CROSBY, STILLS & NASH S/T MINT 1969 Atlantic NAUTILUS HALF-SPEED MASTERED
$
120
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Description
Vinyl: MINT! TOP COPY! Appears to have never been played! Atlantic/Nautilus Labels are Clean and Bright. This is the 1982 Nautilus Pressing of the 1969 Atlantic Release. NR 48. This is the audiophile acclaimed pressing, Half Speed Mastered by Nautilus Superdiscs of San Luis Obispo, CA!! This is the Definitive Sound of Crosby, Stills & Nash in their Finest Hour! Classic Rock Defined! Heavily imitated, but never equaled. Their tight harmonies and careful arrangements are a joy to hear again at Half Speed Mastered Quality. One of Rolling Stone's 500 Greatest Albums of All Time!!! allmusic gives it 5 stars!!!
See Review Below!
In the Dead Wax: Matrices, etched. Complete Dead Wax information cheerfully provided upon request.
Cover: NM (see photos) Includes the Company sleeve. Gatefold. Nice high gloss on cover. Front, Gatefold and back of cover artwork and text are rich, clear and bright, with minimal wear. Seams, corners and spine are solid and clean, with minimal wear. No splits. No writing. No stickers. Spine print is crystal clear.
Goldmine Standards.
U.S. Shipping: FREE domestic shipping! Includes tracking. Combine any additional items and they're also shipped FREE! If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page. Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically.
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
Crosby, Stills & Nash Review by Jason Ankeny
The Crosby, Stills & Nash triumvirate shot to immediate superstardom with the release of its self-titled debut LP, a sparkling set immortalizing the group's amazingly close, high harmonies. While elements of the record haven't dated well -- Nash's Eastern-influenced musings on the hit "Marrakesh Express" now seem more than a little silly, while the antiwar sentiments of "Wooden Ships," though well-intentioned, are rather hokey -- the harmonies are absolutely timeless, and the best material remains rock-solid. Stills' gorgeous opener, "Suite: Judy Blue Eyes," in particular, is an epic love song remarkable in its musical and emotional intricacy, Nash's "Pre-Road Downs" is buoyant folk-pop underpinned by light psychedelic textures, and Crosby's "Long Time Gone" remains a potent indictment of the assassination of Robert Kennedy. A definitive document of its era.
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