Colosseum ?– Daughter Of Time LP Vertigo UK 1971 Prog (Swirl Label)
  £   15
  $   19

 


£ 15 Sold For
Apr 16, 2018 Sold Date
Apr 9, 2018 Start Date
£   12 Start price
2   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

BobTheMusicMan – Vinyl, Music & Other Media auctions

 

Discogs information:

 

Colosseum ?– Daughter Of Time

Label: Vertigo ?– 6360017, Vertigo ?– 6360 017 Format: Vinyl, LP, Album, Repress, Small Swirl 
Country: UK Released: 1971 Genre: Jazz, Rock Style: Fusion, Psychedelic Rock, Jazz-Rock, Prog Rock

TracklistHide Credits

A1 Three Score And Ten, Amen Narrator – Dick Heckstall-Smith 5:36 A2 Time Lament Arranged By [Brass & Strings] – Neil ArdleyCello – Charles Tunnell, Fred AlexanderTrombone – Derek WadsworthTrumpet, Flugelhorn – Harold Beckett*Viola – Nicholas Kraemer (2)Violin – Jack Rothstein, Trevor Williams (4) 6:04 A3 Take Me Back To Doomsday Vocals – Dave Clempson* 4:26 A4 The Daughter Of Time Arranged By [Brass & Strings] – Neil ArdleyCello – Charles Tunnell, Fred AlexanderTrombone – Derek WadsworthTrumpet, Flugelhorn – Harold Beckett*Viola – Nicholas Kraemer (2)Violin – Jack Rothstein, Trevor Williams (4) 3:30 B1 Theme For An Imaginary Western 4:05 B2 Bring Out Your Dead 4:25 B3 Downhill And Shadows 6:11 B4 The Time Machine 8:12

Companies, etc.

  • Produced For – Hit Record Productions Ltd.
  • Recorded At – Lansdowne Studios
  • Recorded At – Royal Albert Hall
  • Published By – Colosseum Music
  • Published By – Bruce Music
  • Pressed By – Phonodisc Ltd.
  • Lacquer Cut At – Phonodisc Ltd.

Credits

  • Bass – Louis Cennamo (tracks: A2, A3, A4, B2), Mark Clarke (2) (tracks: A1, B1, B3)
  • Design [Cover] – Design Machine, Robin Nicol
  • Drums, Percussion – Jon Hiseman
  • Engineer – Peter Gallen
  • Flute, Tenor Saxophone, Soprano Saxophone, Alto Saxophone, Baritone Saxophone, Vocals – Barbara Thompson (tracks: A1 to A4)
  • Guitar – Dave Clempson*
  • Piano, Organ, Vibraphone, Vocals – Dave Greenslade
  • Producer – Gerry Bron
  • Tenor Saxophone, Soprano Saxophone – Dick Heckstall-Smith
  • Vocals – Chris Farlowe (tracks: A1, A2, A4, B1, B3)

Notes

Vertigo "small swirl" label (small swirl logo on both sides, including credits) 
Matt gatefold sleeve with swirl polylined inner. 

1st cat on rear and spine of sleeve, 2nd on labels. 

Recorded summer 1970 at Lansdowne Studios London, except track B4 recorded Live at the Royal Albert Hall July 1970. 
All titles published by Colosseum Music Ltd. except "Imaginary Western" (Bruce Music) 

? 1970 

Note: 
Originally released on the large Vertigo "swirl" label.

Barcode and Other Identifiers

  • Matrix / Runout (A-side label): 6360 017 1
  • Matrix / Runout (B-side label): 6360 017 2
  • Matrix / Runout (A-side runout, stamped, variant 1): 6360017 1Y// 1?420 1 1 1
  • Matrix / Runout (B-side runout, stamped, variant 1): 6360017 2Y// 1?420 1 1 2
  • Matrix / Runout (A-side runout, stamped, variant 2): 6360017 1Y// 3?420 1 1 1
  • Matrix / Runout (B-side runout, stamped, variant 2): 6360017 2Y// 1?420 1 1 7
  • Price Code (Rear of sleeve, boxed under Cat. No.): VO PRICE CODE

Our grading in condition section above.

Records graded to Record Collector guidelines.

Mint (M)

The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.

Excellent (EX)

The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

Very Good (VG)

The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable

Good (G)

The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc

Fair (F)

The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.

Poor (P)

The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing

Bad (B)

The record is unplayable or might even be broken, and is only of use as a collection-filler

CD’s and CASSETTES

As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.

 

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