DEUTSCHE GRAMMAPHON Avantgarde Vol 2 6LP BOX SET Avant Garde STOCKHAUSEN Rare
  £   36
  $   48

 


£ 36 Sold For
Nov 6, 2011 Sold Date
Oct 30, 2011 Start Date
£   7 Start price
14   Number Of Bids
  Great Britain Country Of Seller
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Description

 

DEUTSCHE GRAMMAPHON Avantgarde Vol.2 BOX SET Avant Garde BOX SET

 My grading is based on the UK record collector grading system.  I will gladly combine postage on multiple items so check out my other records. Thanks

        

Very rare 'Avante Garde' Volume 2. SIX record Box Set released 1969 by Deutsche Grammaphon Catalogue 643 541/6. Each record in its own individual sleeve, there are no inserts. PLEASE NOTE BEFORE READING FURTHER - FIVE OF THE RECORDS ARE IN BEAUTIFUL, POSSIBLY UNPLAYED CONDITION AND ONE RECORD (the first on the listing below) IS DAMAGED, NOT PLAYABLE IN FULL. SEE FULL GRADING BELOW

Gruppe Nuova Consonanza - Improvisationen A Gruppe Nuova Consonanza* – ... E Poi? Technician [Electronic] – G. Giuducci
Cello, Trombone – John Heinemann*
Percussion – Egisto Macchi, Mario Bertoncini
Double Bass – Walter Branchi
Piano – Franco Evangelisti
Trumpet – Ennio Morricone B1 Gruppe Nuova Consonanza* – Quasiraga Technician [Electronic] – G. Giuducci
Cello, Trombone – John Heinemann*
Percussion – Egisto Macchi, Mario Bertoncini
Double Bass – Walter Branchi
Piano – Franco Evangelisti
Trumpet – Ennio Morricone B2 Gruppe Nuova Consonanza* – Light Music Technician [Electronic] – G. Giuducci
Cello, Trombone – John Heinemann*
Percussion – Egisto Macchi, Mario Bertoncini
Double Bass – Walter Branchi
Piano – Franco Evangelisti
Trumpet – Ennio Morricone B3 Gruppe Nuova Consonanza* – Light Music Technician [Electronic] – G. Giuducci
Trumpet – Ennio Morricone
Double Bass – Walter Branchi
Cello, Trombone – John Heinemann* B4 Gruppe Nuova Consonanza* – Credo Technician [Electronic] – G. Giuducci
Percussion – Egisto Macchi
Piano – Franco Evangelisti
Double Bass – Walter Branchi   Bernd Alois Zimmermann - Saschko Gawriloff - Siegfried Palm - Aloys Kontarsky - Présence: Ballet Blanc En Cinq Scènes Pour Violon, Violoncelle Et Piano - Intercomunicazione Per Violoncello Et Pianoforte C1 Bernd Alois Zimmermann – Présence: Scène, Introduction Et Pas D'Action (Don Quichotte) Recorded By – Hans-Peter Schweigmann
Producer – Karl Faust
Composed By – Bernd Alois Zimmermann
Recording Supervisor – Hansjoachim Reiser
Cello [Violoncello] – Siegfried Palm
Violin – Saschko Gawriloff
Piano – Aloys Kontarsky C2 Bernd Alois Zimmermann – Présence: Scène, Pas De Deux (Don Quichotte Et Ubu) Recorded By – Hans-Peter Schweigmann
Producer – Karl Faust
Composed By – Bernd Alois Zimmermann
Recording Supervisor – Hansjoachim Reiser
Cello [Violoncello] – Siegfried Palm
Violin – Saschko Gawriloff
Piano – Aloys Kontarsky C3 Bernd Alois Zimmermann – Présence: Scène, Solo (Pas D'Ubu) Recorded By – Hans-Peter Schweigmann
Producer – Karl Faust
Composed By – Bernd Alois Zimmermann
Recording Supervisor – Hansjoachim Reiser
Cello [Violoncello] – Siegfried Palm
Violin – Saschko Gawriloff
Piano – Aloys Kontarsky C4 Bernd Alois Zimmermann – Présence: Scène, Pas De Deux (Molly Bloom Et Don Quichotte) Recorded By – Hans-Peter Schweigmann
Producer – Karl Faust
Composed By – Bernd Alois Zimmermann
Recording Supervisor – Hansjoachim Reiser
Cello [Violoncello] – Siegfried Palm
Violin – Saschko Gawriloff
Piano – Aloys Kontarsky C5 Bernd Alois Zimmermann – Présence: Scène, Pas D'Action Et Finale (Molly Bloom) Recorded By – Hans-Peter Schweigmann
Producer – Karl Faust
Composed By – Bernd Alois Zimmermann
Recording Supervisor – Hansjoachim Reiser
Cello [Violoncello] – Siegfried Palm
Violin – Saschko Gawriloff
Piano – Aloys Kontarsky D Bernd Alois Zimmermann – Intercomunicazione Recorded By – Hans-Peter Schweigmann
Producer – Karl Faust
Composed By – Bernd Alois Zimmermann
Recording Supervisor – Hansjoachim Reiser
Cello [Violoncello] – Siegfried Palm
Piano – Aloys Kontarsky   John Cage - Dieter Schnebel - Atlas Eclipticalis • Winter Music • Cartridge Music - Glossolalie E John Cage – Atlas Eclipticalis • Winter Music • Cartridge Music Bassoon – Joep Terwey
Timpani – Jan Labordus
Orchestra – Ensemble Musica Negativa
Tuba – Donald Blakesley
Percussion – Ruud van den Brink
Viola – Kurt Meyerhans
Piano – Chala Gerstein, Gertrud Meyer-Denkmann, Heinz-Klaus Metzger, Lissa Bauer, Mario Venzago
Engineer [Recording] – Albert Kos, Frans Naber, Gerard Beckers, Ruud van Lieshout
Supervised By [Artistic Supervision] – Hansjoachim Reiser
Conductor – Rainer Riehn
Oboe – Han de Vries
Electronics [Assistant To The Conductor] – Fred van der Kooy
Flute – Paul Verhey
