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CROSBY, STILLS, NASH & YOUNG

plus DALLAS TAYLOR, JOHN SEBASTIAN, JERRY GARCIA, GREGORY REEVES

The musical partnership of David Crosby, Stephen Stills, and Graham Nash, with and without 

Neil Young, was not only one of the most successful touring and recording acts of the 

late '60s, '70s, and early '80s -- with the colorful, contrasting nature of the members' 

characters and their connection to the political and cultural upheavals of the time -- it was 

arguably the only American-based band to approach the overall societal impact of the Beatles. 

The group was a second marriage for all the participants when it came together in 1968: 

Crosby had been a member of the Byrds, Nash was in the Hollies, and Stills with Young had been 

part of Buffalo Springfield. The resulting trio, however, sounded like none of its 

predecessors and was characterized by a unique vocal blend and a musical approach 

that ranged from acoustic folk to melodic pop to hard rock. CSN's debut album, 

released in 1969, was perfectly in tune with the times, and the group was an instant hit. 

By the time of their first tour (which included the Woodstock festival), 

they had added Young, also a veteran of Buffalo Springfield

"DEJA VU"

<reissue, originally published in 1970>

LP     ATLANTIC RECORDS      SD-7200    STEREO   

PRINTED IN U.S.A.   MID-70s REPRESSING

EMBOSSED GATEFOLD SLEEVE w/PHOTO PASTED ON FRONT

[Gold imprinted on a textured, faux-leather gatefold cover. 

"Old timey" looking photograph of the band is pasted on front cover]

WITH COMPANY INNER SLEEVE

THICK CARDBOARD COVER (American Style)

This version: with ? (Warner logo) on labels.

Presswell Pressing denoted in label matrix (PR) suffix.

Atlantic 'Broadway' address printed on the inside panel

Atlantic 'Rockefeller Plaza' address printed on labels.

Barcode and Other Identifiers

Barcode: none

LABEL:  ATLANTIC -  RED/WHITE/GREEN LABELS - BLACK TEXT

Catalog on cover: (front) SD-7200     

Catalog on labels: SD 7200 (ST-A-701829 PR) / SD 7200 (ST-A-701830 PR)

Matrix / Runout (Side A, Etched): ST-A-701829-D   LW  AT   CB  PR  W

Matrix / Runout (Side B, Etched): ST-A-701830-D   LW  AT   W  PR  W  CB

On labels: rim text reads "Mfg. by Atlantic.....75 Rockefeller Plaza.....? A Warner Communications Company"

On Inside Sleeve: Recorded at Wally Heiders Studio III, L.A.

Direction: Elliot Roberts & Associates

Inside Photography: Henry Diltz

Copyright 1970 Atlantic Recording Corp.  1841 Broadway, New York, N.Y. 10023 Printed in U.S.A.

tracklisting

Side A: CARRY ON - TEACH YOUR CHILDREN

ALMOST CUT MY HAIR - HELPLESS - WOODSTOCK

Side B: DEJA VU - OUR HOUSE - 4+20

COUNTRY GIRL a. Whiskey Boot Hill b. Down, Down, Down c. Country Girl (I Think You're Pretty)

EVERYBODY I LOVE YOU

  grading

RECORD EX but (please, read above description)

SLEEVE NEAR EX but (please, see pictures and read above description)

One of the most hotly awaited second albums in history -- right up there with those by the Beatles 

and the Band -- Déjà Vu lived up to its expectations and rose to number one on the charts. 

Those achievements are all the more astonishing given the fact that the group barely held together 

through the estimated 800 hours it took to record Déjà Vu and scarcely functioned as a group 

for most of that time. Déjà Vu worked as an album, a product of four potent musical talents 

who were all ascending to the top of their game coupled with some very skilled production, 

engineering, and editing. There were also some obvious virtues in evidence -- the addition 

of Neil Young to the Crosby, Stills & Nash lineup added to the level of virtuosity, with Young 

and Stephen Stills rising to new levels of complexity and volume on their guitars. Young's 

presence also ratcheted up the range of available voices one notch and added a uniquely

 idiosyncratic songwriter to the fold, though most of Young's contributions in this area were 

confined to the second side of the LP. Most of the music, apart from the quartet's version 

of Joni Mitchell's "Woodstock," was done as individual sessions by each of the members 

when they turned up (which was seldom together), contributing 

whatever was needed that could be agreed upon..... Déjà Vu, a rich musical banquet for the most 

serious and personal listeners, while mass audiences reveled in the glorious harmonies 

and the thundering electric guitars, which were presented in even more dramatic 

and expansive fashion on the tour that followed.....(AllMusic)