DEXTER GORDON w/THAD JONES TANGERINE VERY RARE SEALED ORIGINAL '72 PRESTIGE LP
$
25
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Description
WE CURRENTLY HAVE NEARLY 500 LISTED ITEMS
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· DEXTER GORDON with FREDDIE HUBBARD, THAD JONES, HANK JONES, CEDAR WALTON AND LOUIS HAYES – TANGERINE– RARE ORIGINAL 1972 PRESTIGE STEREO LP P-10091 (THE SESSION RECORDED IN 1972, FIRST RELEASED IN 1975)
· ORIGINAL U.S. PRESSING
*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***
· BELIEVED TO BE PRESSED ON THE ORIGINAL LIME-GREEN PRESTIGE LABEL, EARLY 70’s STYLE.
· THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.
· THREE “BREATHE” (AIR) HOLES NOTED ON THE SHRINK WRAP
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Still considered an expatriate as he resided in Europe, Dexter Gordon (tenor sax) returned stateside in mid-1972 long enough to lay down two sessions' worth of material that would primarily be split between Tangerine (1972), Generation (1973), and Ca'Purange (1973). The opening update of the Johnny Mercer staple "Tangerine" gets things underway with a mid-tempo treatment allowing Gordon, Thad Jones (trumpet), Hank Jones (piano), and Stanley Clarke (bass) plenty of room to groove on their own as well as in the quintet with Louis Hayes' (drums) rock-solid downbeat. Oddly, the performance is not presented in its entirety, fading out nearly nine minutes in. Hank Jones shines on the easygoing "August Blues" -- the first of three Gordon originals featured on the platter. Gordon is more methodical as his interesting ideas develop organically and inspire the same from Thad Jones, who kicks things up with his dizzying double-time before handing things back to pianist Hank Jones. Clarke steps up and gives the tune a final shot of soul as the rest of the ensemble join back in. The funky "What It Was" is the most modern-sounding side on the album, with Clarke's undulating and propulsive bass giving the number a contemporary kick. Although pianist Jones decides to class up the joint with refined and bluesy contributions that rhythmically jump and jive all over the beat. From a slightly earlier date, Gordon is accompanied by Cedar Walton (piano), Buster Williams (bass), and Billy Higgins (drums) on the LP's final two entries. The interpretation of the Mancini/Mercer classic "Days of Wine and Roses" is suitably stately with Gordon's rich tone perfectly capturing the tuneful romanticism without seeming maudlin or trite. The same can be said of Walton's warm and inviting runs that glide into a short but sublime bass solo from Williams. It certainly ranks up there as one of Gordon's greats. Freddie Hubbard (trumpet) is on hand for the closer -- Gordon's "The Group" -- as listeners are given a taste of the former's strong melodic sense. His blows are resounding, particularly so when doubling up beside Gordon for maximum impact.
(EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).
(b) The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- Cover has a few tiny wrinkles along the spine (BARELY VISIBLE)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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OUR REFUND POLICY :
WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy
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