DAVE GREENSLADE " The Pentateuch Of The Cosmogony " 2 x LP WITH BOOK EMC 332-EX
  £   17
  $   23

 


£ 17 Sold For
Apr 24, 2016 Sold Date
Apr 17, 2016 Start Date
£   5 Start price
7   Number Of Bids
  Great Britain Country Of Seller
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Description

ARTIST - DAVE GREENSLADE  

Dave Greenslade (born 18 January 1943) is an English composer and keyboard player. He has played 20 years with Colosseum and in his own eponymous band, Greenslade, and others including If and Chris Farlowe's Thunderbirds.

TITLE - " The Pentateuch Of The Cosmogony "

RECORD LABEL - EMI

RECORD No. - EMC 332

YEAR - 1979

VINYL - EX

SLEEVE - VG+....slightly rubbed at bottom see pics.

BOOK - EX

 

TRACK LISTING.......

A1 Introit 4:05 A2 Moondance 3:07 A3 Beltempest 2:41 A4 Glass 3:02 A5 Three Brides 5:53 B1 Birds & Bats & Dragonflies 3:47 B2 Nursery Hymn Vocals – Kate Greenslade 3:32 B3 The Minstrel 2:42 B4 Fresco B5 Kashrinn B6 Barcarole 3:51 B7 Dry Land 3:50 C1 Forest Kingdom 3:50 C2 Vivat Regina 3:41 C3 Scream But Not Heard 2:53 C4 Mischief 5:36 C5 War 3:02 D1 Lament For The Sea 3:06 D2 Miasma Generator 5:20 D3 Exile 2:29 D4 Jubilate 2:56 D5 The Tiger And The Dove 5:35

Companies, etc.

  • Phonographic Copyright (p) – EMI Records Ltd.
  • Copyright (c) – Dragon's World Ltd.
  • Copyright (c) – Patrick Woodroffe
  • Marketed By – EMI Records Ltd.
  • Distributed By – EMI Records Ltd.
  • Recorded At – Trident Studios

Credits

  • Composed By, Arranged By, Keyboards [Polymoog, Prophet 5, Roland Rs202, Yamaha Cs60 Synth, Yamaha Cs80 Synth, Yamaha Cp70b Piano, Arp Explorer, Arp Omni, Cat Synth, Church Organ, Crumar Stringman, Hohner Clavinet, Kitten Synth, Mellotron 400, Minimoog], Vibraphone, Bells [Tubular Bells], Vocoder [Sennheiser], Programmed By [Sds Drum Synth 3] – Dave Greenslade
  • Design [Produced And Designed By] – Patrick Woodroffe
  • Engineer – Colin Green
  • Management – Harry Maloney
  • Mastered By – RAYS.*
  • Percussion – John Lingwood (tracks: B1, B3, C4, C5), Phil Collins (tracks: A5, B5, C1, C5 to D2)
  • Photography By – Alan R. Imberg
  • Producer – Robin Lumley
  • Words By, Illustration [Pictures] – Patrick Woodroffe

Notes

? 1979 EMI Records Ltd.
Made in Gt. Britain.

A Dragon's World Limited Imprint.
Printed in England.
© Copyright 1979 Dragon's World Limited.
© Copyright 1979 Patrick Woodroffe.
Marketed and distributed by EMI Records Limited.

Recorded at Trident Studios, London.

Issued in a hardback 51 p. book (see images). On the titlepage:
The Birth and Death of a World
The first publication under U.N.T.W. direction of the
discoveries of Project Hermes.

Vocalist on track B2 was aged 2 1/2.

Barcode and Other Identifiers

  • Other (Cat.no 1st LP): EMC 3321
  • Other (Cat.no 2nd LP): EMC 3322
  • Matrix / Runout (Runout A-side, stamped): EMC 3321 A-2U
  • Matrix / Runout (Runout B-side, stamped): EMC 3321 B-3U
  • Matrix / Runout (Runout C-side, stamped): EMC 3322 A-2U
  • Matrix / Runout (Runout D-side, stamped): EMC 3322 B-2U
  • Matrix / Runout (Runout A-side, etching): RAYS.

The cost of shipping reflects the weight for a double album plus book.

Thank you for looking and happy bidding, and you can view my great feedback for peace of mind.

PLEASE CHECK OUT MY OTHER LISTINGS FOR MORE

There may be some paper scuffs or faint hairlines.For a full condition report,please just ask.

 GRADING: All records are graded using the standard UK Record Collector Grading system as follows:

  • MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
  • EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
  • VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
  • GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
  • FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
  • POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
  • BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.


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