dio inicio a una nueva etapa de los legendarios Corraleros de Majagual. Hubo varias razones en 1966 para afirmar esto: En primera medida se incorporaron algunos cambios en el sonido, nuevos instrumentos, arreglos más internacionales y algunos cantantes que a la postre, sumados con los ya famosos Eliseo Herrera y Calixto Ochoa, fueron estandarte de la agrupación. Fueron ellos Julio Erazo y Tony Zúñiga. Otro de los cambios fue que el viejo guitarrón mexicano fue sustituido por el moderno bajo electrónico que interpretaba Jhon Mario. Todo esto dio en el momento justo, un nuevo aire a la orquesta más auténtica de Colombia, con temas bailables del canionero colombiano que se alternan con los ya famosos deorden internacional.
Cabe destacar el 'supermosaico' que reune grandes temas de la discografía mundial que se concatenan perfectamente con los ya clásicos de la agrupación para definitivamente imponer un NUEVO RITMO.

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Record Grading: Standard guidelines for grading records comes down to a subjective judgment that may vary from person to person. We grade records and LP covers visually AND (when possible) play-tested. We make every effort to give full disclosure (remember that the LP has at least 12 tracks and the grading may vary between each other)  and your satisfaction is guaranteed. Don't assume that our vinyl determination of "Very Good+" is the same as yours!

RECORD OR COVER GRADED VG or LESS WILL BE "SOLD AS IS"

MINT: Unplayed, still sealed.
 

NM RECORDS: are shiny, with no visible defects, they might have one or 2 minor superficial scuff and they should play without any noise. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must not be present; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM COVERS:

have no creases, ring wear or seam splits of any kind.

Picture Sleeves: should look as if they never housed a record. This is a great reason to remove your 45s from their picture sleeves and keep them separate. Just keeping the 45 inside the sleeve will cause damage than can reduce the grade of the sleeve.  

VG++ (Excellent) RECORDS: 
Barely noticeable play wear and background noise. May have surface scuffs and/or superficial marks, which will be inaudible or indiscernible from the background, no scratches. Very nice, flaws noted.
VG++ COVERS:
Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.  

VG+ RECORDS:

may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.

VG+ COVERS:
should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.

VG+ PICTURE SLEEVES:
might show some very light creasing where it is obvious that a record once resided (or still does reside). A VG+ picture sleeve might have some very minor seam wear or a split (less than one inch long) at the bottom, the sleeve’s most vulnerable location. 

VG RECORDS:

They have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches  may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape, or a sticker can detract from the label. Many collectors who have jukeboxes   will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

VG COVERS and PICTURE SLEEVES:
will have many signs of human handling. Ring wear  in the middle or along the edges of the cover where the edge of a record would  reside, is obvious, though not overwhelming. Some more creases might be  visible. Seam splitting will be more obvious; it may appear on all three sides,  though it won’t be obvious upon looking. Someone might have written or stamped  a price tag on it, too.

RECORDS GRADED VG OR BELOW WILL BE "SOLD AS IS"

Items are to be paid within 7 days (if not paid by that time it will be subject for relisting) of auction close and will be shipped within 48 hours of receipt of payment. Paypal is the preferred method of payment.
 
Carlos A. Flores 25830 Crippen Dr. Land O' Lakes, FL  34639