Technician – Roddy de Hilster
Horns [Corno] – Iman Soeteman
Saxophone – Nico Scholtens
Cello – Frank Wolff, Horst Hornung (2), Michael Kopfermann
Producer – Karl Faust
Trombone – Cees Blokker
Violin – Maurice Dentan
Clarinet – Geert van Keulen
Trumpet – Gerard van der Vlist F1 Dieter Schnebel – Glossolalie: Introduktion Und Teil I Supervised By [Artistic Supervision] – Hansjoachim Reiser
Conductor – Rainer Riehn
Producer – Karl Faust
Voice [Recit.] – Dieter Schnebel, Dieter Strobel, Doris Sandrock, Michael Mendl, Rainer Riehn
Instruments – Helmut Schumann, Sava Savoff, Thomas Gross, Werner Bärtschi
Orchestra – Ensemble Musica Negativa
Engineer [Recording] – Kurt Lorbach* F2 Dieter Schnebel – Glossolalie: Teil II Supervised By [Artistic Supervision] – Hansjoachim Reiser
Conductor – Rainer Riehn
Producer – Karl Faust
Voice [Recit.] – Dieter Schnebel, Dieter Strobel, Doris Sandrock, Michael Mendl, Rainer Riehn
Instruments – Helmut Schumann, Sava Savoff, Thomas Gross, Werner Bärtschi
Orchestra – Ensemble Musica Negativa
Engineer [Recording] – Kurt Lorbach* F3 Dieter Schnebel – Glossolalie: Teil III Supervised By [Artistic Supervision] – Hansjoachim Reiser
Conductor – Rainer Riehn
Producer – Karl Faust
Voice [Recit.] – Dieter Schnebel, Dieter Strobel, Doris Sandrock, Michael Mendl, Rainer Riehn
Instruments – Helmut Schumann, Sava Savoff, Thomas Gross, Werner Bärtschi
Orchestra – Ensemble Musica Negativa
Engineer [Recording] – Kurt Lorbach* F4 Dieter Schnebel – Glossolalie: Teil IV Mit Epilog — Coda Supervised By [Artistic Supervision] – Hansjoachim Reiser
Conductor – Rainer Riehn
Producer – Karl Faust
Voice [Recit.] – Dieter Schnebel, Dieter Strobel, Doris Sandrock, Michael Mendl, Rainer Riehn
Instruments – Helmut Schumann, Sava Savoff, Thomas Gross, Werner Bärtschi
Orchestra – Ensemble Musica Negativa
Engineer [Recording] – Kurt Lorbach*   Mauricio Kagel - Dieter Schnebel - Hallelujah - Für Stimmen (...Missa Est) G Mauricio Kagel – Hallelujah Supervised By – Mauricio Kagel
Conductor – Clytus Gottwald
Producer – Karl Faust
Composed By – Mauricio Kagel
Chorus – Schola Cantorum Stuttgart
Vocals – August Messthaler, Barbara Hiller, Brigitte Messthaler, Elisabeth Künstler, Ewald Liska, Gisela Evers, Hanna Aurbacher, Hildegard Schnabel, Ingrid Ade, Karl Stanzl, Manfred Gerbert, Richard Anlauf, Theophil Maier, Ulrich Schaible, Ursula Häffner, Wolfgang Isenhardt H1 Dieter Schnebel – Dt 31 Supervised By – Hansjoachim Reiser
Conductor – Clytus Gottwald
Producer – Karl Faust
Composed By – Dieter Schnebel
Chorus – Schola Cantorum Stuttgart
Vocals – August Messthaler, Barbara Hiller, Brigitte Messthaler, Elisabeth Künstler, Ewald Liska, Gisela Evers, Hanna Aurbacher, Hildegard Schnabel, Ingrid Ade, Irmgard Thanner, Karl Stanzl, Manfred Gerbert, Richard Anlauf, Theophil Maier, Ulrich Schaible, Ursula Häffner, Wolfgang Isenhardt, Wolfgang Löhnert H2 Dieter Schnebel – AMN Supervised By – Hansjoachim Reiser
Conductor – Clytus Gottwald
Producer – Karl Faust
Composed By – Dieter Schnebel
Chorus – Schola Cantorum Stuttgart
Vocals – August Messthaler, Barbara Hiller, Brigitte Messthaler, Elisabeth Künstler, Ewald Liska, Gisela Evers, Hanna Aurbacher, Hildegard Schnabel, Ingrid Ade, Irmgard Thanner, Karl Stanzl, Manfred Gerbert, Richard Anlauf, Theophil Maier, Ulrich Schaible, Ursula Häffner, Wolfgang Isenhardt, Wolfgang Löhnert H3 Dieter Schnebel – ! (Madrasha II) Supervised By – Hansjoachim Reiser
Conductor – Clytus Gottwald
Producer – Karl Faust
Composed By – Dieter Schnebel
Chorus – Schola Cantorum Stuttgart
Vocals – August Messthaler, Barbara Hiller, Brigitte Messthaler, Elisabeth Künstler, Ewald Liska, Gisela Evers, Hanna Aurbacher, Hildegard Schnabel, Ingrid Ade, Irmgard Thanner, Karl Stanzl, Manfred Gerbert, Richard Anlauf, Theophil Maier, Ulrich Schaible, Ursula Häffner, Wolfgang Isenhardt, Wolfgang Löhnert   Gottfried Michael Koenig - Zoltán Pongrácz - Rainer Riehn - Terminus II - Funktion Grün - Phonothese - Chants De Maldoror I1 Gottfried Michael Koenig – Terminus II Producer – Karl Faust I2 Gottfried Michael Koenig – Funktion Grün Producer – Karl Faust J1 Zoltán Pongrácz – Phonothese Producer – Karl Faust J2 Rainer Riehn – Chants De Maldoror Producer – Karl Faust   Karlheinz Stockhausen - Telemusik - Mixtur K Karlheinz Stockhausen – Telemusik Composed By – Karlheinz Stockhausen
Performer [Realization] – Karlheinz Stockhausen L Karlheinz Stockhausen – Mixtur Electronics [Sine-wave Generators] – David Johnson (4), Harald Bojé, Johannes G. Fritsch, Rolf Gehlhaar
Orchestra – Ensemble Hudba Dneska
Mixed By [Sound Direction] – Karlheinz Stockhausen
Composed By – Karlheinz Stockhausen
Conductor – Ladislav Kupkovic

