DINAH WASHINGTON SINGS FATS WALLER RARE ORIG '58 MERCURY STEREO LP DG BEAUTIFUL

$

71

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·       DINAH WASHINGTON with JOHNNY COLES, JIMMY CLEVELAND, BENNY GOLSON, CLARK TERRY, SAHIB SHIHAB,  CHARLIE SHAVERS, FRANK WESS AND OTHERS – DINAH WASHINGTON SINGS FATS WALLER – ORIGINAL 1957 MERCURY RECORDS STEREO LP SR-60202 (MONO ALBUM RELEASED IN 1957, STEREO FOLLOWED ABOUT TWO YEARS LATER)

·       ORIGINAL U.S. PRESSING

·       CLASSIC CLYDE OTIS STEREOPHILE PRODUCTION !

·       ORIGINAL FLAT (NON-GLOSSY) BLACK MERCURY LABEL WITH SILVER PRINT, MID-TO-LATE 50’s STYLE.

·       DEEP GROOVE PRESSING

·       RARE STEREO PRESSING, MANY TIMES RARER THAN MONO (THIS IS A LEGENDARY ORIGINAL CLYDE OTIS PRODUCTION)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1…/-1...'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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The 1957 LP Dinah Washington Sings Fats Waller appropriately brings together Waller's vivacious songs and Washington's demonstrative vocal talents. The jazz diva effortlessly handles Waller classics like "Keeping out of Mischief Now," "Just Squeeze Me," and "Ain't Mibehavin'," while turning in particularly emotive renditions of "'Tain't Noboby's Biz-Ness If I Do" (actually a Clarence Williams tune), and "Jitterbug Waltz" (this last cut featuring Washington's keen and signature blend of blues vocal power and streamlined diction). Adding nice variety to the already strong set, Washington's husband at the time, saxophonist Eddie Chamblee, joins the singer for playful duets on "Honeysuckle Rose" and "Everybody Loves My Baby" (ironically, the love sentiments of both songs were not to stick, as the couple called it quits after just a year of marriage). In addition to "Everybody Loves My Baby" and "'Tain't Noboby's Biz-Ness If I Do," Washington covers other songs associated with Waller, but not penned by him, including "Christopher Columbus" and the highlight of the set, "Somebody's Rocking My Dreamboat." Topped off with solidly swinging charts by Ernie Wilkins and fine backing by an all-star band, the date registers as one of Dinah Washington's best and most enjoyable records.

 (EXCERPT FROM AN ONLINE REVIEW BY STEPHEN COOK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)          Stereo  pressing of this title is much rarer, and by far more preferable to its mono  counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies  by a ratio of at least 10:1.

(e)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3   (VISIBLE ON BACK SIDE ONLY)

-        Cover has a few tiny wrinkles along the spine (BARELY VISIBLE)

-         Cover has two corners slightly worn (nothing significant)

-         Cover has a  quality control (inspection) stamp on the back panel

-         Cover has a small price stamp on the back panel

-         Cover shows some light yellowing on back side, apparently from aging.

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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