Charles MINGUS Marion Abernathy Bob Moseley ALL STARS BEE BOOGIE Bel Tone J752
$
40
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Description
A series of great JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola Records
Early 1945 record of Charles Mingus on obscure Bel Tone Label
Bob Mosely & All Stars ?– Stormy Mood / Bee Boogie Boo
Label:
Bel-Tone Records ?– J752
A Stormy Mood
Bass – C. Mingus*
Clarinet – M. Royal*
Drums – L. Young*
Guitar – G. Phillips*
Piano – B. Mosley*
Tenor Saxophone – L. Thompson*
Trumpet – C. George*
Vocals – M. Abernathy*
Written-By – Abernathy*
B Bee Boogie Boo
Alto Saxophone – M. Royal*
Bass – C. Mingus*
Drums – L. Young*
Guitar – G. Phillips*
Piano – B. Mosley*
Tenor Saxophone – L. Thompson*
Trumpet – C. George*
Written-By – Mosley*
10" 78 rpm record
Condition:
VERY GOOD PLUS PLUS unworn but rubs, Plays E Very quiet
A CHOICE COPY
Marion Abernathy (born around 1920 in Chicago, [1] died after 1960) was an American singer of rhythm & blues, who was also called The Blues Woman and was active on the west coast of the USA.
Abernathy, a discovery by Johnny Otis, was among the musicians who played a key role in launching Art Rupe's R&B label Specialty Records. [2] Her song "Voo It!", First recorded in 1944 for the predecessor label Juke-Box. Voo It! ”Was the label's second release and became a regional hit in 1945. In the same year she recorded for regional labels such as Bel-Tone and Melodisc Records, accompanied a. a. by Buddy Banks, Bob Mosely, and Lucky Thompson. [2] With Wynonie Harris, Jo Jo Adams, T-Bone Walker and Mabel Scott she was one of the stars of the Afro-American music scene on Central Avenue in Los Angeles at this time. [3]
She took on a number of R&B titles in the post-war years such as "Baggin 'the Boogie", "Goin' for the Okey-Doke". "Ja-Hoosey Baby", "My Man Boogie" (with Hot Lips Page 1947), "Undecided" and "You Ain't Got Nothin 'for Me" (with Paul Bascomb) on. [4] During her recordings for King Records in 1949 she was accompanied by Joe Newman, Marshall Royal, Bumps Myers, Gerry Wiggins and Chico Hamilton. [5] According to Tom Lord, she was involved in nine recording sessions between 1945 and 1949. [6] In 1960 she was still recording for small labels. [7]
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