DEXYS MIDNIGHT RUNNERS Searching For The Young Soul Rebels MINTY 1980 Capitol
  $   25

 


$ 25 Sold For
Apr 4, 2023 Sold Date
Sep 22, 2021 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Vinyl:  MINTY!  ARCHIVAL!  Appears to have never been played!  Capitol Labels are Clean and Bright.  This is the 1980 Capitol SN-16288 Release.  Right out of the starting gate with their first LP, the Dexys established themselves as beyond the mold of what was then happening in Pop music.  Listen to their take on Northern Soul and R&B with a wicked horn section,  telling some cool stories as could only be written in England in the early 80s, by an Irishman...Crucial!  allmusic gives it 4 1/2 stars!! 

See Review Below!
In the dead wax:  On both sides:  matrices, etched.   Complete dead wax information cheerfully given upon request.

Cover:  MINTY!  (see photos)  Front and back of cover artwork and text are rich, clear and bright, essentially flawless.  Seams, corners and spine are solid and clean, essentially flawless.  No splits.  No writing.  Spine print is crystal clear.   

Goldmine Standards.  

  U.S. Shipping:  $4.99 Media Mail.  Tracking included.   50 cents additional shipping per additional item, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  

 On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.   

Searching for the Young Soul Rebels Review

by Ned Raggett

The crackling stations being switched on the radio and the gang shout followed by the spoken injunction to "burn it down" sound like they should be starting off a Sham 69 record. Then "Burn It Down" actually starts, with its horn section, Hammond organ and Kevin Rowland's utterly unconventional soul vocals. The cult of Dexy's, and this album in particular, were worshipped as the return of "soul" to English rock music at the dawn of Thatcherism. Exploring the myth that this album holds, especially in Brit music terms, can be a strange prospect: 20 years on it doesn't sound revolutionary, it just sounds good. And good it is, quite good, compared to where Paul Weller ended up, i.e., too reverential by half. This is vibrant, alive, and unconcerned with perfection. Rowland takes a role that Morrissey would have in 1985 and Jarvis Cocker in 1995 -- the unexpected but perfect voice to capture a time and moment in the U.K. His slightly strangled wail and sly, wry lyrics and song titles ("Tell Me When My Light Turns Green," "Thankfully Not Living in Yorkshire It Doesn't Apply") make this album in many ways. Musically, the group lays down R&B grooves and brassy hooks with aplomb, as on the brilliant "Seven Days Too Long" and the number one single "Geno," but throw in film noir touches, John Barry-writing-for-James Bond fare and more just as ably. The liner notes have a fun description of the group's origins and brief notes for most of the tunes -- the best for the finale, "There, There, My Dear": "P.S. Old clothes do not make a tortured artist." The 2000 reissue contains a slew of extra tracks and B-sides, making it the version to find.



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