DURUTTI COLUMN The return Pochette PAPIER VERRE Sans le flexi Fact 14 Album LP
€
220
$
256
Oct 2, 2024
Sold Date
Sep 30, 2024
Start Date
1
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France
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Description
TRÈS BON ETAT
Version sans titre imprimé sur pochette SANS LE FLEXI DISCThe Durutti Column – The Return Of The Durutti Column
Pays: UK Sortie: janv. 1980 Genre: Jazz, Rock Style: Avantgarde
Tracklist
Masquer crédits A1 The Durutti Column– Sketch For Summer 2:58 A2 The Durutti Column– Requiem For A Father 5:06 A3 The Durutti Column– Katharine 5:26 A4 The Durutti Column– Conduct 4:59 B1 The Durutti Column– Beginning 1:37 B2 The Durutti Column– Jazz 1:35 B3 The Durutti Column– Sketch For Winter 2:22 B4 The Durutti Column– Collette 2:20 B5 The Durutti Column– In 'D' 2:25Written-By – Martin Hannett 2:59
Sociétés, etc.
- Copyright ℗ phonographique – Factory Records
- Publié par – Movement Of 24th January
- Enregistré à – Cargo Studios
- Mixé à – Strawberry Studios
- Laque coupée à – The Sound Clinic
- Pressé par – Lyntone Recordings Ltd. – LYN 7561
- Pressé par – WEA Records Pressing Plant, West Drayton
Crédits
- Bass – Pete Crooks
- Concept By [Artwork] – Anthony H. Wilson
- Drums – Toby*
- Engineer – Chris Nagle, John Brierley
- Guitar, Written-By – Vini Reilly
- Plated By – EG*
- Producer – Martin Hannet*
Notes
Recorded over three days in August 1979 on 8-track equipment at Cargo, Rochdale.
Mixed at Strawberry, Stockport.
Published by Movement of 24th. January Music.
A Factory Records Product
℗© 1979
The sandpaper cover comes in various editions (3,600 editions altogether):
1. With spray-painted FACT 14 in black
2. With spray-painted FACT 14 in white
3. With spray-painted title in black
4. Without spray-paint (this).
Recorded over three days in August 1979 on 8-track equipment at Cargo, Rochdale.
Mixed at Strawberry, Stockport.
Published by Movement of 24th. January Music.
A Factory Records Product
℗© 1979
Thanks also to Gammer for his melody and Rowbotham, Reid and Debord for the marketing concept.
It was Tony Wilson who had the idea for the cover, following Situationist Guy Debord's book "Mémoires" also wrapped in sandpaper to destroy the adjacent books. Gammer refers to N.H. Gammer, founder of Gammer And His Familiars, Reilly's first band. Rowbotham refers to Dave Rowbotham, the former DC founder and guitarist. Reid refers to Jamie Reid, who apparently wanted to title the first Sex Pistols album "Where's the Durutti Column?"
The covers were assembled by Joy Division, A Certain Ratio and others. While Ian Curtis did the glueing, the other members of Joy Division watched a porn movie in the same room.
In 'D' is in fact another version of Sketch For Winter.
Thanks also to Gammer for his melody and Rowbotham, Reid and Debord for the marketing concept.
It was Tony Wilson who had the idea for the cover, following Situationist Guy Debord's book "Mémoires" also wrapped in sandpaper to destroy the adjacent books. Gammer refers to N.H. Gammer, founder of Gammer And His Familiars, Reilly's first band. Rowbotham refers to Dave Rowbotham, the former DC founder and guitarist. Reid refers to Jamie Reid, who apparently wanted to title the first Sex Pistols album "Where's the Durutti Column?"
The covers were assembled by Joy Division, A Certain Ratio and others. While Ian Curtis did the glueing, the other members of Joy Division watched a porn movie in the same room.
The first album, 1980's The Return of the Durutti Column (title inspired by a 1967 Situationist International poster that includes that phrase), was produced by Martin Hannett. Reilly: "...he more or less got sounds for me that no one else could understand that I wanted. And he understood that I wanted to play the electric guitar but I didn't want this horrible distorted, usual electric guitar sound and he managed to get that." The record featured a sandpaper sleeve (like the title of the record, inspired by a Situationist joke, a book – Guy Debord's Mémoires – with a sandpaper cover to destroy other books on the shelf). "I didn't even know it was going to be an album. It was just the case of jumping at the chance of being in the studio. I actually didn't get up in time, Martin had to physically get me out of bed to get me to the studio – that's how little I believed it would happen. I was still doing late night petrol station shifts. I was even more amazed when Tony presented me with a white label. I was completely baffled. 'What, this is really going to be an album? You must be insane! No-one's going to buy this!' And then Tony got the idea from the Situationists about the sandpaper book, and decided to do some with a sandpaper sleeve. It was Joy Division that stuck the sandpaper onto the card. I was mortified."[6][7]
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