Creedence Clearwater Revival Willy And The Poor Boys Analogue Prod. 180 gram lp
$
31
$ 31
Sold For
Feb 23, 2014
Sold Date
Feb 16, 2014
Start Date
$ 20
Start price
2
Number Of Bids
USA
Country Of Seller
eBay
Auctioned at
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Description
Creedence Clearwater Revival Willy And The Poor Boys Analogue Productions APP 8397 180 gram virgin vinyl Audiophile lp Master by Steve Hoffman & Kevin Gray from the original analog master tapes
TracklistHide Credits
A1 Down On The Corner 2:43 A2 It Came Out Of The Sky 2:58 A3 Cotton Fields Composed By – Huddie Ledbetter 2:53 A4 Poorboy Shuffle 2:25 A5 Feelin' Blue 5:05 B1 Fortunate Son 2:20 B2 Don't Look Now (It Ain't You Or Me) 2:08 B3 The Midnight Special Written-by [Amer. Folk Song] – Traditional 4:10 B4 Side O' The Road 3:21 B5 Effigy 6:28Companies etc
- Mastered At – AcousTech Mastering
- Pressed By – Record Technology Incorporated
- Marketed By – Acoustic Sounds
Credits
- Arranged By, Composed By, Producer – John Fogerty
- Bass – Stu Cook
- Drums – Doug Clifford
- Lead Guitar, Vocals – John Fogerty
- Mastered By – Kevin Gray, Steve Hoffman
- Photography By – Basul Parik
- Rhythm Guitar – Tom Fogerty
Notes
Mastered at AcousTech180-gram virgin vinyl
pressed at RTI
marketed by Acoustic Sounds (all photos are of the actual item) All Music Guide - Stephen Thomas Erlewine Make no mistake, Willy & the Poor Boys is a fun record, perhaps the breeziest album CCR ever made. Apart from the eerie minor-key closer "Effigy" one of John Fogerty's most haunting numbers, there is little of the doom that coloredGreen River. Fogerty's rage remains, blazing to the forefront on "Fortunate Son," a working-class protest song that cuts harder than any of the explicit Vietnam protest songs of the era, which is one of the reasons that it hasn't aged where its peers have. Also, there's that unbridled vocal from Fogerty and the ferocious playing on CCR, which both sound fresh as they did upon release. "Fortunate Son" is one of the greatest, hardest rock & rollers ever cut, so it might seem to be out of step with an album that is pretty laid-back and friendly, but there's that elemental joy that by late '69 was one of CCR's main trademarks. That joy runs throughout the album, from the gleeful single "Down on the Corner" and the lazy jugband blues of "Poorboy Shuffle" through the great slow blues jam "Feelin' Blue" to the great rockabilly spiritual "Don't Look Now," one of Fogerty's overlooked gems. The covers don't feel like throwaways, either, since both "Cotton Fields" and "The Midnight Special" have been overhauled to feel like genuine CCR songs. It all adds up to one of the greatest pure rock & roll records ever cut.
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