DIZZY REECE+TUBBY HAYES JAZZ AT BUCKINGHAM ULTRA-RARE ORIG '56 SAVOY MONO LP DG
$
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· DIZZY REECE AND TUBBY HAYES (ONE SIDE EACH) – CHANGING THE JAZZ AT BUCKINGHAM PALACE – ULTRA-RARE ORIGINAL 1956 SAVOY RECORDS MONO LP MG-12111 (EASILY ONE OF THE RAREST SAVOY JAZZ TITLES!)
· ORIGINAL U.S. PRESSING
· ORIGINAL 'BLOOD RED' SAVOY LABEL WITH SILVER PRINT AND DEEP GROOVE ON THE LABEL
· DEEP GROOVE PRESSING
· The record has a ►Rudy Van Gelder’s name or his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL LAMINATED COVER
· CLEAN, WEAR-FREE LABELS (CONTROL STAMPS NOTED ON BOTH LABELS)
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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This compilation pairs two 1956 sessions led separately by tenor saxophonist Tubby Hayes and trumpeter Dizzy Reece. The opening track is pianist Harry South's slinky, extended hard bop blues "Hall Hears the Blues," in which the rhythm section (with bassist Pete Elderfield and drummer Bill Eyden) goes it alone for three minutes before Hayes and trumpeter Dick Hawdon make their presence known with outstanding back-to-back solos. The erroneous liner notes reproduced from the original album repeatedly refer to the leader as "Tubby Hall," making one wonder if the song title is also incorrect! Hayes takes charge from the kickoff of the quintet's midtempo rendition of Howard McGhee's "Nicole" (yet another variation of "I Got Rhythm"), though Hawdon is equal to the task of matching the tenor saxophonist with a superb solo of his own. The remaining four tracks feature Dizzy Reece with a quartet consisting of pianist Terry Shannon, bassist Lennie Bush, and drummer Phil Seamen. Reece focuses on songs composed or performed by Charlie Parker, offering two expressive interpretations of "Bluebird," along with a moving rendition of the standard "How Deep Is the Ocean?" and a spirited take of "Yardbird Suite" that showcases the rhythm section as well. Originally released bySavoy and finally reissued on a Japanese CD in 2000, this long unavailable music is worth investigating by hard bop fans who enjoy British jazz of the mid-'50s.
(EXCERPT FROM AN ONLINE REVIEW BY KEN DRYDEN, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++. A few light abrasions ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record has a ►Rudy Van Gelder name, or his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or personally authorized by - the legendary engineer himself.
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(e) The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS ABOUT VERY GOOD (VG).
The following flaws or imperfections are noted on the cover:
- Cover has some visible fraying/tattering on all three seams
- Cover has all four corners slightly worn / dinged / bent.
- Cover has a partially split top seam (between 4 and 6 inches / 10 to 15 centimeters)
- Cover has a partially split bottom seam (between 2 and 4 inches / 5 to 10 centimeters)
- Cover has a partially split spine (less than 1 inch / 2.5 centimeters)
- A light drip-like stain noted on the front panel (this can be easily cleaned up)
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4 (VISIBLE ON BACK SIDE ONLY)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- Cover has a few tiny wrinkles along the spine (nothing significant)
- Small yellowish stain noted on the back panel (less than 3 square inches in size)
- Cover has a small quality control (inspection) stamp on the back panel
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No wrinkles or creases
- No writing
- No peel-off marks
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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