DOUG WATKINS w/HANK MOBLEY AT LARGE RARE JAPAN AUDIOPHILE TRANSITION LP w/INSERT

$

21

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·       DOUG WATKINS with HANK MOBLEY, DONALD BYRD, KENNY BURRELL AND DUKE JORDAN - WATKINS AT LARGE (TRANSITION #20) –VERY RARE JAPANESE AUDIOPHILE PRESSING OF THE 1956 TRANSITION RECORDS MONO LP - TOSHIBA/EMI (JAPAN) MONO LP TRLP-20

·       GENUINE  JAPANESE PRESSING

·       BLACK TRANSITION/TOSHIBA LABEL WITH WHITE GOLD PRINT (THE LABEL MIMICS THE ORIGINAL 1956 US TRANSITION LABEL)

·       PRODUCED BY THE LEGENDARY ►TOM WILSON (THE OWNER OF THE TRANSITION LABEL)

·       JAPANESE AUDIOPHILE HIGH QUALITY PRESSING ON A VIRGIN VINYL

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL LAMINATED COVER

·       ORIGINAL "TEXTURED" (NIBBED, LEATHER-LIKE) BACK COVER.

·       THE ALBUM INCLUDES RARE JAPANESE-ONLY INSERT / DATA SHEET.

·       CLEAN, WEAR-FREE LABELS

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the thickness of the vinyl as 7.

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1S/-1S'.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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I am still amazed that certain young bass players still invoke the name of Doug Watkins, especially since his records are no longer easy to come by and, moreover, frequently suffer from inferior audio quality. Transition was the only label to do justice to his rich sound and inerrant note choices, making it apparent why he was once held in the same high regard as Paul Chambers. Watkins didn't have to play "busy" solos: he could say more than countless bass "virtuosi" simply through his impeccably constructed, soulfully selected bass lines. And his time was not merely rock solid and steady: it was breathing, living, animated. Dig his lines on "Return to Paradise" (the Dimitri Tiomkin theme revived by Shirley Horn on "Here's to Life"). He manages to produce a groove that is so bouyant, light and free that the sensation is one of suspended time, or of a "circular" movement that defies any notion of termination. Sadly, that was not the case for the brief but lingering instant during which Watkins was with us. Despite the heavy company--Byrd, Mobley, Burrell, Duke Jordan--it's Watkins' supportive bass lines that shine on this date.

(EXCERPT FROM AN ANONYMOUS ONLINE REVIEW)

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          THE VINYL IS ABSOLUTELY, PERFECTLY MINT,  as if never played before. The original luster is totally intact, and the vinyl shines and sparkles like brand new. The labels look perfect, simply gorgeous, with absolutely no trace of wear around the spindle hole. The record is TOTAL PERFECTION - ABSOLUTE VISUAL NIRVANA! We are confident that, in this condition, the record we present here is truly once-in-a-lifetime find.

(b)          The album comes with the original Japanese-only insert still intact.

(c)           The record is STILL in its original inner, hi-grade PVC inner sleeve, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

(d)          The record is pressed on a beautiful, high-quality, virgin-grade vinyl, which is usually used for audiophile, extended-dynamic-range, half-speed mastered and connoisseur pressings.

(e)           The record is pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

(g)          Stereo copies of this album are NOT known to exist.

·       COVER:

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-        Visible shelf wear noted on the seams

-        Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

-        Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-        Cover has a few tiny wrinkles along the spine (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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