Current 93-The Red Face Of God LP (Ltd to 666 copies)
  $   34

 


$ 34 Sold For
Jul 15, 2011 Sold Date
Jul 8, 2011 Start Date
$   20 Start price
2   Number Of Bids
  USA Country Of Seller
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Description

Current 93-The Red Face Of God LP (Ltd to 666 copies)

1988 12" UK Maldoror MAL088

666 Black vinyl copies in regular sleeve

There are no inserts in the copy of the 12"

 

According to the info sheet, these two tracks were recorded in the sessions for Christ and the Pale Queens Might in Sorrow at the Shadow Factory between September 1987 and January 1988.

 

 

Track Listing

A  The Red Face Of God [mal666] [vod75.1-2]

 

B  The Breath And Pain Of God [mal666] [vod75.1-2]

 

Vinyl Etchings

A: LILITH OF THE VALLEY

B: ROBOSIANNE

 

Sleeve Notes

To every thing there is a season, and a time to every purpose under the heaven. A time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted; A time to kill, and a time to heal; a time to break down, and a time to build up; A time to weep, and a time to laugh, a time to mourn, and a time to dance; A time to cast away stones, and a time to gather stones together, a time to embrace, and a time to refrain from embracing; A time to get, and a time to lose, a time to keep, and a time to cast away; A time to rend, and a time to sew; a time to keep silence, and a time to speak; A time to love, and a time to hate; a time of war, and a time of peace...

 

Ecclesiastes III,1-8

Notes

Originally intended to be a 7"

 

Recorded at the same sessions as Christ And The Pale Queens Mighty In Sorrow

 

Album surface: VG+

Album artwork: VG+

 

 

Biography

 

by John Bush

 

With a glut of industrial-pop hybrids on the market in the 1980s and '90s, several bands stayed true to the experimental nature of early industrial music. The Psychic TV axis alone spawned many creative artists, including Current 93's David Tibet, who blends Gothic chanting and haunting atmospherics with industrial noisescapes courtesy of tape loops and synthesizers. Though Tibet doesn't quite have bandmates, he frequently works with a core of collaborators including ex-Psychic TV compatriot John Balance (more famous for his work with Peter Christopherson in Coil); Fritz Haaman, formerly of 23 Skidoo (like PTV an offshoot of the most influential of the early industrial acts, Throbbing Gristle); Steven Stapleton of Nurse with Wound fame; Rose McDowall of Strawberry Switchblade; and Hilmar Örn Hilmarsson, also a former member of Psychic TV. Steven Stapleton is probably the most frequent member, appearing on virtually all Current 93 releases -- a favor which David Tibet returns by working with Stapleton on most projects by Nurse with Wound.

 

The trio of Tibet, Balance, and Haaman debuted in 1983 by recording the single "Lashtah" for Laylah Records. Until the end of the '80s, Tibet -- utilizing the various lineups -- recorded at a frenetic pace, issuing more than two albums per year for both Laylah and the Maldoror label. By the '90s, Tibet's output and style changed slightly: his productivity slowed somewhat, and the sound grew more subdued, encompassing acoustic folk in its most sinister permutations. Productivity picked up in the 2000s with more Current 93 material being recorded and reissued. Tibet also designed a bottle label for the Absinthe liquor company in 2005. 2006 saw the release of both Black Ships Ate the Sky and Sleep Has His House on Durtro Records, followed by Inmost Light in April 2007. The latter record marked a new direction for C93. In 2009, they released Aleph at Hallucinatory Mountain amid a flurry of other activity including Tibet's art exhibitions and touring. Though it kept its mostly acoustic dreamy feel, Tibet expanded his sonic palette and added some real electric, nightmarish rock on this set. Some of its special guests included guitarist James Blackshaw, Rickie Lee Jones, and Andrew W.K.

 

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