This record is used!   Cover has lite wear & small crease at opening,     .                  Original Double Album  **Rare**       }}  ((Not 180 Gram Reissue)) ***Excellent Audio***

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About this Album:

Trout Mask Replica

Trout Mask Replica is the third album by Captain Beefheart and his Magic Band, released in June 1969. Produced by Beefheart's friend and former schoolmate Frank Zappa, it was originally released as a double album on Zappa's Straight Records label. Combining elements of blues, avant-garde, free jazz and other genres of American music, the album is regarded as an important work of experimental music and a major influence on genres such as alternative rock, progressive rock, math rock and post-punk.

Most of Trout Mask Replica was recorded in March 1969 at Whitney Studios in Los Angeles, California. The lineup of The Magic Band at this time consisted of Bill Harkleroad and Jeff Cotton on guitar, Mark Boston on bass guitar, Victor Hayden on bass clarinet, and John French on drums and percussion. Beefheart played several brass and woodwind instruments (including saxophone, musette, and hunting horn) and contributed most of the vocal parts, and Zappa and members of the band provided occasional vocals and narration. The well-rehearsed Magic Band recorded all instrumental tracks for Trout Mask Replica in a single six-hour recording session; Van Vliet's vocal and horn tracks were laid down over the next few days.

Track listing

All tracks written, composed and arranged by Don Van Vliet.

Personnel

• Captain Beefheart (Don Van Vliet) – lead and backing vocals, spoken word, tenor saxophone, soprano saxophone, bass clarinet, musette, simran horn, hunting horn, jingle bells, producer (uncredited), engineer (uncredited)

• Drumbo (John French) – drums, percussion, engineer (uncredited on the original release)
• Antennae Jimmy Semens (Jeff Cotton) – guitar, "steel appendage guitar" (slide guitar using a metal slide), lead vocals on "Pena" and "The Blimp", "flesh horn" (vocal with hand cupped over mouth) on "Ella Guru", speaking voice on "Old Fart at Play"
• Zoot Horn Rollo (Bill Harkleroad) – guitar, "glass finger guitar" (slide guitar using a glass slide), flute on "Hobo Chang Ba"
• Rockette Morton (Mark Boston) – bass guitar, narration on "Dachau Blues" and "Fallin' Ditch"
• The Mascara Snake (Victor Hayden) – bass clarinet, backing vocals on "Ella Guru", speaking voice on "Pena"

• Doug Moon – acoustic guitar on "China Pig"
• Gary "Magic" Marker – bass guitar on "Moonlight on Vermont" and "Veteran's Day Poppy" (uncredited)
• Roy Estrada – bass guitar on "The Blimp" (uncredited)
• Arthur Tripp III – drums and percussion on "The Blimp" (uncredited)
• Don Preston – piano on "The Blimp" (uncredited)
• Ian Underwood and Bunk Gardner – alto and tenor saxophones on "The Blimp" (uncredited/inaudible)
• Buzz Gardner – trumpet on "The Blimp" (uncredited/inaudible)
• Frank Zappa – speaking voice on "Pena" and "The Blimp" (uncredited); engineer (uncredited); producer
• Richard "Dick" Kunc – speaking voice on "She's Too Much for My Mirror" (uncredited); engineer
• Cal Schenkel – album design
• Ed Caraeff and Cal Schenkel – photography

I am a music lover, I have been collecting and playing records since I was a child. I also have purchased alot of records on ebay, so I know first hand how important grading is to a buyer. I use the goldmine grading system.                               (see below for full details)

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Goldmine Grading System:

• Mint (M)   Absolutely perfect in every way. Certainly never been played, possibly even still sealed. (More on still sealed under "Other Considerations"). Should be used sparingly as a grade, If at all.

• Near Mint (NM or M-)   A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap. Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.


• Very Good Plus (VG+)   Generally worth 50 percent of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.


• Very Good (VG)   Generally worth 25 percent of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. Goldmine price guides with more than one price will list Very Good as the lowest price. This, not the Near Mint price, should be your guide when determining how much a record is worth, as that is the price a dealer will normally pay you for a Near Mint record.


• Good (G), Good Plus (G+)   Generally worth 10-15 percent of the Near Mint value. Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. It is a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.


• Poor (P), Fair (F)   Generally worth 0-5 percent of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon.