^DAVID PORTER -Victim of the Joke? Isaac Hayes rel. w/ large foldover WLP NM-
$
50
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
PLEASE TAKE A LOOK AT MY OTHER eBAY AUCTIONS - ALWAYS EXPECT THE UNEXPECTED
PLEASE CHECK OUT MY OTHER NEWLY LISTED RARE AND COLLECTIBLE LP's
RECORD GRADE: Near Mint Minus, full gloss, a few very light marks, Solid 8 on a 1-10 scale. Suffix numbers in the trail off are DJ-2 and DJ-1. To me this indicates an very early pressing run off the masters. Sound is incredibly vibrant and clear.
COVER GRADE: VG+, see above. Minor to average wear. The record is removed from a bottom opening. The larger figure of the happy Porter was originally attached by a flimsy connection about 3 inches wide. If not extra careful, the flip over larger cardboard overlay will come right off, just as it did here. In most cases, I would imagine that it was discarded. Here the overlap, in very good but not Mint- condition, comes with the rest of the cover. It covered the photo of the "sad" Porter sitting on a drum.
LABELS: White and black promotional
Tracklist
A1 If I Give It Up, I Want It Back Written-By – David Porter, Roni LeBeau, Ronnie Williams 2:26 A2 When You Have To Sneak (You Have To Sneak) Written-By – David Porter, Ronnie Williams 3:29 A3 Help Written-By – John Lennon, Paul McCartney* 3:37 A4 I'm Afraid The Masquerade Is Over Written-By – Allie Wrubel, Herb Magidson* 9:43 B1 Storm In The Summertime Written-By – David Porter, Ronnie Williams 5:45 B2 Pretty Inside Written-By – David Porter, Ronnie Williams 3:33 B3 Human Written-By – Luther Dixon 3:48 B4 Airplane Ticket, Bus Ride, Can I Borrow Your Car? Written-By – David Porter, Ronnie Williams 3:46Credits
- Arranged By – Dale Warren, David Porter, Ronnie Williams
- Art Direction – David Krieger, The Graffiteria
- Backing Band [Rhythm] – The Barkays*
- Bass – Donald "Duck" Dunn, Leon Hodges*
- Copyist – Dottie Reding
- Creative Director – Larry Shaw
- Drums – Al Jackson*, Willie Hall
- Edited By – Daryl Williams
- Engineer – Bobby Manuel, David Purple*, Henry Bush, Peter Granet, Ron Capone, William Brown*
- Guitar – Bobby Manuel, Buddy Davis, Harold Beane
- Horns – The Memphis Horns
- Organ – Ronnie Williams
- Photography By – Joel Brodsky
- Piano – Ronnie Williams
- Producer – David Porter, Ronnie Williams
- Remix – David Purple*, Ron Capone
ABOUT THE ARTIST:
Artist Biography by Richie Unterberger (All Music Guide)
David Porter is most famous as the songwriting partner of Isaac Hayes during the 1960s. Functioning as house composers for Stax, they penned most of Sam & Dave's hits, including such classics as "Soul Man" and "Hold On! I'm Coming"; they also wrote material for other acts on the roster, such as Carla Thomas, Johnnie Taylor, and the Soul Children. Starting in the late '60s, Hayes became increasingly involved in his own recording career, eventually leading to the end of the partnership. Many soul fans remain unaware that Porter also began to record his own albums for Stax. In fact, in the '60s he had released a few singles for Savoy and Hi under the pseudonyms of Little David and Kenny Cain, and had done a single for Stax itself in 1965, "Can't See You When I Want To." A remake of "Can't See You When I Want To" became a Top 30 R&B hit for Porter, and he cut several albums for Stax in the early '70s, including an ambitious concept LP, Victim of the Joke?, which connected conventional pop/soul tunes with dialog. By this time he had teamed up with a different songwriting partner, Ronnie Williams, but as a solo artist he ultimately made little impact. In 2005, he and Hayes were inducted into the Songwriters Hall of Fame.All records are carefully graded. In an attempt to give customers an accurate impression of condition rather than adhere to somewhat arbitrary criteria, I give an "overall presentation" grade, supplemented when necessary with additional remarks. Please refer to my grading system below for a more detailed explanation.
MY GRADING SYSTEMS: I’ve been told that I grade conservatively. My NM (near mint) is my highest grade for opened records (which would also include unplayed records). It’s a 9 or 10 on a 1-10 scale. M- would be equivalent to an 8; VG++ to a 7; VG+ to a 6; VG to a 5; VG- to a 4; G to a 3; F to a 2 and P to a 1. The same scale applies when I grade covers (jackets). Significant defects are specifically noted and taken into consideration in the grade.
GRADING DESCRIPTIONS
RECORDS:
- GRADING is based on the following criteria
- Sealed = store stock new
- Near Mint = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
- Near Mint Minus (or NM-) = very nice. Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
- VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially effect play
- VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
- VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
- VG- = a well-worn record that plays through without skipping, but will do until a better copy comes along.
- Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
- Fair = you’re getting this record just to own but not to play
- Poor = the sky’s the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
VISUAL GRADING: All records are visually graded only unless I state that they are play-graded. Some major labels were pressed on better quality vinyl and will sound better than a record which visually appears the same on "budget" labels which were pressed on lower quality vinyl. Recording techniques also varied. The sound on live albums may be far inferior to studio recordings. There may also be defects in the pressing which are invisible. The point is that an album on a high quality label that was visually graded VG+ may sound better than an album on a budget label that was visually graded Mint- or even Near Mint. Please refer to my return policy, below. But please don’t be shocked if a record visually graded Near Mint doesn’t sound state of the art. If I base my grade on a PLAY GRADE, I will state this specifically in my grading section.
COVERS: There are really too many possible defects regarding covers to be as specific in my definitions as I had been with my record grades. But please keep in mind these general grading guidelines:
- I will give greater weight to the condition of the front cover than back cover when assigning an overall grade
- No cover with a cut out hole or saw mark will be graded Near Mint even if it is still in factory shrink and there is no other wear
- I will not reduce the grade of a cover for stickers which are glued to the jacket by the record company (eg. Contains the hit song Expressway to Your Heart); but will reduce the grade for stickers glued on the cover by stores, previous owners, etc.
- If I write that a cover has a bb hole, I’m talking about a small cut out hole
- A saw mark is a narrow cut in the perimeter of the cover, could be anywhere and vary in length from 1/2” to 2” at the most.
- The overall grade takes into consideration any stated defects. For example, if I grade a cover VG+ and then state it has 6” top and bottom seam splits - I’ve already reduced the grade because of the seam splits. If the seams weren’t split, the cover would be graded higher such as VG++ or Mint-.
Shipping Costs: CURRENT SHIPPING RATES AND POLICIES.
The winning bidder pays for shipping.
- Combined shipping discounts given for all purchases made within 5 days of first winning bid or buy it now. If you are still bidding when you receive my invoice, please let me know and wait for combined invoice.
DOMESTIC SHIPPING WITHIN THE UNITED STATES: Due to increase in postage rates, I have sometimes been losing money on shipping as I send all records in sturdy professional Bags Unlimited mailers with one or more fillers. Therefore, I am now using the eBay postage calculator to determine postage. This will also result in a more equitable charge for priority mail shipments. Instead of a flat fee, those who live in the southeast and mid-east will reap the benefit of reduced priority mail rates.
DOMESTIC AND INTERNATIONAL SHIPMENTS: COMBINED SHIPPING - Save money when I mail 2 or more records in the same package. Please wait until I send you an invoice or request an invoice when combining two or more records or cd's in one shipment -prior to making payment.
INTERNATIONAL SHIPMENTS: Overseas customers are invited to bid. As with U.S. shipments, I will use eBay's postage calculator for all overseas shipments. Postage to Canada is substantially less than to other countries - if you live in Canada and don't see a separate rate for Canada , please e-mail me and I'll modify the invoice to reflect the lower shipping charges. Surface mail is no longer available for overseas. Express Mail International and Priority Mail International are available - rates are substantially higher than first class international and will be quoted for each purchase if buyer requests this service. Express Mail International or Registered mail is now required for purchases over $100. Generally, Express International costs $35 for 1 album and additional albums are about $5-6 more. Registered costs about $26 for 1 album, about $5 more for each additional album. Registered mail may not be available to certain countries. I am sorry but the increased risks and costs must be passed on to the international buyer. On the bright side of things, Express Mail International will get you the package faster and it is safer. Registered mail is the safest form of shipment (but not as fast as express mail international). So there are benefits to the buyer as well as the seller. Please wait until I send you an invoice or request an invoice when combining two or more records or cd's in one shipment -prior to making payment.
Please check out my other eBay auctions and stores listings.
I’ve been listing all types of records - mostly LP’s - including 50’s and 60’s rock ‘n’ roll, country, folk jazz, blues, personalities, new wave and punk, surf, psych, spoken word, comedy, etc., etc....... I try to list unusual, unique or obscure records, not the ones that you see all the time. While a majority of my listings are albums, you’ll often find a nice selection of 45’s, EP’s or picture sleeves...and an occasional 78 or two.
My return policy: . You may return an item if it's not in the condition described. You may not return items if you decide you don't like the music. I will return the base price of the item unless I make an error in shipment such as sending you the wrong record or cd. In that case, you will be reimbursed for the cost of the item and shipping both ways. In addition, the item must be returned in its original condition , i.e. the way it was shipped when it left my hands. While a very high percentage of my records arrive safe and sound (I use professional mailers and a filler or two, more for 78’s), they occasionally are damaged in transit. If that happens, I won’t accept the return of the record or other item.
Sealed Records: After a sealed record is paid for, I will gladly open it before mailing to make sure that the record is new & unplayed. If the record is not, I will give a full refund. Even though it is easy to spot most resealed records from the 50's and 60's [I will mention that in the desription if it looks like a possibility], not all records from the 70's & 80's are quite as obvious. Please ask for any details about the seal of a particular record & I will be happy to answer.
