DAVID BOWIE TIN MACHINE II VERY RARE 1991 ORIG LP PRESSING OPEN BUT UNPLAYED
$
136
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Description
DAVID BOWIE~TIN MACHINE II~VERY RARE 1991 ORIG LP PRESSING~OPEN BUT UNPLAYED!!
Product Description
ANOTHER LP FROM THE AMAZING COLLECTION OF 10,000+ LPs THAT WE ARE OVERJOYED TO HAVE PURCHASED!
THE VAST MAJORITY OF THE ALBUMS IN THIS COLLECTION HAD BEEN HORDED OVER A PERIOD OF 30 YEARS STARTING IN THE MID-1980s AND CONTINUING UP THROUGH 2014!
TO SAY THAT THE PREVIOUS OWNER WAS OBSESSED WITH COLLECTING WOULD BE AN UNDERSTATEMENT.
Tin Machine ?? Tin Machine II
London Records ?? 828 272-1
VERY RARE ORIGINAL PRESSING OF THIS UNDER-APPRECIATED BOWIE LP FROM 1991 - 25 YEARS AGO!!
COVER IS EXCELLENT WITH VERY LIGHT WEAR.
VINYL IS NEAR MINT.
THERE ARE A COUPLE OF VERY LIGHT SCUFFS ON EACH SIDE.
The second (and essentially final) Tin Machine installment finds the group polishing up their sound significantly making a well-produced collection of songs. Many songs -- notably "Amlapura" or "Goodbye Mr. Ed" -- come as less than raucous rock songs (as heard on the previous record) but more as sonic works of art. Strong opener "Baby Universal" is infectiously catchy. Bowie is featured on saxophone on several numbers, particularly "You Belong in Rock & Roll" -- an interesting side to this record. Admittedly, this album takes some getting used to, but repeated listenings are very rewarding. Much of the difficulty with Tin Machine II rests in some general confusion with what guitarist Reeves Gabrels is doing with his guitar; he doesn't play it like a guitarist is supposed to play. He plays long textural notes that shift in pitch and intensity. He does not play on the beat, and he does not play licks that you will be humming when the song is over. Frequent listenings will prove this a beautiful enhancement to the music rather than a mosquito buzzing in the ear. Lead vocals by Hunt Sales on "Stateside" and "Sorry"; his high, somewhat whiny voice adds yet another dimension to the sound of this group. Much of their work came to light before the radio-listening/music-buying public was really ready to hear it -- a later release of this music may have faired better in public opinion. This is a well-conceived and well-executed recording. The cover of the U.S. release of this record features the Kouros statues on the front with their genitalia apparently broken off. European releases show the statues anatomically intact.
Tracklist
Baby Universal 3:18
One Shot 5:11
You Belong In Rock N' Roll 4:07
If There Is Something 4:45
Amlapura 3:46
Betty Wrong 3:48
You Can't Talk 3:09
Stateside 5:38
Shopping For Girls 3:44
A Big Hurt 3:40
Sorry 3:29
Goodbye Mr. Ed 3:24
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MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you'?re getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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