DON REDMAN w/COLEMAN HAWKINS ALL-STARS ULTRA-RARE ORIG '57 SESAC MONO LP DG
$
37
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Description
WE CURRENTLY HAVE NEARLY 400 LISTED ITEMS
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· DON REDMAN WITH COLEMAN HAWKINS, AL COHN, CHARLIE SHAVERS, SELDON POWELL, HANK JONES AND OTHERS – DON REDMAN ALL-STARS, VOL. 1 - ULTRA-RARE ORIGINAL 1957 SESAC MONO LP N-2101/02
· ORIGINAL U.S. PRESSING
· ORIGINAL BLACK, WHITE AND PALE BLUE/GRAY SESAC LABEL (AS IS THE CASE WITH ALL SESAC LABELS, THE COLOR CONVENTION FOUND ON THE RECORD LABEL MIMICS THE COLOR CONVENTION ON THE COVER)
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL "TEXTURED" (NIBBED) COVER.
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1…'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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The first great arranger in jazz history, Don Redman's innovations as a writer essentially invented the jazz-oriented big band with arrangements that developed yet left room for solo improvisations.
(EXCERPT FROM AN ONLINE BIO BY SCOTT YANOW, ALL MUSIC GUIDE /ALLMUSIC.COM/)
In 1957, Redman assembled a dynamite band and recorded a transcription album for Sesac in New York called Don Redman All-Stars. For those not in the know, a transcription recording was typically an oversized disc recorded exclusively for radio airplay. In this case, the transcription featured songs licensed by the Society of European Stage Authors and Composers (Sesac), a performing-rights organization akin to ASCAP and BMI. All of the Redman songs here would have been licensed by Sesac, and the transcription was offered to radio stations for broadcast. Sesac would then earn airplay royalties on the songs.
Redman's transcription was the first in a series that Sesac produced between 1957 and 1963 featuring Duke Ellington, Elliot Lawrence, Will Bradley, Bobby Hackett, Cannonball Adderley, Count Basie, Billy Taylor and Kai Winding. (A label today might want to feature them all in a set called The Complete Sesac Sessions.)
So who was in this '57 Redman transcription band? Take a deep breath: Charlie Shavers, Joe Wilder, Al Mattaliano (tp); James Cleveland, Sonny Russo, Bobby Byrne (tb); George Dorsey, Milt Yaner (as); Coleman Hawkins, Al Cohn, Seldon Powell (ts); Danny Bank (bar); Hank Jones (p); George Barnes (g); Al Hall (b); Osie Johnson (d) and Don Redman (percussion, vibes, whistling, arranger/conductor).
Redman's originals here swing, and his arrangements are dazzling and relentlessly interesting. The solos are all tasteful, particularly the ones by Coleman Hawkins.
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++. A few light abrasions ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has three slightly worn / frayed / bent (just a beginning of the split seam)
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2.
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging.
- Cover has some fraying/wear along the spine .
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No writing
- No stamps
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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