Cold Chisel – Breakfast At Sweethearts 12" Vinyl 1979 Aussie Press NM/VG+
A$
65
$
43
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Description
Media Grading: NM Sleeve Grading: VG+
Notes
Produced and engineered at Albert Studios, SydneyMastered at E.M.I. Studios, Sydney
On sleeve:
"This is the neon strip
Where baracudas cruise
Drivers, midnight looters
Zipped in sharkskin jackets
Waiting for a Mark
Their brains are soft computers"
Distributed by WEA Records Pty. Limited
[Warner logo]A Warner Communications Company
On spine:
℗ © 1979 WEA Records Pty. Limited
On insert:
Dirty Pool[triangular logo] exclusive representation
Tony Faehse appears courtesy of Oz Records
Special thanks to Peter Moss, Lee Condon, Billy Hyde
On labels:
Australian recording [logo with a kangaroo]
All Australian compositions
All tracks published by Rondor
Manufactured & Distributed by WEA Records Pty. Limited
(around rim of label)
WEA Records Pty, Limited [Warner logo] A Warner Communications Company
Some copies have a gold and black sticker on the front that reads:
"Cold Chisel
Breakfast At Sweethearts
600042"
Cold Chisel – Breakfast At Sweethearts
Label: WEA – 600042 Format: Vinyl, LP, Album, Reissue, RepressCountry: Australia Released: Genre: Rock Style: Pop Rock, Classic Rock
More Images
Tracklist
Position Title/Credits Duration A1 Conversations 4:28 A2 Merry Go Round 3:40 A3 Dresden 3:52 A4 Goodbye (Astrid Goodbye) 2:49 A5 Plaza 2:06 B1 Shipping Steel 3:22 B2 I'm Gonna Roll Ya 3:23 B3 Showtime 3:42 B4 Breakfast At Sweethearts 4:06 B5 The Door 4:15Companies, etc.
- Manufactured By – WEA Records Pty. Limited
- Distributed By – WEA Records Pty. Limited
- Phonographic Copyright (p) – WEA Records Pty. Limited
- Copyright (c) – WEA Records Pty. Limited
- Published By – Rondor Music Pty. Ltd.
- Produced At – Albert Studios
- Engineered At – Albert Studios
- Mastered At – EMI Studios 301
- Lacquer Cut At – CBS Records, Artarmon – MX189467
- Lacquer Cut At – CBS Records, Artarmon – MX189468
Credits
- Art Direction – Ken Smith (10)
- Bass – Phil Small
- Drums – Steve Prestwich
- Guitar – Ian Moss
- Harmonica – Dave Blight
- Management [Personal Management] – Rod Willis (2)
- Management [Tour Management] – Dave Ferguson (4)
- Photography By [At The Marble Bar, Sydney Hilton Hotel] – Greg Noakes
- Piano, Organ, Backing Vocals – Don Walker (2)
- Producer, Mastered By – Richard Batchens
- Slide Guitar – Tony Faehse (tracks: B1)
- Vocals – Ian Moss (tracks: A5), Jim Barnes*
- Written-By – Walker*, Moss* (tracks: A3), Barnes* (tracks: A4)
Barcode and Other Identifiers
- Matrix / Runout (Side A label): MX189467
- Matrix / Runout (Side B label): MX189468
- Matrix / Runout (Stamped & Handwritten Runouts Side A): [Stamped]MX189468̶ [Handwritten]7 [Stamped]600042-1 ◊2
- Matrix / Runout (Stamped Runouts Side B): MX189468-B 600042-2 ◊2
The Goldmine Standard for grading is used for my vinyl listings:
Mint (M)
The sleeve and cover are absolutely perfect in every way. To qualify as Mint, the record must never have been played and is possibly still sealed. Mint should be used sparingly as a grade, if at all. Note that a record can be sealed and not Mint. There could be sleeve discoloration, ring wear, or vinyl warp if guidelines on how to store vinyl were not followed. If you suspect your record is in Mint condition, do not play it.
Near Mint (NM or M-)
A nearly perfect record. A Near Mint (NM) record has more than likely never been played. The vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. The sleeve of a 45 of EP should have no more than the most minor defects, such as any sign of slight handling. The LP cover should have no creases, folds, seam-splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc. Many dealers won’t give a grade higher than NM, implying (perhaps correctly) that no record is ever truly perfect.
Very Good Plus (VG+)
A Very Good Plus (VG+) record will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a VG+ record should sound the same as a Near Mint (NM) one. Vinyl surfaces may show some signs of wear, such as slight scuffs or very light scratches. Slight warps that do not affect the sound are okay. The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some wear, slightly turned-up corners, or a small seam-split. An LP cover may have sparse signs of wear and may be marred by a cut-out hole, indentation, or cut corner. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.
Very Good (VG)
The defects found in a Very Good Plus (VG+) record will be more pronounced in a Very Good (VG) item. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, such as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, a VG item will not have all of these problems at the same time.
Good, Good Plus (G, G+)
A record in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam-splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and “ticks” will almost certainly accompany the playback.
Poor, Fair (P, F)
The record is cracked, badly warped, and won’t play through without skipping or repeating. The picture sleeve could be water damaged, split on more than one seam, and heavily marred by wear or writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon. Poor (P) or Fair (F) records are generally worth very little, at most 5% of the Near Mint (NM) price.
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