DONALD FAGEN The Nightfly VG++ 1982 1ST PRESS BOB LUDWIG MONARCH STEELY DAN

$

25

Vinyl:  VG++ Play Graded. Sounds Great!  Warner Brothers Labels are Clean.   This is the Original 1982 Warner Brothers 1st Pressing!  1-23696.  This is the definitive analog pressing, Mastered by Bob Ludwig at Masterdisk, NYC and Pressed at Monarch Records Mfg. Corp., Los Angeles, CA!  Biographical in nature, here's Fagan delivering insights into his past with intelligent and clever reminiscenses of the 1950s and early 1960s... allmusic gives it 4 1/2 stars!!!  
See Review Below!
In the dead wax: Side 1:   1-23696-A-SH-1  MASTERDISK ((stamper))  RL ((Robert Ludwig of Masterdisk, NYC))   +  SLM  ((Sheffield Lab Matrix))  "delta" 2607 MR with a circle around it ((Monarch Record Mfg. Corp., Los Angeles, CA))  B-17196-SH1
Side 2:  1-23696-B E7 MASTERDISK ((stamper))  RL ((Robert Ludwig of Masterdisk, NYC))   EDP ((with a circle around it)) W1-SE1 5M3  "delta" 2607-X (2)  ((Monarch Record Mfg. Corp., Los Angeles, CA))  B-17197 - E7        Cover: VG++ (see photos)   Includes the lyric inner sleeve.  
Goldmine Standards.    I play grade every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  

 On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.

AllMusic Review by Jason Ankeny

A portrait of the artist as a young man, The Nightfly is a wonderfully evocative reminiscence of Kennedy-era American life; in the liner notes, Donald Fagen describes the songs as representative of the kinds of fantasies he entertained as an adolescent during the late '50s/early '60s, and he conveys the tenor of the times with some of his most personal and least obtuse material to date. Continuing in the smooth pop-jazz mode favored on the final Steely Dan records, The Nightfly is lush and shimmering, produced with cinematic flair by Gary Katz; romanticized but never sentimental, the songs are slices of suburbanite soap opera, tales of space-age hopes (the hit "I.G.Y.") and Cold War fears (the wonderful "The New Frontier," a memoir of fallout-shelter love) crafted with impeccable style and sophistication.