DAVID GILMOUR, David Gilmour HOLLAND WHITE LABEL TEST PRESSING LP Pink Floyd
  $   110

 


$ 110 Sold For
Dec 28, 2017 Sold Date
Dec 21, 2017 Start Date
$   50 Start price
2   Number Of Bids
  USA Country Of Seller
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Description

  David Gilmour ?– David Gilmour Label: Harvest ?– 1A 038 1575131 Series: Fame – 1A 038 1575131 Format: Vinyl, LP, Album, Reissue, Test Pressing, White Label  Country: Netherlands Released:   Genre: Rock Style: Prog Rock, Classic Rock TracklistHide Credits A1 Mihalis 5:46 A2 There's No Way Out Of Here Backing Vocals – Carlena Williams, Debbie Doss*, Shirley Roden* Written-By – K. Baker* 5:08 A3 Cry From The Street Written-By – E. Stuart* 5:13 A4 So Far Away Backing Vocals – Carlena Williams, Debbie Doss*, Shirley Roden* Piano – Mick Weaver 6:05 B1 Short And Sweet Written-By – R. Harper* 5:30 B2 Raise My Rent 5:33 B3 No Way 5:32 B4 Deafinitely 4:37 B5 I Can't Breathe Anymore 3:05 Companies, etc. Phonographic Copyright (p) – Pink Floyd Music Ltd. Engineered At – Super Bear Studios Manufactured By – EMI-Bovema Holland Credits Bass, Vocals – Rick Wills Design – David Gilmour, Hipgnosis (2) Drums, Percussion – Willie Wilson Engineer – John Etchells, Nick Griffiths Engineer [Assistant] – Patrick Jauneaud Photography By [Inside Photos] – David Gilmour, Ginger Gilmour, Jill Furmanovsky, Vladimir Vinski,Willie Wilson Photography By [Outer Cover Photos] – Hipgnosis (2) Producer, Guitar, Keyboards, Vocals – David Gilmour Technician – Phil Taylor (5) Written-By – David Gilmour (tracks: A1, A3 to A4, B1 to B5) Notes Test Pressing on white labels. 2nd issue Fame series in single sleeve with 'Fame' advertising inner sleeve. Barcode and Other Identifiers Matrix / Runout (Runout Side A): 5C062-60774-A //36165-1-Y 1 Matrix / Runout (Runout Side B): 062-60774-B //36166-2-Y 2 8 Rights Society: STEMRA  

NETHERLANDS WHITE LABEL TEST PRESSING VINYL ALBUM WITH ORIGINAL COMPANY INNER SLEEVE.

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR.   INNER SLEEVE[S] VERY GOOD+ WITH NO SEAM SPLITS.

DISC[S]: VERY GOOD+. NO SCRATCHES, BUT THERE ARE A FEW PLAY SCUFFS, FINGERPRINTS AND HAIRLINES. PEN NUMBERS ON EACH LABEL SIDE.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  



THIS ITEM SHIPS FROM THE USA (We can ship anywhere in the world EXCEPT to Georgia, USA)


  • 1. USA SHIPPING  BY MEDIA MAIL IS FREE

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