Credits

  • Design – Holger Matthies

Notes

Box contains 6 Deutsche Grammophon records forming the Avantgarde serie Volume 2, with catalogue numbers 643 541 to 643 546.
--------------------------
643 541: Tracks A1-B3 are acoustic improvised music, track B4 is an improvised electronic / concrete piece. Tracks A1-B2 - Gruppe Nuova Consonanza. Track B3 - Branchi / Heinemann / Morricone. Track B4 - Realisation: Studio R 7 (Laboratorio elettronico di musica sperimentale, Roma).
--------------------------
643 542: Présence (1961) Ballet Blanc En Cinq Scènes Pour Violon, Violoncelle Et Piano. Intercomunicazione (1967) Per Violoncello Et Pianoforte.
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643 543: Atlas Eclipticalis (1961-62) + Winter Music (1957) controlled by Cartridge Music (1960) recorded at Hilversum, Phonogram-Studio.
The role of "assistant to the conductor" involves control of contact microphones fitted on the instruments. Glossolalie (Definition 1959-60, Version 1961) recorded at Köln, Electrola-Studio.
--------------------------
643 544: Hallelujah composed in 1967. Für Stimmen composed between 1956 and 1968. Produced by Südwest-Tonstudios Stuttgart.
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643 545: Realisiert von den Komponisten im Instituut voor Sonologie van de Rijksuniversiteit te Utrecht Studio voor Elektronische Muziek.
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643 546: Telemusik (1966) realized at the Studio für Elektronische Music NHK Tokio. Mixtur (1964) for orchestra, sine-wave generators and ring modulators (version for small orchestra), recorded at Westdeutscher Rundfunk Köln.
--------------------------
Backcovers have liner notes in German, English and French.

Vinyl Condition:- 5 RECORDS ARE VERY NEAR MINT. It is my opinion based on experience that it is possible none of these 5 records have ever been played before. They are all almost as new. SUPERB. However Record One has some rather odd damage. It appears someone has burned a hole straight through the vinyl. This is halfway through the side and is about 1cm across.

Sleeve Condition:- EX for the outer sleeves, the white inner sleeves have some age spots on them

Box Condition VG (General light wear and marks on the box as to be expected with a 1969 item)

 

Label Condition:- NEAR MINT (No spindle marks on any label at all)

 

This box set seldom comes up for sale. Don't miss your chance!

I always reduce postage on multiple items. Each additional item will only be charged 50% the original postage cost worldwide.  Check out my other rare vinyls!

ALL MY ITEMS ARE REFUNDABLE ON RETURN IF YOU ARE NOT ENTIRELY HAPPY WITH YOUR ITEM

 Grading Abbreviations

Grading below is as stated from UK Record Collector. I also use +/- for records that fall somewhere between a grade

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT:
The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD:
The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.


On 18-Sep-11 at 19:17:22 BST, seller added the following information:


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