CREAM Disraeli Gears SCARCE EARLY UK 1968 IMMEDIATE EX+ STEREO LP, LOVELY COPY.
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Description
ONEADAYRECORDS – Simply Delivering Quality Music to the World in Quality, Safe Packing.
Postage: UK £4.75 (£1 per extra record). Europe (including Russia) £12.50 (£2 per extra record). Rest of World (including ALL parts of the USA) £16.50 (£3 per extra record). All boxes signed for in quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all – in fact I think these things should be banned as records WILL arrive damaged in them at some time. Here, you get what you pay for – SAFE PACKING in BOXES using 7mm DOUBLE-WALL STIFFENERS. Full details nearer the end of the listing.
Posting to Russia: Yes, I do post to Russia. But delivery can take up to 4 to 6 weeks from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.
ALSO: I now apply the Ebay ‘2-day’ rule for non-payment to keep things moving – cash-flow is important for any small business. I will always keep my P&P prices as low as possible, and even after yet another Royal Mail price hike from April this year, I have NOT raised my prices and will never compromise on solid, safe packing that is invariably heavier than most you will get. My P&P offers probably the best value-for-money for vinyl records available, and I even will pay for full insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received. You WILL see the difference when my packet arrives.
FINALLY: Late payers, non-payers and ‘0’ bidders will now be blocked or cancelled at my discretion. As will any bidder who cancels a bid. I do not like this practice as it is most often used to phish out the price to beat. Ebay does not approve and neither do I – so only bid on my items if you want them.
Artist or Band: CREAM
Album Title: Disraeli Gears
Producer: Felix Pappalardi
TRACK LIST:
Side 1: Strange Brew; Sunshine of Your Love; World of Pain; Dance the Night Away; Blue Condition.
Side 2: Tales of Brave Ulysses; SWLABR [She Was Like a Bearded Rainbow]; We’re Going Wrong; Outside Woman Blues; Take it Easy; Mother’s Lament.
Label/Format: Reaction with matt surfaces that have a very gentle trace of texturing.
Label Conditions: Both very clean, fresh and attractive with only a tiny few very light, fine and faint spindle marks. This superb record appears hardly played.
Catalogue Number: 594003
Mode / Speed: Stereo / 33.3 rpm.
Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.
Weight of this Record: 155 grams. An exceptional weight for this very slightly later pressed record.
Country of Manufacture: England
Rarity: The actual title itself is moderate, but finding any Reaction copy in such clean visual and playing conditions is more difficult.
Original Year of Release: 1967. This a copy from 1968 as the original date-coded inner sleeve confirms.
Matrix Nos: 594003 A 1 1 / 594003 B 1 1 2 1 4
Musicians: Eric Clapton – guitar, vocals; Jack Bruce – bass guitar, harmonica, vocals; Ginger Baker – drums, vocal.
Album Information: Arguably, the world’s most famous blues-rock power trio’s greatest album – a massive issue which still sounds wonderfully fresh. Clapton, Bruce and Baker’s most consistently perfect studio album. The Reaction copies are something to treasure, with it’s superb psychedelic cover artwork (by Martin Sharpe) and wonderful dynamic sound. When found in such clean condition, they are a thing to treasure. The stereo mix is superb and very different from the mono version – both are essential. ‘Disraeli Gears’ peaked at 5 and 4 respectively in the UK and US, very commendable in a year that saw the issue of so many truely wonderful records. The beautiful vibrant coloured cover matched the feel for the time perfectly for a psychedelic London. The blues feel of the band was slowly slipping away and the brilliant surreal lyrics of Pete Brown suited Jack Bruce’s finest vocals. The words ‘classic’ and ‘essential’ are definitely not over-used on this album. Early copies of this record, when found in either mono or stereo are so often trashed, simply played to destruction, with unlistenable distortion, groove wear and scratches, this 1968 pressing has more than just survived, it appears hardly played. The cover is also impressive as seen, the sixties rock classics seldom got better than this.
Cover Grade and Format: EXCELLENT: but actually looks considerably better, some rubbing to the unprotected spine means a cautious grading. A single format and laminated on the front only, the back is matt and smooth. This has the unprotected spine as well, hence vulnerable to wear. Printed and made in England by Ernest J. Day with ‘Patents Pending’ text, includes the 1968 date-coded Polydor style inner sleeve.
Lamination & Front: Supreme artwork and one of the landmark covers of it’s era. So famous and desirable, only strong, little worn examples will do for discerning collectors. The laminate retains superb shine, freshness and clarity so the intensity of the cover’s artwork is seen to absolute maximum advantage, it shows barely any marks, creasing or dulling, just a gentle trace under light near the top edge from the thick record rim. Another crucial factor is the lack of lifting, all is fully adhered including the vulnerable edges. A lovely front to hold and view this complex piece of psychedelic art.
