DAVID BOWIE The Man Who Sold The World LP MERCURY 1970re US unofficial SR 61325
  £   18
  $   24

 


£ 18 Sold For
Nov 3, 2015 Sold Date
Oct 24, 2015 Start Date
1 Number Of Bids
  Italy Country Of Seller
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Description

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DAVID BOWIE

 with  TONY VISCONTI, MICK RONSON, MICK WOODMANSEY, RALPH MACE

The cliché about David Bowie says he's a musical chameleon, adapting himself according to fashion 

and trends. While such a criticism is too glib, there's no denying that Bowie demonstrated remarkable 

skill for perceiving musical trends at his peak in the '70s. After spending several years in the late '60s 

as a mod and as an all-around music-hall entertainer, Bowie reinvented himself as a hippie singer/songwriter. 

Prior to his breakthrough in 1972, he recorded a proto-metal record and a pop/rock album, 

eventually redefining glam rock with his ambiguously sexy Ziggy Stardust persona. Ziggy made Bowie 

an international star, yet he wasn't content to continue to churn out glitter rock. 

By the mid-'70s, he developed an effete, sophisticated version of Philly soul that he dubbed "plastic soul,"

 which eventually morphed into the eerie avant-pop of 1976's Station to Station. 

Shortly afterward, he relocated to Berlin, where he recorded 

three experimental electronic albums with Brian Eno 

"THE MAN WHO SOLD THE WORLD"

<unofficial reissue, originally published in 1970>

Produced by Tony Visconti

LP     MERCUTY RECORDS     SR 61325

PRINTED IN U.S.A.   1973 UNOFFICIAL REPRESSING

This version: Matrix is etched, not stamped as the original 1970 release. 

The unofficial (bootleg Counterfeit) came out in 1973 and bears the scratched Matrix . 

This came out after big success and desire for the rare (didn't sell much) Mercury sleeve

Barcode and Other Identifiers

LABEL:  MERCURY -  RED LABEL with 12 OVAL LOGOS - BLACK TEXT

Catalog on cover (front, spine, rear): SR 61325  

Catalog on labels: SR-61325   (Side 1 / Side 2)

Matrix / Runout (Side A, Etched): SR-61325-A-M2  

Matrix / Runout (Side B, Etched): SR 61325-B-M1

On label: Produced by Tony Visconti

rim text reads "Manufactured and Distributed by Mercury Record Productions, Inc."

On Back Sleeve: All selections written by David Bowie

All selections published by PRS, Ltd. (ASCAP)

Recorded at Trident Studios and Advision Studios, London, England

 from my records collection

tracklisting

Side A: THE WIDTH OF A CIRCLE - ALL THE MADMEN

BLACK COUNTRY ROCK - AFTER ALL

Side B: RUNNING GUN BLUES - SAVIOUR MACHINE - SHE SHOOK ME COLD

THE MAN WHO SOLD THE WORLD - THE SUPERMEN

  grading

RECORD VG+ but (please, read above description)

 SLEEVE VG but (please, see pictures and read above description)

 Even though it contained no hits, The Man Who Sold the World, for most intents and purposes, 

is the beginning of David Bowie's classic period. Working with guitarist Mick Ronson 

and producer Tony Visconti for the first time, Bowie developed a tight, twisted heavy guitar rock 

that appears simple on the surface but sounds more gnarled upon each listen. 

The mix is off-center, with the fuzz-bass dominating the compressed, razor-thin guitars 

and Bowie's strangled, affected voice. The sound of The Man Who Sold the World is odd, 

but the music is bizarre itself, with Bowie's bizarre, paranoid futuristic tales melded 

to Ronson's riffing and the band's relentless attack. Musically, there isn't much innovation 

on The Man Who Sold the World -- it is almost all hard blues-rock or psychedelic folk-rock -- 

but there's an unsettling edge to the band's performance, 

which makes the record one of Bowie's best albums....(AllMusic) 


 


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