DINO "24/7" LP NEW / MINT / STILL SEALED 1989 RnB/Swing, Synth-pop, Electro MORE
$
24
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Description
Dino (2) – 24/7
Dino (2) - 24/7 album cover
More images
Label: 4th & Broadway – BWAY4011, 4th & Broadway – BWAY 4011
Format:
Vinyl, LP, Album
Country: US
Released: 1989
Genre: Electronic, Funk / Soul, Pop
Style: RnB/Swing, Synth-pop, Electro, Freestyle, Hi NRG, Ballad
A1 The Opening / No More Heartbreak
Guitar – Paul Pesco
Piano, Soloist – Jeff Lorber
Programmed By [Additional] – R.O.B.
6:05
A2 I Like It
Bass [Tobias 5 String] – Keith Nelson (3)
Guitar – Paul Pesco
Keyboards [Fills] – Jeff Lorber
Programmed By [Additional] – R.O.B.
Voice [Female] – Karen Stanton
5:16
A3 Never 2 Much Of U
Backing Vocals – Brian Bywaters
Guitar – Paul Jackson Jr.
Saxophone – Paul Taylor (36)
5:27
A4 Summergirls (Remix)
Engineer [Recording, Mixing] – T. Bone Denman*
Remix – Frankie Anobile, R.O.B. Hathcock*
6:12
B1 Boyfriend-Girlfriend
Guitar – Paul Pesco
Voice [Girltalk] – DeMonica Santiago, Joyce Tolbert, Shireen Crutchfield
4:21
B2 Real Love
Guitar – Paul Pesco
4:24
B3 24/7
Backing Vocals – Brian Bywaters, Linda Brown (2)
Guitar – Buzz Feiten*
Keyboards [Fills] – Jeff Lorber
Piano, Soloist – Dino (2)
Saxophone – Paul Taylor (36)
4:16
B4 Sunshine
Guitar – Paul Jackson Jr.
Piano, Soloist – Jeff Lorber
Programmed By [Additional], Scratches – R.O.B.
3:46
B5 In The City
Backing Vocals – Brian Bywaters, Linda Brown (2)
Programmed By [Additional] – R.O.B.
5:56
Recorded At – JHL Sound
Recorded At – Ground Control Studios
Mixed At – Ground Control Studios
Recorded At – Son Songs Studios
Mastered At – Frankford/Wayne Mastering Labs
Phonographic Copyright ℗ – Island Records Inc.
Copyright © – Island Records Inc.
Pressed By – Specialty Records Corporation
Engineer [Mixing] – Alan Meyerson (tracks: A1 to A3, B1 to B5)
Engineer [Recording] – Chris Fuhrman (tracks: A1 to A3, B1 to B5), Liz Cluse (tracks: A1 to A3, B1 to B5)
Mastered By, Lacquer Cut By – Herb Powers*
Producer, Lead Vocals, Backing Vocals, Keyboards, Programmed By [Keyboards, Percussion], Drum Programming – Dino (2)
Programmed By [Horns] – Dino (2) (tracks: A2. B2 to B4)
Remix, Producer [Additional] – Dino (2), Frankie Anobile, R.O.B.
Label: BWAY4011
Spine: BWAY 4011
- Jeff Lorber appears courtesy of Warner Bros Records, Inc.
- Paul Jackson, Jr. appears courtesy of Atlantic Record Corporation
- Paul Pesco appears courtesy of Sire Records
Recorded at
- JHL Studios, Los Angeles, CA
- Ground Control Studios, Los Angeles, CA
Mixed at
- Ground Control Studios, Los Angeles, CA
A4 Recorded at Son Songs Studios, Las Vegas, NV
Programming done at Son Songs Studios, Las Vegas, NV
Barcode (Text): 0 16244-4011-1 4
Barcode (Scanned): 016244401114
Matrix / Runout (Side A): BWAY-4011-A F/W Herbie Jr. :v) 1-1 SRC
Matrix / Runout (Side B): BWAY-4011-B F/W Herbie Jr. :v) 1-1 SRC
Title (Format) Label
GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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