DAVID AXELROD SONGS/INNOCENCE STONE MINT ORIG 1968 LP

$

87

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·       DAVID AXELROD – SONGS OF INNOCENCE - ORIGINAL 1968 CAPITOL RECORDS STEREO LP ST-2982

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK CAPITOL LABEL WITH MULTICOLORED SPECTRUM (“RAINBOW) BAND ALONG THE LABEL’S EDGE

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Producer, arranger, and engineer David Axelrod made his mark with Cannonball Adderley, Lou Rawls, and the Electric Prunes. He created recording dates -- both live and in the studio -- with crisp innovative production, forward-looking arrangements, and killer sound effects (the Prunes' weird "Mass in F Minor" is a case in point). No one, however, expected him to make his own records. Nonetheless, in 1968 his first concept work was issued under the EMI imprint. His inspiration was Songs of Innocence, English poet William Blake's watershed collection of poems; Axelrod set seven of them to music using a bevy of studio musicians and a lot of clout at the label. Using a rock orchestra, Axelrod created a suite that blended pop, rock, jazz, theater music, and R&B that has withstood the test of time, and has been revisited and sampled by electronica pioneers such as DJ Shadow and DJ Cam. Perhaps the best known tune of this mystical mixture is the jazzed out, slow groove of "Holy Thursday," with its bluesy bop piano lines and huger than huge string section playing a vamp from a Count Basie tune. Meanwhile, the rhythm section floats a steady, swinging rhythm to the guitars and brass who answer with dramatic harmonics centered around a complex yet elegant melodic, and the guitar itself screams overhead. It's a jazz boogaloo with classical overtones. And yes, it, and the rest of the album, sound as if it would be excessive and awful. This was visionary work in 1968, and, to commit heresy, withstands the test of time better than the Beatles Sgt. Pepper's Lonely Hearts Club Band album that allegedly inspired it. Axelrod's psychedelia is implied; its compositional form and feeling that drive him to celebrate the wildness and folly of youth with celebration and verve. And as a result, the music here sounds fresh, free of cynicism and hipper-than-thou posturing, remaining new each time it is heard. Song of Innocence made critics turn their heads in its day, regarding it as a visionary curiosity piece; today it's simply a great, timeless work of pop art that continues to inspire over three decades after its initial release.

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

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THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

COVER IS STRONG NEAR MINT,  STILL IN ITS ORIGINAL  ►SHRINK WRAP (A SMALL PIECE OF SHRINK WRAP IS MISSING)

NO IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No yellowing from aging

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE  items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable judgment  on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy .

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