Celebration of SCHUBERT & SCHUMANN, 4 LP Sealed, Chamber Music Society Lincoln..
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Description
The Chamber Music Society Of Lincoln Center ?– A Celebration of Schubert and Schumann
Label:
The Classics Record Library ?– 30-5253
Format:
4 × Vinyl, LP, Album, Stereo
Country:
US
Released:
1978
Genre:
Classical
Style:
Tracklist Hide Credits
A1-3,B1 Piano Quartet In E Flat, Op. 47
Cello – Leslie Parnas
Composed By – Robert Schumann
Piano – Richard Goode
Viola – Walter Trampler
Violin – Jaime Laredo
A1 I. Sostenuto Assai - Allegro Ma Non Troppo
A2 II. Scherzo: Molto Vivace
A3 III. Andante Cantabile
B1 IV. Finale Vivace
B2-5 Marchenerzablungen (Fairy Tales) For Clarinet, Viola And Piano, Op. 132
Clarinet – Gervase de Peyer
Composed By – Robert Schumann
Piano – Richard Goode
Viola – Walter Trampler
B2 I. Lebhaft, Nicht Zu Schnell
B3 II. Lebhaft Und Sehr Markirt
B4 III. Ruhiges Tempo, Mit Zartem Ausdruck
B5 IV. Lebhaft, Sehr Markit
C1-10 Spanische Liebeslieder (Spanish Love Songs) For Vocal Quartet And Piano, Four Hands, Op. 138
Composed By – Robert Schumann
Piano – Charles Wadsworth, Richard Goode
C1 Vorspiel
C2 Tief Im Herzen Trag' Ich Pein
Soprano Vocals – Kathleen Battle
C3 O Wie Lieblich Ist Das Madchen
Tenor Vocals – John Aler
C4 Bedeckt Mich Mit Blumen
Alto Vocals – D'Anna Fortunato
Soprano Vocals – Kathleen Battle
C5 Flutenreicher Ebro
Baritone Vocals – Dominic Cossa
C6 Imtermezzo
C7 Weh, Wie Zornig Ist Das Madchen
Tenor Vocals – John Aler
C8 Hoch, Hoch Sind Die Berge
Alto Vocals – D'Anna Fortunato
C9 Blaue Augen Hat Das Madchen
Baritone Vocals – Dominic Cossa
Tenor Vocals – John Aler
C10 Dunkler Lichtglanz, Bliner Blick
Alto Vocals – D'Anna Fortunato
Baritone Vocals – Dominic Cossa
Soprano Vocals – Kathleen Battle
Tenor Vocals – John Aler
D1-7 Introduction And Variations On "Ihr Blumlein Alle" For Flute And Piano, Op. 160, D.802
Composed By – Franz Schubert
Flute – Paula Robison
Piano – Richard Goode
D1 Variation I
D2 Variation II
D3 Variation III
D4 Variation IV
D5 Variation V
D6 Variation VI
D7 Variation VII
E1-4 String Quartet In G Minor, D.173
Cello – Leslie Parnas
Composed By – Franz Schubert
Viola – Walter Trampler
Violin – James Buswell, Yoshiko Nakura
E1 I. Allegro Con Brio
E2 II. Andantino
E3 III. Minuetto: Allegro Vivace
E4 IV. Allegro
F1-2;G1-3;H1 Octet In F For Two Violins, Viola, Cello, Double Bass, Clarinet, French Horn And Bassoon, Op. 166, D.803
Bassoon – Loren Glickman
Cello – Leslie Parnas
Clarinet – Richard Stoltzman
Composed By – Franz Schubert
Double Bass – Alvin Brehm
French Horn – Robert Routch*
Viola – Walter Trampler
Violin – James Buswell, Syoko Aki
F1 I. Adagio - Allegro
F2 II. Adagio
G1 III. Allegro Vivace
G2 IV. Andante And Variations
G3 V. Minuetto: Allegretto
H1 VI. Andante Molto - Allegro
H2 Der Hirt Auf Dem Felsen (The Shepherd On The Rock), Op. 129, D.965 - Andantino - Allegretto
Clarinet – Gervase de Peyer
Composed By – Franz Schubert
Piano – Charles Wadsworth
Soprano Vocals – Judith Blegen
Reviews
GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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