Chris Connor "He Loves Me, He Loves Me Not" Cool Jazz Vocals 1956 NM
  $   25

 


$ 25 Sold For
Mar 11, 2015 Sold Date
Feb 26, 2015 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

 

~Chris Connor~
"He Loves Me, He Loves Me Not"
Original

 Jazz Vocals
Cool Jazz


Atlantic Records # 1240 , 1956   NM/VG++

Original Recording:
Chris Connor
He Loves Me, He Loves Me Not
Vocals  Cool Jazz
Orchestra
33 RPM LP
Original 
   Vinyl is clean with all original luster. Records have seen little play time.
Records grades around a  NM-/VG++ condition.  A few scattered minor surface marks only.
No real flaws to list..
Record plays and sounds terrific.
 Both Atlantic labels are in at least a VG++ condition with no real wear.
 No stickers.   No writing.  
  Jacket is in at least a VG++ condition and better with only minor wear.
Cover has all gloss. No wear. NM

Chris Connor (November 8, 1927 – August 29, 2009)[1] was an American jazz singer.


Along with June Christy, Helen O'Connell, and Julie London, Chris Connor epitomized cool jazz singing in the 1950s. Influenced by Anita O'Day, the torchy, smoky singer wasn't one for aggression. Like Chet Baker on the trumpet or Paul Desmond and Lee Konitz on alto sax, she used subtlety and restraint to their maximum advantage. At the University of Missouri, Connor (who had studied clarinet at an early age) sang with a Stan Kentonish big band led by trombonist Bob Brookmeyer before leaving her native Kansas City for New York in 1947. Quite appropriately, she was featured in the lyrical pianist Claude Thornhill's orchestra in the early '50s. After leaving Thornhill, Connor was hired by Kenton at Christy's recommendation, and her ten-month association with him in 1952-1953 resulted in the hit "All About Ronnie." Connor debuted as a solo artist in 1953, recording three albums for Bethlehem before moving to Atlantic in 1955 and recording 12. Connor reached the height of her popularity in the 1950s, when she delivered her celebrated versions of Billy Strayhorn's "Lush Life" and George Shearing's "Lullaby of Broadway," and recorded such excellent albums as The Rich Sound of Chris Connor and Lullabies of Birdland for Bethlehem and Chris Craft and Ballads of the Sad Cafe for Atlantic. Connor made a poor career move in 1962, the year she left Atlantic and signed with a label her manager was starting, FM Records -- Connor had recorded only two albums for FM when they folded. Connor's recording career was rejuvenated in the 1970s, and she went on to record for Progressive, Stash, and Contemporary in the '70s and '80s. Connor maintained a devoted following in the 1990s and continued to tour internationally.



A1 High On A Windy Hill 3:44 A2 Round About 3:56 A3 Angel Eyes 3:41 A4 You Stepped Out Of A Dream 3:48 A5 Why Can't I 3:41 A6 Suddenly It's Spring 3:09 B1 About The Blues 3:41 B2 Oh! You Crazy Moon 3:40 B3 But Not For Me 3:47 B4 I Guess I Hang My Tears Out To Dry 3:27 B5 I Wonder What Bacame Of Me 4:11 B6 Thursday Child 3:54



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