Cover Back: Even though unprotected by laminate, this back has barely any wear or anything to fault. That is rarely seen as such, and quite how this has survived without ring wear is almost miraculous.
Top Edge: Light rubbing, largely straight, a little less so towards the left.
Bottom Edge: Fully laminated and unworn, any bowing gentle and light.
Right Edge(s), and Type: Clean, fairly sharp with little wear, any thickening or burring light as seen when viewed end-on. Record entered on this edge that is guaranteed untrimmed or enhanced. The exposed strip on the front where the laminate ends being present, clean and hardly worn.
Spine and Text: Unlaminated, hence vulnerable, so this has rubbed with the majority of text eroded. Still solid, but thin, so not entirely straight nearer the top, but still quite neat overall as seen.
Corners: Mostly neat with little wear, slightly definition lost on the bottom left due to tiny card overhang in manufacture, so a natural trait of this particular example – all this being very critical – all have survived nearly 50 years in impressive condition without bashes or significant dinks.
Cover Summary: With a superb front and back, this is a cover that can be really enjoyed, both have exceptional surfaces. One to please many collectors.
The Inner Sleeve: NEAR EXCELLENT: a Polydor-style inner and date-coded 098 (August 1968). The polylining has been replaced by a very soft anti-static lining, that not really bad news per se, as the record has survived totally devoid of surface dulling, often a trait of vintage records not removed from the sleeve for many years. Two pristine window circles and all edges unsplit with no repairs. Just a little aged with the usual darkening of the seam adhesive, but any creasing little and light.
Vinyl Condition/Visual Grading: EXCELLENT(+): and looks hardly even played, this looks even better than my very conservative grading. There are three gentle pressing ‘bumps’, but are largely ignored with minimal to no sound hint or tracking issues*. Even as seen under bright angled light, any surface marks are very few, fine and faint, both surfaces retain an immaculate fresh gleam. Viewed in average room light, this comes close to reminding of new. A superb visual copy that has never been exposed to any damaging old stylus from the past. Very clean and heavily pressed with genuine lustre. This album usually gets heavily played, and why not?, it’s a classic, so a refreshing change to find one that has not been. It plays as lovely as it looks as well with little fault, so this will please many, if not most collectors.
Record Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or minuscule sound present on any record.]
Sound Quality and Audio Grading: This impressive clean record plays even above it’s high visual grading with very little anything to fault. A single click was noted towards the end of ‘Strange Brew’, quite why, I have no idea as I could see nothing on the playing surface, even under a magnifier. This offers strong, distortion-free sound, all frequencies are sharp and clear – sound quality is very high with a wide dynamic range and very detailed sound. Any surface sounds, minimal and faint, and hardly registered, overall a quality clean pressing with no tracking issues*. As stated further up, three gentle pressing bumps are largely ignored, that a minor pressing issue, but mainly superficial. Few available copies will outperform this early pressing significantly I feel sure. Both channels are clean and sharp, I am certain this record has been played very lightly and has been generally well stored and carefully handled, almost certainly in a non-smoking environment. Very little at all spoilt my pleasure when play-grading this wonderful record. It could prove difficult to find significantly better and can be strongly recommended unless ‘perfection’ is mandatory.
* As played-graded on a high-end Linn LP12 Sondek turntable with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge tracking at 2.2 grams.
Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay as I Play-Grade every record I offer in their entirety – also on higher-end equipment – not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean it’s good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programs. Room light factors can make things vary sometimes, that is hard to control, especially in winter. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.
Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge (tracks at 2.2 grams). Amps: Naim Supernait 2 with Project USB phono stage and Tellerium Black interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with Tellurium Black terminated cable). All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.
PACKING - THIS IS WHAT YOU GET.
What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.
I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting, better quality packaging costs, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is minuscule in over 14 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Oneadayrecords is a MAILER-FREE ZONE – they offer next-to-no-protection, and should be banned, no ‘professional’ should consider using them in my opinion. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). All postage costs are below and at the top of the listing.
NOTE: First Time Bidders: Please ask me first.
PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of TWO days if no payment is received. I will then cancel the dispute to end the bid, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site as will any suspicious bids or bid withdrawals. Small businesses need prompt payment to trade and these strict rules WILL be applied.
SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:
Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:
1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75
1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £1 per extra LP.
Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £2 per extra LP.
Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)
Payment Conditions:
I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.
Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.
My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.
SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE
My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.
The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.
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