DAVID BOWIE THE MAN WHO SOLD THE WORLD LP on MERCURY NEAR MINT 1977
  $   49

 


$ 49 Sold For
Jan 19, 2015 Sold Date
Jan 12, 2015 Start Date
$   15 Start price
10   Number Of Bids
  USA Country Of Seller
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Description

Here is a NEAR MINT MINUS / EXCELLENT PLUS! LP by DAVID BOWIE titled THE MAN WHO SOLD THE WORLD. It is an US pressing on the MERCURY label, catalog #SR 61325 in STEREO sound and released in 1977. The vinyl is in NEAR MINT MINUS / EXCELLENT PLUS! condition, shiny and black, and should have excellent playback. The cover is in NEAR MINT MINUS / EXCELLENT PLUS! condition with just a touch of wear to corners and at opening edge. It is an opportunity to purchase this DAVID BOWIE LP in this condition. It’s a true gem for the ART / GLAM / HARD / ALBUM ROCK collector!! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $5.00 for MEDIA MAIL (IT IS NOT $4.00). US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!

Music Review from AllMusic.com by Stephen Thomas Erlewine

Even though it contained no hits, The Man Who Sold the World, for most intents and purposes, is the beginning of David Bowie's classic period. Working with guitarist Mick Ronson and producer Tony Visconti for the first time, Bowie developed a tight, twisted heavy guitar rock that appears simple on the surface but sounds more gnarled upon each listen. The mix is off-center, with the fuzz-bass dominating the compressed, razor-thin guitars and Bowie's strangled, affected voice. The sound of The Man Who Sold the World is odd, but the music is bizarre itself, with Bowie's bizarre, paranoid futuristic tales melded to Ronson's riffing and the band's relentless attack. Musically, there isn't much innovation on The Man Who Sold the World -- it is almost all hard blues-rock or psychedelic folk-rock -- but there's an unsettling edge to the band's performance, which makes the record one of Bowie's best albums.


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