Canned Heat and John Lee Hooker – Hooker 'N Heat - Sealed US LP - FREE UK P&P
  £   40
  $   53

 


£ 40 Sold For
May 5, 2012 Sold Date
Feb 6, 2012 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
eBay Sold at
 
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Description

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For information relating to payment, postage packaging and grading guidelines please see the details beneath the bulk of the advert.

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When this two-LP set was initially released in January 1971, Canned Heat was back to its r&b roots. Sporting a slightly revised personnel with the return of Henry "Sunflower" Vestine and the incorporation of Antonio "Tony" de la Barreda on bass, a highly skilled constituent of Aldolfo de la Parra on drums. Sadly, it would also be the final effort to include co-founder Alan "Blind Owl" Wilson, who passed away in September 1970. Hooker 'n Heat (1971) is a low-key affair split between unaccompanied solo John Lee Hooker tunes, collaborations between Hooker and Wilson, as well as five full-blown confabs between Hooker and Heat. The full-fledged collaborations shine as both parties unleash some of their finest respective work. While Canned Heat get top bill - probably as it was the group's record company that sprung for Hooker 'n Heat - make no mistake, as Hooker steers the combo with the same gritty and percussive guitar leads that have become his trademark.

 

The epic "Boogie Chillen No. 2" stretches over 11-and-a-half minutes and is full of the same swagger as the original, with the support of Canned Heat igniting the verses and simmering on the subsequent instrumental breaks with all killer and no filler. Canned Heat are hands down the best back-up band John Lee Hooker has recorded. And despite the cover billing, they are very much a back-up group, for this is really a John Lee Hooker album, and one of his best in a long while. Much of the credit goes to the Heat's planning and programming. They have caught Hooker in a variety of settings: soloist in his own characteristic idiom; playing a fantastic series of duets with the late Al Wilson; and fronting the entire band (minus Hite, who worked on the project, and spread his infectious good humor, from the control booth) for some righteous, raunchy boogie. Canned Heat have made no secret of the fact that their entire boogie series, spread over some three albums, draws its inspiration from Hooker's work, so the combination is a natural. The second album in this two-record set is given over to band numbers, and it's the best of the two. Mention should be made of the earth-moving power of Antonio de la Barreda and Adolfo de la Parra, the Heat's south-of-the-border rhythm section, and of the engineering, which may still be a little too clean for Hooker, but then, nobody records in barns anymore. Hooker fans are going to dig this record, and so are Heat fans, and that includes a lot of people. Let 'em boogie! (RS 81) Bob Palmer - c Copyright 2000 Rolling Stone.com - AMG/Lindsay Planer

 

Artist - Canned Heat and John Lee Hooker

 

Side 1:

1. Messin' With The Hook 2. The Feelin' Is Gone

3. Send Me Your

4. Sittin' Here Thinkin'

5. Meet Me In The Bottom

 

Side 2:

1. Alimonia Blues

2. Drifter

3. You Talk Too Much

4. Burning Hell

. Bottle Up And Go

 

Side 3:

1. The World Today

2. I Got My Eyes On You

3. Whiskey and Wimmen

. Just You And Me

 

Side 4:

1. Let's Make It

2. Peavine

3. Boogie Chillin' No 2

 

Catalogue No. - PPAN LST-35002

Record Condition - Mint (Sealed)

Cover Condition - Mint

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PAYMENT

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POSTAGE

At Netdiscs we ensure you get the postage and packing service you require - we can send by 1st, 2nd or Recorded delivery within the UK and Air or Airsure to any overseas destination.  We no longer use surface mail due to the length of delivery time and any overseas items over £20 will now have to be sent by Airsure.

We hate being overcharged for postage, it’s money for nothing. So we aim to keep our postage costs fair and transparent. Obviously each item is different, but we’ve done a fair bit of work to establish the correct postage price before posting.  If you feel hard done by, please get in contact.

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PACKAGING

We’re record lovers too and hate receiving items marked as ‘Mint’ and turns out to be scuffed or ripped. This can be avoided!

We use top quality packaging materials - so all our items arrive with you, the buyer, in top notch condition.

Please note: all records are removed from their sealed packaging UNLESS REQUESTED OTHERWISE. Once removed from their packaging, they are kept in a 250g polysleeve which ensures protection. The record(s) and its sleeves are then placed between 2 stiffeners. This ensures that everything arrives exactly as you’d want it to.

Remember - we all need to recycle where possible, so with larger orders and larger items, we re-use the packing boxes and protective wrapping received from our suppliers.

The charges for packaging are based on the following:

FORMAT

PACKAGING

COST

7”

1 polysleeve, 2 stiffeners, 1 card envelope

£0.80

10”

1 polysleeve, 2 stiffeners, 1 card envelope

£1.00

12” / LP

1 polysleeve, 2 stiffeners, 1 card envelope

£1.00

2 x12”

2 polysleeve, 2 stiffeners, 1 card envelope

£1.10

CD

1 Jiffy bag

£0.60

 

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Grading based on Record Collector Guidelines:

 

Mint   The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as sealed or unplayed should be Mint.

 

Excellent   The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

 

Very Good   The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

 

Good   The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration etc.

 

Fair   The record is still just playable but has not been cared for properly and displays considerable surface noise, it may even jump. The cover and contents will be torn, stained and/or defaced.

 

Poor   The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

 

Bad   The record is unplayable or might even be broken, and is only of use as a collection-filler.

 

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