DAVE BAILEY w/CURTIS FULLER+HORACE PARLAN FOOT IN GUTTER VERY RARE ORIG 1960 LP

$

49

    
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·       DAVE BAILEY SEXTET – ONE FOOT IN THE GUTTER – ORIGINAL 1960 EPIC RECORDS’ STEREO LP BA-17008

·       PERSONNEL:

Curtis Fuller  -  Trombone

Horace Parlan  -  Piano

Charlie Rouse  -  Sax (Tenor)

Dave Bailey  -  Drums

Clark Terry  -  Trumpet, Flugelhorn

Peck Morrison  -  Bass

·       ORIGINAL U.S. PRESSING

·       EXTREMELY RARE STEREO PRESSING, MANY TIMES RARER THAN MONO

·       DEEP GROOVE PRESSING

·       ORIGINAL YELLOW EPIC LABEL WITH "RADIAL" BLACK LINES ALONG THE LABEL’S PERIMETER.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1B'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING\

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Dave Bailey's One Foot in the Gutter is the first of several dates which originally appeared on Epic in the early 1960s. The veteran drummer literally leads a blowing session in the studio without any prepared arrangements or set list, inspired by an invited audience of friends and jazz fans. The musicians include the outstanding front line of Clark Terry, Junior Cook and Curtis Fuller, along with Horace Parlan and Peck Morrison joining the leader in the rhythm section. The music is consistently loose, fresh and very inspired; egos have been checked at the door as everyone aspires to work together to produce the best results. Clark Terry's sauntering bluesy "One Foot in the Gutter" gets things off on the right foot, followed by a burning interpretation of Thelonious Monk's "Well You Needn't," featuring Terry's almost conversational fluegelhorn, as well as an intense, well-paced tenor sax solo by Cook and an inventive turn in the spotlight by Parlan. The finale is an extended workout of Clifford Brown's "Sandu" which pushes everyone to a peak. The results were so successful that additional sessions (Gettin' Into Something and Two Feet in the Gutter) soon followed; this release is strong proof that talented musicians don't have to meticulously plan out their set to produce timeless music.

 (EXCERPT FROM AN ONLINE REVIEW BY KEN DRYDEN, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++. A few light abrasions  ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Stereo  pressing of this title is much rarer, and by far more preferable to its mono  counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies  by a ratio of at least 5:1.

(e)           The record comes in a hi-grade MFSL PVC inner sleeve, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD- / very good minus /  (VG-).

The following flaws or imperfections are noted on the cover:

-         Cover has all three seams (top, bottom and spine) partially split,  as follows:

-         Top seam: between 2 and 4 inches  / 5 to 10 centimeters.

-         Bottom seam: between 1 and 2 inches  / 2.5 to 5 centimeters.

-         Spine: between 8 and 10 inches  / 20 to 22 centimeters. The previous owner taped the seams with numerous small pieces of clear scotch tape, applied across (perpendicularly to) the seams, which does affect the integrity and appearance of the cover somewhat.  Some of these pieces of tape can probably be removed easily, but we did not attempt to.

-         Cover has some visible fraying/tattering on all three seams

-         Cover has all four corners slightly worn / dinged / bent.

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 5 (front side) and 3 (back side)

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging.

-         Cover has a visible "wrinkle"(crease)  in one of the corners.

-         Cover has a few tiny wrinkles along the spine

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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